Bryson – författare

Provides students as well as lecturers with an international Reader focusing on the evolving economic geography of the advanced capitalist economies of Europe, North America, and the Pacific Rim within the framework of economic globalisation. It gives readers an easily accessible collection of some of the most important papers published in this dynamic discipline. The book spans the economic geographies of globalisation, new spaces of production and consumption, new landscapes of work and the restucturing of welfare, and includes a specially written introductory chapter, section overviews, and suggested further reading. An important statement on economic geography today, this book provides an indispensable resource for undergraduates in economic geography, regional economics and other related social sciences.

In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.