C. Day Lewis – författare

A reissue of a much-loved adventure which has stood the test of time and is as exciting today as when it was first published nearly 70 years ago. It all begins when Nick breaks the classroom window with his football, and the Headmaster says Nick has to pay for the damage. Nick has no more hope of raising the money than of going to the Moon, so that's when rivalling Ted's and Toppy's gangs decide to sign a truce and plan Operation Glazier to get the money for Nick. The plan goes smoothly and soon the money has been collected, but when it goes missing the boys turn detective to try and find the culprit.

A reissue of a much-loved adventure which has stood the test of time and is as exciting today as when it was first published nearly 70 years ago. It all begins when Nick breaks the classroom window with his football, and the Headmaster says Nick has to pay for the damage. Nick has no more hope of raising the money than of going to the Moon, so that's when rivalling Ted's and Toppy's gangs decide to sign a truce and plan Operation Glazier to get the money for Nick. The plan goes smoothly and soon the money has been collected, but when it goes missing the boys turn detective to try and find the culprit.

The range and variety of the poetry of a 40-year period which took on a new coloring with the advent of the first World War.

C. Day Lewis (1904-1972) was one of the leading young poets of the 1930's who - along with W. H. Auden, Louis MacNeice, and Stephen Spender - broke away from the staid poetic establishment to dominate British poetry in the middle third of the century. Here, for the first time, are all the poems Day Lewis wrote, including occasional verse which has never appeared in book form and a number of poems previously published only in limited editions. The Complete Poems has been edited, with an introduction and textual notes, by Jill Balcon, the poet's widow.

In this work, first published in 1953, C. Day Lewis, former Professor of Poetry at Oxford, chooses a form that enables his various gifts to be displayed to advantage and to sustain rapt interest in a poem longer than convention now favours.It is a poem in seven parts: ''Dialogue at the Airport''; ''Flight to Italy''; ''A Letter from Rome''; ''Bus to Florence''; ''Florence: Works of Art''; ''Elegy Before Death: at Settignano''; ''The Homeward Prospect''. The whole resembles a suite in music; various metres are used, and each part is self-contained, though all are on the same subject - a journey to and in Italy. The poet has used his first impressions of the country to illustrate certain deeper themes indicated by the epigraph: ''... an Italian visit is a voyage of discovery, not only of scenes and cities, but also of the latent faculties of the traveller''s heart and mind.''If anybody has had the slightest doubt about Mr. Day Lewis''s ability to practice what he professes so eloquently and vigorously in his lectures, An Italian Visit should be convincing proof that its author is a poet in the full and splendid exercise of his powers.'' Eric Gillett in the National Review.

A collection of poetry from Cecil Day Lewis, Poet Laureate from 1968 until his death in 1972.Originally published in 1957, this collection shows how much his style had changed after having distanced himself from Auden. In 1951, he became only the second living writer (after TS Eliot) to be featured in the popular series of ''Penguin Poets'' paperbacks. In his introduction, he wrote: ''Looking back over my verse of the last 20 years, I was struck by its lack of development - in the sense of one poetic phase emerging recognizably from the previous one and leading inevitably to the next: it would all be much tidier and more in accordance with critical specifications, were this not so. But my verse seems to me a series of fresh beginnings rather than a continuous line.''

In this work, C. Day Lewis, former Professor of Poetry at Oxford, chooses a form that enables his various gifts to be displayed to advantage and to sustain rapt interest in a poem longer than convention now favours. It is a poem in seven parts: 'Dialogue at the Airport'; 'Flight to Italy'; 'A Letter from Rome'; 'Bus to Florence'; 'Florence: Works of Art'; 'Elegy Before Death: at Settignano'; 'The Homeward Prospect'. The whole resembles a suite in music; various metres are used, and each part is self-contained, though all are on the same subject - a journey to and in Italy. The poet has used his first impressions of the country to illustrate certain deeper themes indicated by the epigraph: '...an Italian visit is a voyage of discovery, not only of scenes and cities, but also of the latent faculties of the traveller's heart and mind.' If anybody has had the slightest doubt about Mr. Day Lewis's ability to practice what he professes so eloquently and vigorously in his lectures, An Italian Visit should be convincing proof that its author is a poet in the full and splendid exercise of his powers.' Eric Gillett in the National Review.

A collection of poetry from Cecil Day Lewis, Poet Laureate from 1968 until his death in 1972. Originally published in 1957, this collection shows how much his style had changed after having distanced himself from Auden. In 1951, he became only the second living writer (after TS Eliot) to be featured in the popular series of 'Penguin Poets' paperbacks. In his introduction, he wrote: 'Looking back over my verse of the last 20 years, I was struck by its lack of development - in the sense of one poetic phase emerging recognizably from the previous one and leading inevitably to the next: it would all be much tidier and more in accordance with critical specifications, were this not so. But my verse seems to me a series of fresh beginnings rather than a continuous line.'

This book - a most important and original contribution to the literature of interpretative criticism -contains the Clark Lectures delivered at Cambridge University in 1946. Its theme is poetic imagery, not only in its stricter sense of simile, metaphor and image, but in the wider application of the term, by which every good poem is itself a total image made up of a multiplicity of component images. The book is therefore more than an academic study of one aspect of poetic material and technique: it is an investigation into the nature of poetry itself, taking as its clue the belief, as old as Aristotle, that the power of image-making is the one sure sign of poetic genius. Beneath all the manifestations of the poetic image, Mr. Day Lewis traces one principle at work - the '' abiding impulse in every human being to seek order and harmony behind the manifold and the changing''.

This is a very rich book of poetic criticism, focusing on the role of the ''image'' in poetry. A fantastic book for any poetry fan.

A centenary edition of C Day Lewis' poems. It offers the reader a view of the technical variety and range of Day Lewis' work, from the pastoral lyrics of his youth, inspired by Hardy and Yeats, through the political verse of the 1930s, to the reflective and more personal poems of his later years.