C. H. Sisson – författare

Jean Racine (1639-99) remains to this day the greatest of French poetic dramatists. Britannicus (1669), the first play in this volume, takes its themes from Roman history: the setting is bloody and treacherous court of the Emperor Nero. Phaedra (1677) dramatizes the Greek myth of Phaedra's doomed love for her stepson Hippolytus. Athaliah (1691), Racine's last and perhaps finest play, draws on the Old Testament story of Athaliah, Queen of Judah and worshipper of Baal, who is threatened and finally forced to concede victory to Joash, a son of the house of David and survivor of Athaliah's massacres.Racine's tragedies portray characters wrestling with ambition, treachery, religion, and love. In this translation, specially commissioned for The World's Classics series, C.H. Sisson has captured admirably the lucidity of Racine's language, both analytic and passionate, and the rhythm of his four-part Alexandrine, a combination that previous translators have consistently failed to achieve. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis''s work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton''s annotations, is a definitive text based on Lewis''s own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis''s other writings.

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis''s work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton''s annotations, is a definitive text based on Lewis''s own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis''s other writings.