Camilla Sutherland – författare

The Feeling Child: Affect and Politics in Latin American Literature and Film compiles a series of essays focusing on the figure of the child within the specific context of the “affective turn” in the study of contemporary sociocultural settings across Latin America. This edited volume looks specifically at the intersection between cultural constructions of childhood and the affective turn within the contemporary sociopolitical landscape of Latin America. The editors and contributors share a common aim in furthering comprehension of the particular intensity of the child’s affective presence—spectatorial, haptic, silent, and spectral, among others—in contemporary Latin American cultural expression. The contributions herein approach this theoretical challenge through an interdisciplinary lens which brings together two burgeoning strands of inquiry. The first is the notion of childhood as a significant, and inherently political, sociocultural space; the second is the recognition that affect is integral and fundamental to gaining a more complex understanding of the manner in which contemporary social worlds are made. In each case, this affective presence is teased out as a register of society, shedding light on the issues marking out the current sociopolitical landscape—in particular the traces of the recent past—in the regions represented. This book brings together established international scholars and young academics focusing on Argentina, Bolivia, Chile, Cuba, and Peru.

This book offers a fresh reading of Latin American modernism through the lenses of gender and space. By analysing the contributions of eight contemporaneous women – four writers and four plastic artists – it reveals how they constructed and conceived of their identities as cultural practitioners through distinctly spatial tactics. Organised around four spatial themes (domestic architecture, the natural world, travel and the public sphere), this multidisciplinary, comparative monograph sheds new light on the works of well-known figures such as Mexican painter Frida Kahlo and Chilean poet Gabriela Mistral, while recuperating artists that remain virtually unknown, such as Bolivian sculptor Marina Núñez del Prado. Through discussion of their work within a transnational context, this study positions these Latin American women practitioners within a broader narrative of modernism from which they have often remained absent.

This book offers a fresh reading of Latin American modernism through the lenses of gender and space. By analysing the contributions of eight contemporaneous women – four writers and four plastic artists – it reveals how they constructed and conceived of their identities as cultural practitioners through distinctly spatial tactics. Organised around four spatial themes (domestic architecture, the natural world, travel and the public sphere), this multidisciplinary, comparative monograph sheds new light on the works of well-known figures such as Mexican painter Frida Kahlo and Chilean poet Gabriela Mistral, while recuperating artists that remain virtually unknown, such as Bolivian sculptor Marina Núñez del Prado. Through discussion of their work within a transnational context, this study positions these Latin American women practitioners within a broader narrative of modernism from which they have often remained absent.