Cândido Oliveira Martins – författare

This interdisciplinary collection explores four distinct perspectives about the mask, as object of use for protection, identity, and disguise. In part I, contributors address human identities within collective social performance, with chapters on performativity and the far right and masked identities in political resistance and communication. Part II focuses on the mask as a signifying object with strong representational challenges, exploring representations in festivals, literature, and film. Part III investigates the ambiguous use of the mask as a protective and concealing element, delving into visual culture and digital social media contexts. Finally, Part VI draws on the work of Levinas and Deleuze to investigate a philosophical view of the mask that addresses memory and ethics within intersubjective relationships. Questioning the contemporary world, using communication, sociology, visual culture, and philosophical theory, the volume provides a pedagogical and formative perspective on the mask.

This interdisciplinary collection explores four distinct perspectives about the mask, as object of use for protection, identity, and disguise. In part I, contributors address human identities within collective social performance, with chapters on performativity and the far right and masked identities in political resistance and communication. Part II focuses on the mask as a signifying object with strong representational challenges, exploring representations in festivals, literature, and film. Part III investigates the ambiguous use of the mask as a protective and concealing element, delving into visual culture and digital social media contexts. Finally, Part VI draws on the work of Levinas and Deleuze to investigate a philosophical view of the mask that addresses memory and ethics within intersubjective relationships. Questioning the contemporary world, using communication, sociology, visual culture, and philosophical theory, the volume provides a pedagogical and formative perspective on the mask.

This interdisciplinary collection explores four distinct perspectives about the mask, as object of use for protection, identity, and disguise. In part I, contributors address human identities within collective social performance, with chapters on performativity and the far right and masked identities in political resistance and communication. Part II focuses on the mask as a signifying object with strong representational challenges, exploring representations in festivals, literature, and film. Part III investigates the ambiguous use of the mask as a protective and concealing element, delving into visual culture and digital social media contexts. Finally, Part VI draws on the work of Levinas and Deleuze to investigate a philosophical view of the mask that addresses memory and ethics within intersubjective relationships. Questioning the contemporary world, using communication, sociology, visual culture, and philosophical theory, the volume provides a pedagogical and formative perspective on the mask.

Looking at both Lusophone literature and literatures from around the globe from the perspective of intercultural communication, this book addresses post-colonial literature, intercultural negotiations, and how multicultural debates are reflected in literary production. Topics addressed include mobility and its effects, be it through work, business, leisure, travel, or study; contact between countries, even within the boundaries of the country itself; migration or exile, be it by choice or by force. As a whole, the volume provides a comparative study of representations of intercultural communication in literature. The volume conceives literature broadly to include both traditional fictional and non-fictional prose, and more recent genres like social media posts

Looking at both Lusophone literature and literatures from around the globe from the perspective of intercultural communication, this book addresses post-colonial literature, intercultural negotiations, and how multicultural debates are reflected in literary production. Topics addressed include mobility and its effects, be it through work, business, leisure, travel, or study; contact between countries, even within the boundaries of the country itself; migration or exile, be it by choice or by force. As a whole, the volume provides a comparative study of representations of intercultural communication in literature. The volume conceives literature broadly to include both traditional fictional and non-fictional prose, and more recent genres like social media posts