Cara Hoffman – författare

Fans of Sara Pennypacker and Katherine Applegate will love this thrilling environmental fable—filled with laughter, music, and adventure.

There’s no other place Tubs Marshfield would rather be than singing a song in his perfect little swamp along the Louisiana bayou. His music can make anyone feel happy.

But something terrible is happening within the swamp that even Tubs’ songs can’t fix—and it’s making his neighbors feel sick! No one knows what to do, least of all Tubs.

A mysterious prophecy may hold the key…or send Tubs away from his friends forever.

Be Safe I Love You tells the story of Lauren Clay, a woman soldier returned from Iraq, and her beloved younger brother Danny,obsessed with Arctic exploration and David Bowie, whom she has looked out for since their mother left them years before. Lauren is home in time to spend Christmas with Danny and her father, who is delighted to have her back and reluctant to acknowledge that something feels a little strange. But as she reconnects with her small-town life in upstate New York, it soon becomes apparent that things are not as they should be. And soon an army psychologist is making ever-more frantic attempts to reach her.But Lauren has taken Danny on a trip upstate - to visit their mother,she says at first, although it becomes clear that her real destination is somewhere else entirely: a place beyond the glacial woods of Canada, where Lauren thinks her salvation lies. But where, really,does she think she is going, and what happened to her in Iraq that set her on this quest?Be Safe I Love You is an exquisite and unflinching novel about war,its aftermath, and the possibility of healing.

This widely acclaimed novel about a female soldier who returns from Iraq haunted by a tragic mistake is “beautifully written…suspenseful and smart and tender in unexpected moments” (Miami Herald) and was named one of the 5 Best in Modern War Fiction by The Sunday Telegraph.Before she enlisted, classically-trained singer Lauren Clay had been accepted to a prestigious music conservatory, but her family’s financial demands—worsened by her parents’ divorce and her father’s declining mental health—pushed her in another direction. Joining the army allowed Lauren to provide for her family—especially her younger brother Danny, whose quirky, heartfelt letters to her overseas are signed, be safe, I love you. When she arrives home unexpectedly, it’s clear to her friends and family that something is profoundly wrong with Lauren. But her father is so happy to have her home that he ignores her odd behavior, as well as the repeated phone calls from an army psychologist. Things seem better when Lauren offers to take Danny on a trip to visit their mother upstate, but instead, she guides them into the glacial woods of Canada on a quest to visit the Jeanne d’Arc Basin, the site of an oil field that has become her strange obsession. What happens there will change Sergeant Lauren Clay’s family forever, as she must finally face what she saw, and did, in Iraq. Be Safe I Love You is “a rare, illuminating glimpse into the distinctive experience and psyche of a female vet” (Boston Globe); “a riveting suspense story and a frank portrayal of war’s psychic damage” (Ms. Magazine); and “a painful exploration of the devastation wrought by combat even when the person returns from war without a scratch…this book is a reminder that art and love are all that can keep us from despair” (The New York Times Book Review).

From the critically acclaimed author of Be Safe I Love You comes a haunting novel of love, friendship, and survival set in the red light district of Athens in the 1980s that New York magazine calls ';a gauzy portrait of youthful longing, sticky romance, and regret.'Running follows the lives of three friends and lovers: queer English poet Milo Rollack, prep school dropout Jasper Lethe, and seventeen-year-old Bridey Sullivan, an American with a fascination for fire. Barely out of childhood, squatting in a crumbling hotel on the outskirts of Athens in the late 1980s, the three slip in and out of homelessness, heavy drinking, and underground jobs. While working as runners for the hotelconvincing tourists to stay there for a commission and free boardthey are befriended by an IRA fugitive and become inextricably linked to an act of terrorism that will mark each of them for life. Bridey, the consummate survivor, abandons Jasper and Milo, planning to return when the dust has settled. But no one has fared well in her absence. And then a mysterious death drives her to seek an impossible absolution that will take her from the streets of the red-light district to the remote island cliff houses of the southern Mediterranean. Twenty-five years later, Milo, now a successful writer and professor in Manhattan, struggles to live ethically in a world he knows is corrupt, coping with a secret that makes him a stranger to those closest to him. ';Beautiful and atmosphericoriginal and deeply sad' (Kirkus Reviews), Running is a sweeping and fearless story of friendship and survival from Cara Hoffman, an author who ';writes like a dreama disturbing, emotionally charged dream' (The Wall Street Journal).

From the critically acclaimed author of Be Safe I Love You comes a haunting novel of love, friendship, and survival set in the red light district of Athens in the 1980s that New York magazine calls “a gauzy portrait of youthful longing, sticky romance, and regret.”Running follows the lives of three friends and lovers: queer English poet Milo Rollack, prep school dropout Jasper Lethe, and seventeen-year-old Bridey Sullivan, an American with a fascination for fire. Barely out of childhood, squatting in a crumbling hotel on the outskirts of Athens in the late 1980s, the three slip in and out of homelessness, heavy drinking, and underground jobs. While working as runners for the hotel—convincing tourists to stay there for a commission and free board—they are befriended by an IRA fugitive and become inextricably linked to an act of terrorism that will mark each of them for life. Bridey, the consummate survivor, abandons Jasper and Milo, planning to return when the dust has settled. But no one has fared well in her absence. And then a mysterious death drives her to seek an impossible absolution that will take her from the streets of the red-light district to the remote island cliff houses of the southern Mediterranean. Twenty-five years later, Milo, now a successful writer and professor in Manhattan, struggles to live ethically in a world he knows is corrupt, coping with a secret that makes him a stranger to those closest to him. “Beautiful and atmospheric…original and deeply sad” (Kirkus Reviews), Running is a sweeping and fearless story of friendship and survival from Cara Hoffman, an author who “writes like a dream—a disturbing, emotionally charged dream” (The Wall Street Journal).

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of God, and lovers in a penal colony who communicate through technical drawings these are just a few of the characters who live among the ruins. RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left their wake.A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of God, and lovers in a penal colony who communicate through technical drawings these are just a few of the characters who live among the ruins. RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left their wake.

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of God, and lovers in a penal colony who communicate through technical drawings these are just a few of the characters who live among the ruins. RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left their wake.