Carl Spadoni – författare
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Robertson Davies (1913–1995), one of Canada’s most distinguished authors of the twentieth century, was known for his work as a novelist, playwright, critic, journalist, and professor. This descriptive bibliography is dedicated to his writing career, covering all publications from his first venture into print at the age of nine to works published posthumously to 2011. Entries include each of Davies’ signed publications and those pseudonymous or anonymous writings he acknowledged having written. Included are his plays, novels, journalism, academic writing, translations, interviews, speeches, lectures, unsigned articles and editorials, films, audio recordings, and multimedia editions. Also listed is a generous sampling of unsigned articles and editorials.Using Davies’ archives and the archives of other authors, organizations, and publishers, Carl Spadoni and Judith Skelton Grant present A Bibliography of Robertson Davies to serve the research demands of Canadian literature and book history scholars.
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Disillusioned by the general drudgery of his job, Stephen Leacock resigned from his teaching position at Upper Canada College in 1899 to pursue graduate studies. 'At Chicago,' Leacock wrote wryly, 'they made a general pretense that I was fir for the graduate school in economics. It is a little hard to see why, except that I was obviously not fit to die.'Leacock graduated from the university in 1903. Carl Spadoni's discovery of his dissertation -- previously thought to be lost, and unread since Leacock defended it -- gives readers a unique opportunity to re-examine Leacock's philosophies. 'The Doctrine of Laissez Faire' reveals the early roots of his skepticism about political economy, on which his later works of humour fed. In it, Leacock attempts to demystify the dogmatic opposition to state intervention based on this economic precept. In his introduction, Spadoni provides the historical background for an intellectual understanding Leacock's thesis. The first part of this book, 'My Recollection of Chicago,' is a short essay by Leacock in which he reminisces on his graduate years at Chicago. The second part comprises his newly unearthed thesis. Together, these two pieces shed new light on one of the major figures of Canadian culture.