Carla Rossi – författare
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7 produkter
7 produkter
Häftad, Italienska, 2025
2 914 kr
Skickas inom 5-8 vardagar
Häftad, Italienska, 2023
420 kr
Skickas inom 5-8 vardagar
Häftad, Galiciska, 2023
397 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2026
824 kr
Skickas inom 5-8 vardagar
Häftad, Italienska, 2025
543 kr
Skickas inom 5-8 vardagar
Häftad, Italienska, 1990
284 kr
Skickas inom 10-15 vardagar
Il presente volume, il primo della nuova collana Springer-Collana di Statistica, tratta le principali metodologie statistiche per la risoluzione problemi biomedici. Il fine della pubblicazione è di produrre un utente di tecniche statistiche, anche sofisticate, cosciente dei limiti di applicabilità delle diverse metodologie ed in grado di interagire con Statistici e Matematici al momento di affrontare un problema biomedico. Le varie metodologie vengono introdotte utilizzando da una parte problemi ed insiemi di dati reali, dall`altra dati simulati, atti ad evidenziare gli aspetti critici e da usare come "controesempi". Attraverso la presentazione di numerosi esempi di studi effettivamente realizzati, vengono tra l`altro trattate: l`impostazione bayesiana per i problemi di stima parametrica, l`analisi di tempi di sopravvivenza e l`impostazione di problemi di decisione, sia in campo diagnostico che prognostico .
Inbunden, Engelska, 2025
454 kr
Skickas
Beautiful—for whom? Through Carla Rossi’s lens, beauty is not a fixed idea but a performance, shaped, repeated, and refined in response to the gaze of others.In Bellissima, Rossi photographs Rebecca, a young contestant she met during the Miss Italia selections, tracing her journey from casting calls to national auditions and uncovering a system driven by spectacle, competition, and the tireless pursuit of a narrowly defined ideal of femininity.The images take shape like a choreographed sequence, where the frame becomes a stage for repetition, tension, and interruption. Each gesture—a hand on the hip, a forced smile, a sideways glance—reflects the visual grammar of Italian glamour shows, commercial spectacle, and fashion: codified, internalized, and tirelessly repeated. These movements are not spontaneous; they are learned through years of watching others perform them. By juxtaposing pixelated archival footage from Miss Italia broadcasts with her own staged portraits, Rossi examines how beauty is manufactured—by television crews, by audiences, by the women themselves. In a visual culture still shaped by patriarchal ideals, Bellissima reflects on beauty not as a static result, but as a process of reframing the self as visible, staged, and always up for negotiation—but only relevant as long as someone keeps watching.
The project is supported by Strategia Fotografia 2024, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.