Carlo Celli – författare

A papal advisor and sixteenth-century power broker, Francesco Guicciardini wrote voluminously throughout his time in service to the Medici. The texts in this volume chart his career chronologically, revealing an intellectual whose philosophy of self-interest failed not only to perceive the interests of others but ultimately to serve his own.During Guicciardini’s life, Florentine politics was dominated by the struggle of republican leaders to retain civic political autonomy against the ambitions of the Medici family. Like Machiavelli and Petrarch, and arguably even Dante, Guicciardini was what Carlo Celli calls an “establishment intellectual,” one whose talents furthered the hegemony of authoritarian rule against the interests of his own class. The letters, treatises, reports, and orations included in this volume span Guicciardini’s long career, from his first appointment as ambassador to the Spanish court to just a few years before his forced retirement from political life. They reveal Guicciardini’s role as a protagonist in the events related in his famous History of Italy (1540), shed light on the self-recriminations and remorse that sometimes gnawed at his conscience, and explain why, ultimately, Guicciardini fell from political grace into irrelevance.Through these previously untranslated writings, The Defeat of a Renaissance Intellectual evidences the hard lessons Guicciardini learned in service to the Medici: working within a corrupt system does not lead to solutions, and reason and self-interest are not foolproof guides for predicting human behavior. This book will appeal especially to scholars who study the Medici clan, the Italian Wars, and Renaissance politics and history.

Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita è bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.

Italian filmmaker Gillo Pontecorvo is best known for his films about anti-colonial insurgency and terrorism. In this book, containing several black and white photos, author Carlo Celli examines Pontecorvo's entire career, from his days as a leader in the anti-Nazi/fascist resistance during World War II to his 1992 short documentary about Algeria's struggle with Islamic fundamentalism. This is the first book-length study in English of Pontecorvo's entire career, and features in-depth examinations and re-readings of his major films Kapó (1959), The Battle of Algiers (1965), Burn! (1969), and Ogro (1979). The book also addresses Pontecorvo's largely unknown early documentaries and features, such as Giovanna (1956) and The Wide Blue Road (1957). Celli concludes with an examination of the documentary films that Pontecorvo made in the 1990s including Return to Algiers (1992). This work will be of interest to academics and students of film, but it will also have an appeal to readers concerned with issues regarding the political use of violence in the 20th century—whether it be defined as terrorism, counter-insurgency, or freedom fighting.

Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita è bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni''s performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni''s statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.

Takes the greatest works of practical philosophy and pares them down to their essence.

Axios Press’s Essence of . . . series takes the greatest works ever written in the field of practical philosophy and pares them down to their essence. We select the best passages—the ones that are immediately relevant to us today, full of timeless wisdom and advice about the world and how best to live our lives—and leave behind the more obscure or less important bits. Our selections are not isolated: they flow together to create a seamless work that will capture your interest and attention from page one. And we provide useful notes and a solid introduction to the work. Machiavelli’s The Prince is not a long work, but one that is full of digressions and historical examples that do not mean much to the modern reader. Between these digressions are pearls of observation about managing human beings that are absolutely priceless. Before Machiavelli, writers described human beings as they ought to be, not as they are. Machiavelli was brutally realistic—not to mention cynical and amoral. Today many people consider Machiavelli to be the first social scientist. But we mainly read him because his insights are absolutely essential for anyone who plans to manage a business, organization, or nation.Now with linking index.