Carlos Fausto – författare

Based on recent ethnographic fieldwork and firsthand analysis of indigenous history, this collection examines the concepts of time and change as they played out in areas ranging from religion, cosmology, and mortuary practices to attitudes toward ethnic difference and the treatment of animals. Without imposing traditionally Western notions of what “time” and “change” mean, the collection looks at how native Amazonians experienced forms of cultural memory and at how their narratives of the past helped construct their sense of the present and, inevitably, their own identity.The volume offers some of the most interesting and nuanced discussions to date on Amazonian conceptualisations of temporality and change.

Warfare and Shamanism in Amazonia is an ethnographic study of the Parakanã, a little-known indigenous people of Amazonia, who inhabit the interfluvial region in the state of Pará, Brazil. This book analyzes the relationship between warfare and shamanism in Parakanã society from the late nineteenth century until the end of the twentieth century. Based on the author's extensive fieldwork, the book presents first-hand ethnographic data collected among a generation still deeply involved in conflicts. The result is an innovative work with a broad thematic and comparative scope.

Warfare and Shamanism in Amazonia is an ethnographic study of the Parakanã, a little-known indigenous people of Amazonia, who inhabit the interfluvial region in the state of Pará, Brazil. This book analyzes the relationship between warfare and shamanism in Parakanã society from the late nineteenth century until the end of the twentieth century. Based on the author's extensive fieldwork, the book presents first-hand ethnographic data collected among a generation still deeply involved in conflicts. The result is an innovative work with a broad thematic and comparative scope.

In Art Effects Carlos Fausto explores the interplay between Indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and Indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Native visual regimes and the Christian imagistic tradition.Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American Indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude LÉvi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?

In Art Effects Carlos Fausto explores the interplay between Indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and Indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Native visual regimes and the Christian imagistic tradition.Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American Indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude LÉvi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?

The first book to address the classic anthropological theme of property through the ethnography of Amazonia, Ownership and Nurture sets new and challenging terms for anthropological debates about the region and about property in general. Property and ownership have special significance and carry specific meanings in Amazonia, which has been portrayed as the antithesis of Western, property-based, civilization. Through carefully constructed studies of land ownership, slavery, shamanism, spirit mastery, aesthetics, and intellectual property, this volume demonstrates that property relations are of central importance in Amazonia, and that the ownership of persons plays an especially significant role in native cosmology.