Carlos Lobo – författare
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This book investigates Hermann Weyl’s work on the problem of space from the early 1920s onwards. It presents new material and opens the philosophical problem of space anew, crossing the disciplines of mathematics, history of science and philosophy. With a Kantian starting point Weyl asks: among all the infinitely many conceivable metrical spaces, which one applies to the physical world? In agreement with general relativity, Weyl acknowledges that the metric can quantitatively vary with the physical situation. Despite this freedom, Weyl “deduces”, with group-theoretical technicalities, that there is only one “kind” of legitimate metric. This construction was then decisive for the development of gauge theories. Nevertheless, the question of the foundations of the metric of physical theories is only a piece of a wider epistemological problem.
Contributing authors mark out the double trajectory that goes through Weyl’s texts, from natural science to philosophy and conversely, always through the mediation of mathematics. Readers may trace the philosophical tradition to which Weyl refers and by which he is inspired (Kant, Husserl, Fichte, Leibniz, Becker etc.), and explore the mathematical tradition (Riemann, Helmholtz, Lie, Klein) that permitted Weyl to elaborate and solve his mathematical problem of space. Furthermore, this volume analyzes the role of the interlocutors with whom Weyl discussed the nature of physical space (Einstein, Cartan, De Sitter, Schrödinger, Eddington).
This volume features the work of top specialists and will appeal to postgraduates and scholars in philosophy, the history of science, mathematics, or physics.
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This interdisciplinary volume collects contributions from experts in their respective fields with as common theme diagrams.
Diagrams play a fundamental role in the mathematical visualization and philosophical analysis of forms in space. Some of the most interesting and profound recent developments in contemporary sciences, whether in topology, geometry, dynamic systems theory, quantum field theory or string theory, have been made possible by the introduction of new types of diagrams, which, in addition to their essential role in the discovery of new classes of spaces and phenomena, have contributed to enriching and clarifying the meaning of the operations, structures and properties that are at the heart of these spaces and phenomena.
The volume gives a closer look at the scope and the nature of diagrams as constituents of mathematical and physical thought, their function in contemporary artistic work, and appraise, in particular, the actual importance of the diagrams of knots, of braids, of fields, of interaction, of strings in topology and geometry, in quantum physics and in cosmology, but also in theory of perception, in plastic arts and in philosophy.
The editors carefully curated this volume to be an inspiration to students and researchers in philosophy, phenomenology, mathematics and the sciences, as well as artists, musicians and the general interested audience.
When Form Becomes Substance : Power of Gestures, Diagrammatical Intuition and Phenomenology of Space
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Le séminaire La vie la mort a été donné par Jacques Derrida en 1975-1976 à l’École normale supérieure, en vue de la préparation à l’agrégation de philosophie. Derrida en publia plusieurs extraits de son vivant. Néanmoins, une grande partie du séminaire resta inédite jusqu’en 2019, conservée dans ses archives : il s’agissait de la presque totalité d’une lecture critique de l’interprétation de Nietzsche par Heidegger, et d’une approche frontale de l’un des textes fondateurs de la biologie moléculaire, La logique du vivant de François Jacob.Dans De la grammatologie, Derrida avait déjà établi avec clarté la relation entre sa pensée de la trace ou de l’écriture généralisée, et la question du vivant et de son historicité. Bien que cet aspect de la pensée derridienne soit central, ce n’est que depuis la publication de La vie la mort qu’un intérêt pour ces rapports s’est affirmé. Il continue d’alimenter des débats qui positionnent la pensée déconstructive face à des options contemporaines comme le nouveau réalisme, le nouveau matérialisme, la pensée biopolitique ou l’organologique. La vie la mort fournit ainsi des éléments précieux pour repenser le statut des sciences, mais aussi le rapport entre la philosophie, les sciences et l’écriture dite littéraire.