Carol Colatrella – författare

This book addresses one of the most important theories to arise in recent American literary scholarship. Developed over the past two decades, Sacvan Bercovitch's ideas about the relationship of American cultural institutions to voices of dissent have repeatedly posed challenges to pervasive assumptions about American culture and the methods used by cultural critics and literary historians. The contributors to this book respond to different aspects of Bercovitch's ideas by exploring a wide range of scholarly disciplines, including American, Chicano, Amerindian, African-American, Asian-American, feminist, comparatist, philosophical, legal, and critical studies. In addition to essays that focus on the theoretical backgrounds and implications of Bercovitch's concepts, this book interrogates the uses of those concepts in the study of American literatures. Works by a variety of American writers are analyzed: the Colonial poet Phillis Wheatly; nineteenth-century writers Hawthorne and Melville; modernists Pound and Eliot; contemporary authors John Barth, Norman Mailer, Arturo Islas, and John Yau; and philosophers William James and Stanley Cavell. This book offers new directions to students of American culture, while it participates in the ongoing reassessment of American cultural and literary scholarship.

First published in 1990. Balzac, Zola and Faulkner all drew upon the principles of evolutionary theory to represent man’s place in nature and his struggle for survival in their major series La Comèdie humaine, Rougon-Macquart and the Yoknapatawpha fiction. This book focuses on the ‘first’ novels in each author’s series (La Père Goriot, La Fortune des Rougon and Flags in the Dust) and considers how each novel relates to its series and derives a definition of the naturalistic roman-fleuve. To describe this development, the issues of how a scientific idea becomes refracted in a literary genre and how the naturalistic novel developed out of the realistic novel are considered.

First published in 1990. Balzac, Zola and Faulkner all drew upon the principles of evolutionary theory to represent man’s place in nature and his struggle for survival in their major series La Comèdie humaine, Rougon-Macquart and the Yoknapatawpha fiction. This book focuses on the ‘first’ novels in each author’s series (La Père Goriot, La Fortune des Rougon and Flags in the Dust) and considers how each novel relates to its series and derives a definition of the naturalistic roman-fleuve. To describe this development, the issues of how a scientific idea becomes refracted in a literary genre and how the naturalistic novel developed out of the realistic novel are considered.

Explores how popular novels, short stories, and television shows from the United States and Britain illustrate the positive effects of feminism and promote gender equity.Feminism's Progress builds on more than fifty years of feminist criticism to analyze narrative representations of feminist ideas about women's social roles, gender inequities, and needed reforms. Carol Colatrella argues that popular novels, short stories, and television shows produced in the United States and Britain - from Little Dorrit and Iola Leroy to Call the Midwife and The Closer - foster acceptance of feminism by optimistically illustrating its prospects and promises. Scholars, students, and general readers will appreciate the book's sweeping introduction to a host of concerns in feminist theory while applying a gender lens to a wide range of literature and media from the past two centuries. In exploring how individuals and communities might reduce bias and discrimination and ensure gender equity, these fictions serve as both a measure and a means of feminism's progress.