An indepth work on the origins of the Merlin of Arthurian legend, this book examines early texts, thirteenth century romances focusing particularly on Merlin as a character, rather than those where Merlin is a background cast member. The outline here starts with looking at the genre and the place of fantasy, moving on to consider the attitudes towards magic and magic-users in medieval times. Main works considered are Geoffrey of Monmouth’s Historia Regum Britanniae and Vita Merlini; the Vulgate cycle, Suite du Merlin; and finally Malory’s work. The author asserts that each portrays a different approach to Merlin but all are tied to history and to the Christian religion.

An indepth work on the origins of the Merlin of Arthurian legend, this book examines early texts, thirteenth century romances focusing particularly on Merlin as a character, rather than those where Merlin is a background cast member. The outline here starts with looking at the genre and the place of fantasy, moving on to consider the attitudes towards magic and magic-users in medieval times. Main works considered are Geoffrey of Monmouth’s Historia Regum Britanniae and Vita Merlini; the Vulgate cycle, Suite du Merlin; and finally Malory’s work. The author asserts that each portrays a different approach to Merlin but all are tied to history and to the Christian religion.

An indepth work on the origins of the Merlin of Arthurian legend, this book examines early texts, thirteenth century romances focusing particularly on Merlin as a character, rather than those where Merlin is a background cast member. The outline here starts with looking at the genre and the place of fantasy, moving on to consider the attitudes towards magic and magic-users in medieval times. Main works considered are Geoffrey of Monmouth’s Historia Regum Britanniae and Vita Merlini; the Vulgate cycle, Suite du Merlin; and finally Malory’s work. The author asserts that each portrays a different approach to Merlin but all are tied to history and to the Christian religion.

An indepth work on the origins of the Merlin of Arthurian legend, this book examines early texts, thirteenth century romances focusing particularly on Merlin as a character, rather than those where Merlin is a background cast member. The outline here starts with looking at the genre and the place of fantasy, moving on to consider the attitudes towards magic and magic-users in medieval times. Main works considered are Geoffrey of Monmouth’s Historia Regum Britanniae and Vita Merlini; the Vulgate cycle, Suite du Merlin; and finally Malory’s work. The author asserts that each portrays a different approach to Merlin but all are tied to history and to the Christian religion.