Caroline Brown – författare

This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.

This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.

The Yorkshire spa town of Ilkley is a popular tourist destination famous for its moor and literature festival. It is less well known that Ilkley is a town with a rich military history. By 1914, army camps were a familiar sight along the River Wharfe. With the arrival of Belgian refugees, wounded soldiers and regiments from Leeds, many of the hotels and halls were adapted for new purposes. The war affected everybody through absence or loss of loved ones and changing political and social circumstances.While those at home reacted to the challenges of this momentous time, Wharfedale men served in all of the major battles on the Western Front. Among these men were the Ilkley Territorials, a Howitzer Battery who served together throughout the war and kept detailed diaries of their experiences. In this book, authors Caroline Brown and Mark Hunnebell document the impact the First World War had on Ilkey and its residents using old photographs, newspaper articles and heartfelt diary entries.

This book draws on the contributions of a range of international experts to consider the current archival landscape and imagine the archive of the future. Firmly rooted in current professional debate and scholarship, Archival Futures offers thought provoking and accessible chapters that aim to challenge and inspire archivists globally and to encourage debate about their futures. It is widely acknowledged that the archive profession/discipline is facing a time of change. The digital world has presented changes in how records are created, used, stored and communicated. At the same time, there is increased public debate over issues such as ownership of and access to information and its authenticity and reliability in a networked and interconnected world. On a practical level archivists are being asked to do more, to have a greater range of skills, often with increasingly restricted resources while competing with others to maintain their role as experts in ever changing environments. Exploring the potential impact of these changes is timely. Such reflections will provide the opportunity to consider the archivists’ purpose and role, discuss the practical impact of change on skills and functions and to articulate what can be contributed to a mid 21 century world. The contributors, Kate Theimer, Luciana Duranti, Victoria Lemieux, Geoffrey Yeo, Jenny Bunn, Sonia Ranade, Barbara Reed, Gillian Oliver, Frank Upward, Joanne Evans, Michael Moss, David Thomas and Craig Gauld cover:the role of archives in relation to individuals, organisations, communities and societyhow appraisal, arrangement, description and access might be affected in the futurethe impact of changing societal expectations in terms of access to information, how information is exchanged, and how things are recorded and rememberedthe place of traditional archives and what ‘the archive’ is or might becomecompetition or opportunity offered by other information, cultural or IT related professions and the future role of the archive professiontruth and post-truth: archives as authentic and reliable evidenceThis book will appeal to an international audience of students, academics and practitioners in archival science, records management, and library and information science.

This book draws on the contributions of a range of international experts to consider the current archival landscape and imagine the archive of the future. Firmly rooted in current professional debate and scholarship, Archival Futures offers thought provoking and accessible chapters that aim to challenge and inspire archivists globally and to encourage debate about their futures. It is widely acknowledged that the archive profession/discipline is facing a time of change. The digital world has presented changes in how records are created, used, stored and communicated. At the same time, there is increased public debate over issues such as ownership of and access to information and its authenticity and reliability in a networked and interconnected world. On a practical level archivists are being asked to do more, to have a greater range of skills, often with increasingly restricted resources while competing with others to maintain their role as experts in ever changing environments. Exploring the potential impact of these changes is timely. Such reflections will provide the opportunity to consider the archivists’ purpose and role, discuss the practical impact of change on skills and functions and to articulate what can be contributed to a mid 21 century world. The contributors, Kate Theimer, Luciana Duranti, Victoria Lemieux, Geoffrey Yeo, Jenny Bunn, Sonia Ranade, Barbara Reed, Gillian Oliver, Frank Upward, Joanne Evans, Michael Moss, David Thomas and Craig Gauld cover:the role of archives in relation to individuals, organisations, communities and societyhow appraisal, arrangement, description and access might be affected in the futurethe impact of changing societal expectations in terms of access to information, how information is exchanged, and how things are recorded and rememberedthe place of traditional archives and what ‘the archive’ is or might becomecompetition or opportunity offered by other information, cultural or IT related professions and the future role of the archive professiontruth and post-truth: archives as authentic and reliable evidenceThis book will appeal to an international audience of students, academics and practitioners in archival science, records management, and library and information science.

This groundbreaking text demystifies archival and recordkeeping theory and its role in modern day practice. The book's great strength is in articulating some of the core principles and issues that shape the discipline and the impact and relevance they have for the 21st century professional. Using an accessible approach, it outlines and explores key literature and concepts and the role they can play in practice. Leading international thinkers and practitioners from the archives and records management world, Jeannette Bastian, Alan Bell, Anne Gilliland, Rachel Hardiman, Eric Ketelaar, Jennifer Meehan and Caroline Williams, consider the concepts and ideas behind the practicalities of archives and records management to draw out their importance and relevance. Key topics covered include: • Concepts, roles and definitions of records and archives • Archival appraisal • Arrangement and description • Ethics for archivists and records managers • Archives, memories and identities • The impact of philosophy on archives and records management • Does technological change marginalize recordkeeping theory? Readership: This is essential reading for students and educators in archives and recordkeeping and invaluable as a guide for practitioners who want to better understand and inform their day-to-day work. It is also a useful guide across related disciplines in the information sciences and humanities.

Every leader cares about inclusivity, wellbeing and performance. For technical organizations these issues are especially acute: in the least diverse sectors, with every-increasing issues around mental health and resilience, companies need to realize continuous gains in performance and productivity to stay ahead,or even just to stay in the game,in a fiercely competitive space. How can leaders square the circle?This book will show you how to build a Strengths-Based Organization: an organization which is based on the scientific understanding of what helps individuals to flourish and organizations to reap the benefits.

This groundbreaking text demystifies archival and recordkeeping theory and its role in modern day practice. The book's great strength is in articulating some of the core principles and issues that shape the discipline and the impact and relevance they have for the 21st century professional. Using an accessible approach, it outlines and explores key literature and concepts and the role they can play in practice. Leading international thinkers and practitioners from the archives and records management world, Jeannette Bastian, Alan Bell, Anne Gilliland, Rachel Hardiman, Eric Ketelaar, Jennifer Meehan and Caroline Williams, consider the concepts and ideas behind the practicalities of archives and records management to draw out their importance and relevance. Key topics covered include: • Concepts, roles and definitions of records and archives • Archival appraisal • Arrangement and description • Ethics for archivists and records managers • Archives, memories and identities • The impact of philosophy on archives and records management • Does technological change marginalize recordkeeping theory? Readership: This is essential reading for students and educators in archives and recordkeeping and invaluable as a guide for practitioners who want to better understand and inform their day-to-day work. It is also a useful guide across related disciplines in the information sciences and humanities.