Caroline Casey - Böcker

"Coffee House Press, a major nonprofit publisher, recently launched a Kickstarter for a book examining the Internet's cat video fetish. The book, if the Kickstarter campaign reaches its $25,000 goal, will be titled Cat is Art Spelled Wrong, and examine themes like what makes something art, whether art is good or bad, and how taste develops. In other words, cat videos can actually be ...pretty serious."-The Washington Post "Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos."-The Millions "Coffee House Press's upcoming book, titled Cat is Art Spelled Wrong, takes the opportunity to examine a seemingly irrelevant subject from new perspectives-from 'the line is between reality/self on the internet' to 'how cat videos demonstrate either that nothing matters, or that any art matters if anyone thinks it does.' Thus, it's an earnest attempt to uncover more about human nature-especially in today's internet-driven world."-Cool Hunting Fifteen writers, all addressing not just our fascination with cat videos, but also how we decide what is good or bad art, or art at all; how taste develops, how that can change, and why we love or hate something. It's about people and technology and just what it is about cats that makes them the internet's cutest despots. Contributors include: Sasha Archibald, Will Braden, Stephen Burt, Maria Bustillos, David Carr, Matthea Harvey, Alexis Madrigal, Joanne McNeil, Ander Monson, Kevin Nguyen, Elena Passarello, Jillian Steinhauer, Sarah Schultz, and Carl Wilson.

What happens when television is part of your cultural DNA? Twelve writers talk about their influences, and they're more Magnum PI that Marcel Proust. This is cultural criticism from an enthusiast's point of view—taking sitcoms and dramedies and very special episodes seriously, not because they're art, but because they matter to us. Little Boxes is TV writing not as “Why I Loved Parker Lewis Can't Lose” but “What Is Up with Everyone in the 80s Having a Domestic: The Different Strokes/Gimme a Break/Mr. Belvedere/Charles in Charge Story.”From Edan Lepucki’s “My Monster”:What I remember: a dead girl wrapped in plastic, and another one half-alive and stumbling along train tracks, her body covered in cuts and bruises, her clothes torn. Letters tweezed from beneath fingernails. The dead girl blue-white like a vein. Her name is Laura Palmer. There’s also a lady cradling a log, and a beautiful woman who knots cherry stems with her tongue. Handsome Agent Cooper with his hair slicked back. The name Peggy Lipton lingering across the screen as the eerie theme song sluices through my veins.