Carolyn L. White – författare

Bracelets, buckles, buttons, and beads. Clasps, combs, and chains. Items of personal adornment fill museum collections and are regularly uncovered in historical period archaeological excavations. But until the publication of this comprehensive volume, there has been no basic guide to help curators, registrars, historians, archaeologists, or collectors identify this class of objects from colonial and early republican America. Carolyn L. White helps the reader understand and interpret these artifacts, discussing their source, manufacture, materials, function, and value in early American life. She uses them as a window on personal identity, showing how gender, age, ethnicity, and class were often displayed through the objects worn. White draws not only on the items themselves, but uses their portrayal in art, contemporary writings, advertisements, and business records to assess their meaning to their owners. A reference volume for the shelf of anyone interested in early American material culture. Over 100 illustrations and tables.

Bracelets, buckles, buttons, and beads. Clasps, combs, and chains. Items of personal adornment fill museum collections and are regularly uncovered in historical period archaeological excavations. But until the publication of this comprehensive volume, there has been no basic guide to help curators, registrars, historians, archaeologists, or collectors identify this class of objects from colonial and early republican America. Carolyn L. White helps the reader understand and interpret these artifacts, discussing their source, manufacture, materials, function, and value in early American life. She uses them as a window on personal identity, showing how gender, age, ethnicity, and class were often displayed through the objects worn. White draws not only on the items themselves, but uses their portrayal in art, contemporary writings, advertisements, and business records to assess their meaning to their owners. A reference volume for the shelf of anyone interested in early American material culture. Over 100 illustrations and tables.

Each August staff and volunteers begin to construct Black Rock City, a temporary city located in the hostile and haunting Black Rock Desert of northwestern Nevada. Every September nearly seventy thousand people occupy the city for Burning Man, an event that creates the sixth-largest population center in Nevada. By mid-September the infrastructure that supported the community is fully dismantled, and by October the land on which the city lay is scrubbed of evidence of its existence. The Archaeology of Burning Man examines this process of building, occupation, and destruction.For nearly a decade Carolyn L. White has employed archaeological methods to analyze the various aspects of life and community in and around Burning Man and Black Rock City. With a syncretic approach, this work in active-site archaeology provides both a theoretical basis and a practical demonstration of the potential of this new field to reexamine the most fundamental conceptions in the social sciences.

Each August staff and volunteers begin to construct Black Rock City, a temporary city located in the hostile and haunting Black Rock Desert of northwestern Nevada. Every September nearly seventy thousand people occupy the city for Burning Man, an event that creates the sixth-largest population center in Nevada. By mid-September the infrastructure that supported the community is fully dismantled, and by October the land on which the city lay is scrubbed of evidence of its existence. The Archaeology of Burning Man examines this process of building, occupation, and destruction. For nearly a decade Carolyn L. White has employed archaeological methods to analyze the various aspects of life and community in and around Burning Man and Black Rock City. With a syncretic approach, this work in active-site archaeology provides both a theoretical basis and a practical demonstration of the potential of this new field to reexamine the most fundamental conceptions in the social sciences.

Generally individuals in history are known for a particular reason - they somehow influenced history. Very little is known about the ordinary person who lived in the past. But historical archaeologists - through their interpretation of the material culture and historic record - can study the past on an individual level. This brings archaeological interpretation from a micro to a macro level - as opposed to the traditional level of society to community to individual interpretation.The cases presented in this volume engage material culture that is owned or used by a single person and is thus associated with an individual at some point in its uselife. The volume takes bodkins, shoes, beads, cloth, religious items, grave goods, as well as subassemblages from well-defined contexts from New England, the Chesapeake, New Orleans, Hawaii, Spanish colonial America, and London in the pursuit of the individual and the textured interpretation this analytical scale provides.This volume promises to present innovative approaches to a host of archaeological materials, drawing widely on the range of archaeological research for the historical period today. Capitalizing on several topics and research threads with great currency, such as the examination of material culture and interest in various and intersecting lines of identity construction, as well as presenting an international and multiregional approach to these topics, this volume will be of interest to archaeologists, anthropologists, material culture scholars, and social historians interested in a wide variety of time periods and subfields.

Discoveries of the sources of alien objects surpass archaeological expectations of exchange and geographic distance, revealing important technological advances.With thirteen case studies from around the world, this comprehensive work provides a fresh perspective on material culture studies.

Exploring the complex interactions between people and objects in the past, this book offers a fresh approach to the relationships between material culture and individual lives. It gathers together the most recent thinking of established and emerging scholars.

Discoveries of the sources of alien objects surpass archaeological expectations of exchange and geographic distance, revealing important technological advances.With thirteen case studies from around the world, this comprehensive work provides a fresh perspective on material culture studies.

The secondary cities of Japan face a loss of population to the ever-enlarging megacities of Tokyo and Osaka, scattering abandoned structures throughout domestic centers. In Kanazawa—the second-largest Japanese city (after Kyoto) to escape bombing during World War II—this abandonment achieves particularly dramatic emphasis. Neighborhoods made up of houses from radically disparate eras are pervaded by century old constructions deserted and impossible to restore, leaving little choice but demolition. And with no demographic need for new construction, these lots remain vacant, used as occasional parking lots, sometimes paved over, sometimes left to natural processes of overgrowth.In Kanazawa Vacancy, photographer Steven Seidenberg presents 75 black-and-white images of vacant domestic lots, employing the various tools of positional perspective to emphasize the span of the vestigial structures that once stood in their place. These images are unyieldingly commonplace, and equally claustrophobic. They do not introduce a sense of space or a feeling of openness, or even evoke the tragic disintegration of certain American industrial and urban vistas, but rather foreground a sense of the passage of time into a kind of inevitable, universal absence, a sense of the emptiness that undergirds the constructed landscapes of the enclave, wherever it occurs.Anthropologist and archaeologist Carolyn L. White presents an accompanying narrative for the volume that contextualizes the work historically and geographically as well as a series of maps generated during the fieldwork. As Seidenberg worked to photograph the spaces, she mapped the spaces and documented the project using methods of contemporary archaeology and historic preservation. The Kanazawa work is one of numerous collaborations between the artist and anthropologist.

Historical archaeologists explore landscapes in the American West through many lenses, including culture contact, colonialism, labor, migration, and identity. This volume sets landscape at the center of analysis, examining space (a geographic location) and place (the lived experience of a locale) in their myriad permutations. Divided into three thematic sections—the West as space, the West as community, and the West today—the book pulls together case studies from across the American West and incorporates multivocal contributions and perspectives from archaeology, anthropology, Indigenous studies, history, Latinx studies, geography, and material culture studies.Contributors tackle questions of how historical archaeologists theoretically and methodologically define the West, conveying the historical, mythological, and physical manifestations of placemaking. They confront issues of community and how diverse ethnic, racial, gendered, labor-based, and other demographic populations expressed their identities on and in the Western landscape. Authors also address the continued creation and re-creation of the West today, exploring the impact of the past on people in the present and its influence on modern conceptions of the American West.