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A New York Times Notable Book of 2023

A New York Times Books Review Best Romances of 2023 pick • Apple Books’ Best Books of the Month • Amazon Best Books of the Month Editor’s Pick, Romance • An NPR “Books We Love” • Library Journal Romance Pick of the Month • LibraryReads Hall of Fame: June 2023 • Publishers Weekly Best Romances of 2023

Casey McQuiston meets The Seven Husbands of Evelyn Hugo in this mid-century grumpy/sunshine rom-dram about a scrappy reporter and a newspaper mogul’s son "‘for Newsies shippers,’ [that] absolutely delivers” (Dahlia Adler, Buzzfeed Books).

“A spectacularly talented writer!” —Julia Quinn

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.

Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life—he’s never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he’ll make an ass of himself and hate every second of it.

Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can’t deny. But what feels possible in secret—this fragile, tender thing between them—seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they’re willing to fight.

An emotional, slow-burn, grumpy/sunshine, queer mid-century romance for fans of Evvie Drake Starts Over, about grief and found family, between the new star shortstop stuck in a batting slump and the reporter assigned to (reluctantly) cover his first season--set in the same universe as We Could Be So Good.

The 1960 baseball season is shaping up to be the worst year of Eddie O'Leary's life. He can't manage to hit the ball, his new teammates hate him, he's living out of a suitcase, and he's homesick. When the team's owner orders him to give a bunch of interviews to some snobby reporter, he's ready to call it quits. He can barely manage to behave himself for the length of a game, let alone an entire season. But he's already on thin ice, so he has no choice but to agree.

Mark Bailey is not a sports reporter. He writes for the arts page, and these days he's barely even managing to do that much. He's had a rough year and just wants to be left alone in his too-empty apartment, mourning a partner he'd never been able to be public about. The last thing he needs is to spend a season writing about New York's obnoxious new shortstop in a stunt to get the struggling newspaper more readers.

Isolated together within the crush of an anonymous city, these two lonely souls orbit each other as they slowly give in to the inevitable gravity of their attraction. But Mark has vowed that he'll never be someone's secret ever again, and Eddie can't be out as a professional athlete. It's just them against the world, and they'll both have to decide if that's enough.