Catherine Burroughs – författare

The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play—a dramatic text written for reading rather than acting.

First published in 2000, this collection of essays examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for some 150 years, the volume provides a crucial perspective that revises historical narratives and reflects the rapidly changing terrain of scholarship in the complex field of romantic theatre and drama. Eleven specially commissioned essays by a distinguished team of scholars explore the role of numerous theatrical women including the eminent actress Sarah Siddons and two of the period's most prolific playwrights Elizabeth Inchbald and Joanna Baillie. The book strikes a balance between literary and theatrical approaches, showing how the period's preoccupation with categories such as text and performance, closet drama and stage, provide a key to 'uncloseting' an important group of female theatre artists.

First published in 2000, this collection of essays examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for some 150 years, the volume provides a crucial perspective that revises historical narratives and reflects the rapidly changing terrain of scholarship in the complex field of romantic theatre and drama. Eleven specially commissioned essays by a distinguished team of scholars explore the role of numerous theatrical women including the eminent actress Sarah Siddons and two of the period's most prolific playwrights Elizabeth Inchbald and Joanna Baillie. The book strikes a balance between literary and theatrical approaches, showing how the period's preoccupation with categories such as text and performance, closet drama and stage, provide a key to 'uncloseting' an important group of female theatre artists.