Catherine Chidgey - Böcker

MORNING, AFTERNOON, NIGHT. THE MOTHERS ARE ALWAYS WATCHING . . .'Brilliant . . . Chidgey's luxurious and unhurried prose stokes tension in a compulsive thriller' Observer'Written with insight and brio, deftly balancing darkness and light, depth and pace' Guardian'Grand and devastating, and packed with perfectly timed revelations . . .This involving, humane novel brims with vitality - and soul' New York Times'Chidgey writes with surgical precision and emotional weight . . . quietly devastating, fiercely intelligent and unforgettable' Irish Times'Eloquent prose, rich characterizations, and knotty concepts - an emotional and intellectual tour de force' Kirkus'Brilliant . . . you will race through this book in a single, breathless sitting' Literary ReviewEngland, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.Their nightmares are recorded in The Book of Dreams.Their lessons are taken from The Book of Knowledge.And their sins are reported in The Book of Guilt.All the boys want is to be sent to the Big House in Margate, where they imagine a life of sun, sea and fairground rides. But, as the government looks to shut down the Sycamore Homes, the triplets begin to question everything they have been told.Gradually surrendering its dark secrets, The Book of Guilt is a profoundly unnerving exploration of belonging in a world where some lives are valued less than others.'What a book! Tense, inventive, mysterious and moving, The Book of Guilt poses big questions in the context of a rocketing plot. I loved it completely' Karen Joy Fowler, author of Booth'Original, dark, clever and compelling' Mary Ann Sieghart, author of The Authority Gap'This is a compelling and terrifying novel whose alternative history engages chillingly with current possibilities. No one writes children better than Chidgey. She exactly gets their experimental cruelty and related innocence as they attempt to piece their world together' Elizabeth Cook, author of Lux

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.Their nightmares are recorded in The Book of Dreams.Their lessons are taken from The Book of Knowledge.And their sins are reported in The Book of Guilt.All the boys want is to be sent to the Big House in Margate, where they imagine a life of sun, sea and fairground rides. But, as the government looks to shut down the Sycamore Homes, the triplets begin to question everything they have been told.Gradually surrendering its dark secrets, The Book of Guilt is a profoundly unnerving exploration of belonging in a world where some lives are valued less than others.

MORNING, AFTERNOON, NIGHT. THE MOTHERS ARE ALWAYS WATCHING . . .'Original, dark, clever and compelling' Mary Ann Sieghart, author of The Authority Gap'This is a compelling and terrifying novel whose alternative history engages chillingly with current possibilities. No one writes children better than Chidgey. She exactly gets their experimental cruelty and related innocence as they attempt to piece their world together' Elizabeth Cook, author of LuxEngland, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.Their nightmares are recorded in The Book of Dreams.Their lessons are taken from The Book of Knowledge.And their sins are reported in The Book of Guilt.All the boys want is to be sent to the Big House in Margate, where they imagine a life of sun, sea and fairground rides. But, as the government looks to shut down the Sycamore Homes, the triplets begin to question everything they have been told.Gradually surrendering its dark secrets, The Book of Guilt is a profoundly unnerving exploration of belonging in a world where some lives are valued less than others.

Two ordinary German children are drawn into the Nazi myth of a perfect nation, from the author of The Book of Guilt'A wonderful new talent' Nick HornbyGermany, 1939. Sieglinde lives in the affluent ignorance of middle-class Berlin. Erich is an only child living a lush rural life, aware that he is shadowed by strange, unanswered questions. Both children watch as their parents become immersed in the puzzling mechanisms of power.Drawn together as Germany’s hope for a glorious future begins to collapse, the children find temporary refuge in an abandoned theatre amidst the rubble of Berlin. The days they spend there together will shape the rest of their lives.Winner of the New Zealand Book Award for Fiction

A ‘found novel’LONGLISTED: OCKHAM NEW ZEALAND BOOK AWARDSNAMED ONE OF THE BEST BOOKS OF 2017 BY RADIO NEW ZEALAND Every day for a year, Catherine Chidgey recorded the words and language she came across during her day-to-day life – phone calls, television commercials, emails, radio shows, conversations with her family, street signs and satnav instructions. From these seemingly random snippets, she creates a fascinating portrait of modern life, focusing on the things that most people filter out.Chidgey listens in as her daughter, born through surrogacy, begins to speak and develop a personality, and her mother slips into dementia. With her husband, she debates the pros and cons of moving to a new town. With her publisher, she discusses the novel she is writing. While, all around, the world is bombarding her with information.In The Beat of the Pendulum , Chidgey approaches the idea of the novel from an experimental new direction. It is bold, exciting, funny, moving and utterly compelling.

SHORTLISTED: THE DUBLIN LITERARY AWARDLONGLISTED: WOMENS' PRIZE FOR FICTION 2022A NOVEL OF DEVASTATING BEAUTY SET IN BUCHENWALD DURING THE SECOND WORLD WAR"A powerful and disturbing study in terrible lies and the human need to believe them." ANNIE PROULXMoving away from their lovely apartment in Munich isn’t nearly as wrenching an experience for Frau Greta Hahn as she had feared. Their new home is even lovelier than the one they left behind and life in Buchenwald would appear to be idyllic. Lying just beyond the forest that surrounds them is the looming presence of a work camp. Frau Hahn’s husband, SS Sturmbannführer Dietrich Hahn, has been assigned as the camp’s administrator.When Frau Hahn’s poor health leads her into an unlikely and poignant friendship with one of Buchenwald’s prisoners, Dr Lenard Weber, her naïve ignorance about what is going on so nearby is challenged. A decade earlier, Dr Weber had invented a machine believed that its subtle resonances might cure cancer. But does it really work? One way or another, it might save a life.A tour de force about the evils of obliviousness, Remote Sympathy compels us to question our continuing and wilful ability to look the other way in a world that is in thrall to the idea that everything–even facts and morals–is relative.

SHORTLISTED: THE DUBLIN LITERARY AWARDLONGLISTED: WOMENS' PRIZE FOR FICTION 2022A NOVEL OF DEVASTATING BEAUTY SET IN BUCHENWALD DURING THE SECOND WORLD WAR"A powerful and disturbing study in terrible lies and the human need to believe them." ANNIE PROULXMoving away from their lovely apartment in Munich isn’t nearly as wrenching an experience for Frau Greta Hahn as she had feared. Their new home is even lovelier than the one they left behind and life in Buchenwald would appear to be idyllic. Lying just beyond the forest that surrounds them is the looming presence of a work camp. Frau Hahn’s husband, SS Sturmbannführer Dietrich Hahn, has been assigned as the camp’s administrator.When Frau Hahn’s poor health leads her into an unlikely and poignant friendship with one of Buchenwald’s prisoners, Dr Lenard Weber, her naïve ignorance about what is going on so nearby is challenged. A decade earlier, Dr Weber had invented a machine believed that its subtle resonances might cure cancer. But does it really work? One way or another, it might save a life.A tour de force about the evils of obliviousness, Remote Sympathy compels us to question our continuing and wilful ability to look the other way in a world that is in thrall to the idea that everything–even facts and morals–is relative.

In this darkly comic work of literary satire by New Zealand’s most acclaimed and best-selling novelist Tama, a talking magpie and social media influencer, is the sole witness to a marriage in freefall.Tama is just a helpless chick when he is rescued by Marnie. ‘If it keeps me awake,’ says Marnie’s husband Rob, a farmer in the middle of a years-long drought, ‘I’ll have to wring its neck.’ But with Tama come new possibilities for the couple’s future. Tama’s fame is growing, and with it, his earning potential. The more Tama sees, the more the animal and the human worlds – and all the precarity, darkness and hope within them – bleed into one another. Like a stock truck filled with live cargo, the story moves inexorably towards its dramatic conclusion: the annual Axeman’s Carnival.Part trickster, part surrogate child, part witness, Tama is the star of this story. And although what he says to humans is often nonsensical (and hilarious), the tale he tells makes disturbingly perfect sense. The Axeman’s Carnival is Catherine Chidgey at her finest – comic, profound, poetic and true.

"FAULTLESS." —The Guardian *** "A SLY PSYCHOLOGICAL THRILLER." —The ObserverLike every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher and longs to be her pet. However, when a thief begins to target the school, Justine’s sense that something isn’t quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Young as she is, Justine must decide where her loyalties lie. Set in New Zealand in the 1980s and probing themes of racism, misogyny and the oppressive reaches of Catholicism, Pet will take a rightful place next to other classic portraits of childhood betrayal: The Prime of Miss Jean Brodie, The Go-Between, Heavenly Creatures and Au Revoir Les Enfants among them.

"FAULTLESS." —The Guardian *** "A SLY PSYCHOLOGICAL THRILLER." —The ObserverLike every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher and longs to be her pet. However, when a thief begins to target the school, Justine’s sense that something isn’t quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Young as she is, Justine must decide where her loyalties lie. Set in New Zealand in the 1980s and probing themes of racism, misogyny and the oppressive reaches of Catholicism, Pet will take a rightful place next to other classic portraits of childhood betrayal: The Prime of Miss Jean Brodie, The Go-Between, Heavenly Creatures and Au Revoir Les Enfants among them.

In this darkly comic work of literary satire by New Zealand’s most acclaimed and best-selling novelist Tama, a talking magpie and social media influencer, is the sole witness to a marriage in freefall.Tama is just a helpless chick when he is rescued by Marnie. ‘If it keeps me awake,’ says Marnie’s husband Rob, a farmer in the middle of a years-long drought, ‘I’ll have to wring its neck.’ But with Tama come new possibilities for the couple’s future. Tama’s fame is growing, and with it, his earning potential. The more Tama sees, the more the animal and the human worlds – and all the precarity, darkness and hope within them – bleed into one another. Like a stock truck filled with live cargo, the story moves inexorably towards its dramatic conclusion: the annual Axeman’s Carnival.Part trickster, part surrogate child, part witness, Tama is the star of this story. And although what he says to humans is often nonsensical (and hilarious), the tale he tells makes disturbingly perfect sense. The Axeman’s Carnival is Catherine Chidgey at her finest – comic, profound, poetic and true.