Catherine Lacey – författare

Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable life in Manhattan, her home, her career and her loving husband. As the people she has left behind scramble to figure out what has happened to her, Elyria embarks on a hitchhiker's odyssey, testing fate by travelling in the cars of overly kind women and deeply strange men, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks. As she journeys from Wellington to Picton, Takaka, Kaikoura and onwards she asks herself, what is it that I am missing? How can a person be missing?Full of mordant humour and uncanny insights, Nobody Is Ever Missing is a startling tale of love, loss, and the dangers encountered in the search for self-knowledge. It is a novel which goes far beyond the story of a physical journey and asks what it means to be human, to be a woman, and to be at the mercy of forces beyond one's own control.

WELCOME TO THE GIRLFRIEND EXPERIMENTMary is out of options. Estranged from her family and beset by phantom pain, she signs up for 'The Girlfriend Experiment' - a mysterious project masterminded by a famous Hollywood actor who hires a collection of women to fulfil the different roles of a relationship. Mary is to play the Emotional Girlfriend, alongside a Maternal Girlfriend, a Mundane Girlfriend, an Angry Girlfriend and, of course, an Intimacy Team. Each woman has her debts and her difficulties, her past loves and her secrets. As Mary and the actor are drawn ever closer together, the nature of the experiment changes, and the Girlfriends find themselves exposed to new perils, foremost among them love.

Certain states are hard to shake, or so Catherine Lacey's characters find in these twelve tales of love, loss and longing.A grieving wife gives away the shirts her husband has left behind. A flirtatious widow takes a honeymooning couple to see her husband's grave. A businessman working for a shadowy organization known as 'The Company', checks-in to a room in a strange and remarkable hotel.

From the author of Biography of X, an eerie modern tale for fans of Shirley Jackson...'I consumed it. It is the electric charge we need' Daisy Johnson, author of Everything Under One Sunday morning, a mysterious silent figure is found sleeping in a church in an unnamed American town. The congregants call this amnesiac 'Pew' and seek to uncover who they are: their age; their gender, their race, their intentions. Are they an orphan, or something worse? What terrible trouble is Pew running from? And why won't they speak? Unable to agree on how to treat a person they cannot categorize - whether to adopt or imprison, help or harm them - this small town is quickly undone by Pew's terrifying silence. What remains is a foreboding, provocative, and amorphous fable about the world today: our borders and our boundaries, our fears and our woes. 'You can absolutely imagine the novel being made into a dark indie film by the Coen brothers or David Lynch' New Statesman

'Brilliant, astonishing' Chris Kraus'Sly, brilliant, philosophically acute, bitingly funny, and a pure joy to spend hours with' Lauren GroffWhen X - the iconoclastic artist, musician and writer - dies suddenly, CM, her widow, hurls herself into writing a biography of the woman she deified. The story will lead her deep into the Southern Territory - a fascist theocracy that split from the rest of the USA after World War II - before revealing the full weight of X's secrets, and the depth of her betrayal.'A thriller set against a backdrop of political intrigue, an elegy, an art world satire and a thought experiment too... One of the most interesting books you'll read this year...' Financial Times'A profound novel about love and what it can license, about the toll - and maybe the con - of genius' Garth Greenwell'Sprawling and ambitious... Strange and dystopian... This is a major novel' New York Times

The sudden, devastating breakup of a relationship in the winter of 2021 left Catherine Lacey depressed and adrift. She began cataloguing the wreckage of her life and the beauty of her friendships, a process that led to the writing of fiction that was both entirely imagined and strangely, utterly true. She soon realised that she was writing about her relationship with faith. Betrayed by the mercurial partner she had trusted and suddenly catapulted into the unknown, Lacey's appetite vanished completely, a visceral reminder of the teenage emaciation that followed the ending of her belief in God. Bending form, both she and her fictional characters recall gnostic experiences with animals, close encounters with male anger, grief-driven lust and the redemptive power of platonic love and narrative itself.A hybrid work that is both non-fiction and fiction with no beginning and no ending, The Möbius Book troubles the line between memory and imagination with an open-hearted defence of faith's inherent danger.

The sudden, devastating breakup of a relationship in the winter of 2021 left Catherine Lacey depressed and adrift. She began cataloguing the wreckage of her life and the beauty of her friendships, a process that led to the writing of fiction that was both entirely imagined and strangely, utterly true. She soon realised that she was writing about her relationship with faith. Betrayed by the mercurial partner she had trusted and suddenly catapulted into the unknown, Lacey's appetite vanished completely, a visceral reminder of the teenage emaciation that followed the ending of her belief in God. Bending form, both she and her fictional characters recall gnostic experiences with animals, close encounters with male anger, grief-driven lust and the redemptive power of platonic love and narrative itself.A hybrid work that is both non-fiction and fiction with no beginning and no ending, The Möbius Book troubles the line between memory and imagination with an open-hearted defence of faith's inherent danger.

Toby Withers, a young man with epilepsy, leaves New Zealand after the death of his mother. While on board a ship to England, he meets Zoe, a middle-aged woman looking for a life of meaning and Pat, an Irishman who claims to have many friends but treats people with carelessness. Alike in their alienation, all three embark on a new life in London, piecing together an existence in the margins of the urban world. The Edge of the Alphabet, the third novel by Janet Frame, one of New Zealand’s foremost writers of the twentieth century, is a piercing, startlingly strange work about identity, the post-colonial experience and the search for connection in a lonely world, published here on the centenary of her birth with a new foreword by Catherine Lacey.