Catherine M. Parisian – författare

Published in association with the Bibliographical Society of America and the National First Ladies’ LibraryAlthough many early U.S. presidents were avid readers and book collectors—George Washington, John Adams, and Thomas Jefferson, to name a few—they usually brought their own books to the White House and removed them at the end of their terms. It was not until 1850 that Millard and Abigail Fillmore established the first official White House collection. This catalogue of the library that they assembled not only reveals much about their own preoccupations and interests and those of the age they lived in, but also provides insight into American library history, reading history, and book trade and distribution networks. Aside from the editor, the contributors are William Allman, Elizabeth Thacker-Estrada, and Sean Wilentz. For more information about the National First Ladies Libraries visit http://www.firstladies.org.

Published in association with the Bibliographical Society of America and the National First Ladies’ LibraryAlthough many early U.S. presidents were avid readers and book collectors—George Washington, John Adams, and Thomas Jefferson, to name a few—they usually brought their own books to the White House and removed them at the end of their terms. It was not until 1850 that Millard and Abigail Fillmore established the first official White House collection. This catalogue of the library that they assembled not only reveals much about their own preoccupations and interests and those of the age they lived in, but also provides insight into American library history, reading history, and book trade and distribution networks. Aside from the editor, the contributors are William Allman, Elizabeth Thacker-Estrada, and Sean Wilentz. For more information about the National First Ladies Libraries visit http://www.firstladies.org.

In her exhaustive publishing history of Frances Burney's Cecilia, Or Memoirs of an Heiress, Catherine Parisian mines an extensive archival record that includes portions of the original manuscript, annotated page proofs, legal records relative to its copyright, and an abundance of letters, to chronicle the novel's composition, printing, and publication from its first edition in 1782 to the present-day Oxford World's Classics paperback. Generally regarded on its publication as the most important novel since Tobias Smollett's Humphrey Clinker, Cecilia is a deft blend of the satire of Henry Fielding with the sentimentality of Samuel Richardson that brings a female perspective to the novel while perceptively probing class and gender relations in eighteenth-century British society. Parisian combines the methods of the book historian with those of the bibliographer to show how the two usefully inform one another and bear on the interpretation of the literary text. Examining 51 different editions of Cecilia, Parisian considers what these editions reveal about Cecilia's reading audiences and what insights these books provide into the printing and publishing trends of the past 200 years. Lavishly illustrated and accessibly written, her timely history demonstrates the importance of Cecilia to the art of the novel and the history of the book.

In her exhaustive publishing history of Frances Burney''s Cecilia, Or Memoirs of an Heiress, Catherine Parisian mines an extensive archival record that includes portions of the original manuscript, annotated page proofs, legal records relative to its copyright, and an abundance of letters, to chronicle the novel''s composition, printing, and publication from its first edition in 1782 to the present-day Oxford World''s Classics paperback. Generally regarded on its publication as the most important novel since Tobias Smollett''s Humphrey Clinker, Cecilia is a deft blend of the satire of Henry Fielding with the sentimentality of Samuel Richardson that brings a female perspective to the novel while perceptively probing class and gender relations in eighteenth-century British society. Parisian combines the methods of the book historian with those of the bibliographer to show how the two usefully inform one another and bear on the interpretation of the literary text. Examining 51 different editions of Cecilia, Parisian considers what these editions reveal about Cecilia''s reading audiences and what insights these books provide into the printing and publishing trends of the past 200 years. Lavishly illustrated and accessibly written, her timely history demonstrates the importance of Cecilia to the art of the novel and the history of the book.

In her exhaustive publishing history of Frances Burney''s Cecilia, Or Memoirs of an Heiress, Catherine Parisian mines an extensive archival record that includes portions of the original manuscript, annotated page proofs, legal records relative to its copyright, and an abundance of letters, to chronicle the novel''s composition, printing, and publication from its first edition in 1782 to the present-day Oxford World''s Classics paperback. Generally regarded on its publication as the most important novel since Tobias Smollett''s Humphrey Clinker, Cecilia is a deft blend of the satire of Henry Fielding with the sentimentality of Samuel Richardson that brings a female perspective to the novel while perceptively probing class and gender relations in eighteenth-century British society. Parisian combines the methods of the book historian with those of the bibliographer to show how the two usefully inform one another and bear on the interpretation of the literary text. Examining 51 different editions of Cecilia, Parisian considers what these editions reveal about Cecilia''s reading audiences and what insights these books provide into the printing and publishing trends of the past 200 years. Lavishly illustrated and accessibly written, her timely history demonstrates the importance of Cecilia to the art of the novel and the history of the book.