Catherine Simpson – författare

‘If you loved Tara Westover’s Educated, get yourself a copy of When I Had a Little Sister as soon as humanly possible…beautifully under-stated…a startling, elegiac portrait of farming life in modern Britain.’ Vogue ‘Gripping and heart-wrenching’ Mail on Sunday On a cold December day in 2013 Catherine Simpson received the phone call she had feared for years. Her little sister Tricia had been found dead in the farmhouse where she, Catherine and their sister Elizabeth were born – and where their family had lived for generations.Tricia was 46 and had been stalked by depression all her life. Yet mental illness was a taboo subject within the family and although love was never lacking, there was a silence at its heart.After Tricia died, Catherine found she had kept a lifetime of diaries. The words in them took her back to a past they had shared, but experienced so differently, and offered a thread to help explore the labyrinth of her sister’s suicide.When I had a Little Sister tells a story of sisters and sacrifice, grief and reclamation, and of the need to speak the unspeakable.

Diasporas of Australian Cinema is the first volume to focus exclusively on diasporic hybridity and cultural diversity in Australian filmmaking over the past century.Topics include post-war documentaries and migration, Asian-Australian subjectivity, cross-cultural romance, "wogsploitation" comedy, and post-ethnic cinema. This collection also provides a useful reference text for scholars of Australian film and cultural studies, with material on contemporary film-making and pre-World War II cinema. Containing previously unpublished articles by some the most recognised experts on Australian cinema, the book is a vital contribution to the burgeoning international interest in diasporic cinemas.

Shortlisted in Scotland’s National Book AwardsBy the time she reached her fifties, Catherine had experienced period pain, childbirth, and early menopause, alongside love and laughter, a career in journalism, and raising two daughters. Like many of her peers, along the way she'd dieted, jogged, sweated, tanned, permed, and plucked—always attempting to conform to prevailing standards of "acceptable womanhood." But when a medical crisis comes along, she can no longer pummel her body into submission and is forced to take stock. From growing up on a farm where veterinarians were more common than doctors, and where illness was “a nuisance,” she now faces the nuisance of a lifetime.One Body is the demystifying, relatable, often hilarious, and sometimes hair-raising story of how Catherine navigates her treatment and the emotions and reflections it provokes. And how she comes to drop the unattainable standards imposed on her body, and simply appreciate the skin she is in.

It was obvious to Catherine Simpson from the beginning that there was something different about her first child, Nina.Motherhood had always felt like Catherine’s destiny, and she’d grown up nurturing joyful visions of the family she’d create. But her dreams crashed headfirst into the reality of parenthood. It seemed that the world was not Nina-shaped, and no matter how hard they both tried, they had to fight almost everything – especially once Nina started school.Aged ten, Nina’s autism was diagnosed and a door opened. It became clear why she didn’t think or behave the way other children did, but faced with school bullies, dismissive doctors and insensitive peers, her difficulties were far from over. She and Catherine still felt as though it was them against a world that demanded Nina change as a child and Catherine as a mother.While Nina remained resolutely herself, Catherine adapted. Mothering an autistic child lit a fierce determination within her and underlined the power of her unconditional love.This is an unforgettable story that shows what a gift it is to see someone not as the world tells them they should be, but as they are.

Catherine Simpson believed the hardest chapters of her life were behind her. She had raised two children one of them autistic and survived both a family suicide and her own cancer treatment. In her fifties, it was time to enjoy restoring her health, reducing work commitments, hanging out with friends and relaxing with her husband in their empty nest. But when the global pandemic shut the world down, Catherine s nonagenarian father s independence began to slip away just as her adult daughter s mental health spiralled into crisis. Sandwiched is a candid memoir about being trapped in a high- pressure, intergenerational squeeze. It is a story of letting go of the superwoman myth, confronting the limits of control and responsi- bility, and trying to avoid unsafe speeding on the motorway yet still providing loving care.