Catherine Squires – författare

From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.

From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.

Despite claims frompundits and politicians that we now live in a post-racial America, people seemto keep finding ways to talk about race—from celebrations of the inaugurationof the first Black president to resurgent debates about policeprofiling, race and racism remain salient features of our world. When facedwith fervent anti-immigration sentiments, record incarceration rates of Blacks andLatinos, and deepening socio-economic disparities, a new question has eruptedin the last decade: What does being post-racial mean?The Post-Racial Mystique exploreshow a variety of media—the news, network television, and online, independent media—debate,define and deploy the term "post-racial" in their representations of Americanpolitics and society. Using examples from both mainstream and niche media—from prime-time television series to specialty Christian media and audienceinteractions on social media—Catherine Squires draws upon a variety ofdisciplines including communication studies, sociology, political science, andcultural studies in order to understand emergent strategies for framingpost-racial America. She reveals the ways in which media texts cast U.S.history, re-imagine interpersonal relationships, employ statistics, andinventively redeploy other identity categories in a quest to formulatedifferent ways of responding to race.

Despite claims frompundits and politicians that we now live in a post-racial America, people seemto keep finding ways to talk about race—from celebrations of the inaugurationof the first Black president to resurgent debates about policeprofiling, race and racism remain salient features of our world. When facedwith fervent anti-immigration sentiments, record incarceration rates of Blacks andLatinos, and deepening socio-economic disparities, a new question has eruptedin the last decade: What does being post-racial mean?The Post-Racial Mystique exploreshow a variety of media—the news, network television, and online, independent media—debate,define and deploy the term "post-racial" in their representations of Americanpolitics and society. Using examples from both mainstream and niche media—from prime-time television series to specialty Christian media and audienceinteractions on social media—Catherine Squires draws upon a variety ofdisciplines including communication studies, sociology, political science, andcultural studies in order to understand emergent strategies for framingpost-racial America. She reveals the ways in which media texts cast U.S.history, re-imagine interpersonal relationships, employ statistics, andinventively redeploy other identity categories in a quest to formulatedifferent ways of responding to race.