Cathryn A Charnell-White – författare

Bardism, Iolo Morganwg's idiosyncratic bardo-druidic vision, was a radicalized version of Wales' professional poetic tradition. This volume's discussion of the layers of national, regional and personal identity in Bardism also brings into focus bardic nationalism and the tensions involved in the expression of national and regional loyalties.

This anthology presents a selection of the poems with which Welsh writers living in Wales and London participated, through the medium of Welsh, to the controversy in Britain surrounding the French Revolution. These Welsh poems have been edited and translated into English for the first time ever. It also considers the cultural inheritance of the French Revolution in eisteddfodic poetry and poems to national heroes in which the competing notions of Welshness and Britishness come to the fore.

Anthologies play an essential role in shaping literary history. This anthology reveals women's poetic activity and production across the three nations of Ireland, Scotland, and Wales from 1400 to 1800, overturning the long-standing and widespread bias in favour of English writers that has historically shaped both scholarly and popular understanding of this period's female poetic canon. Prioritising texts that have never before been published or translated, readers are introduced to an extraordinary array of women's voices. From countesses to servant maids, from erotic verse to religious poetry, women's immense poetic output across four centuries, multiple vernaculars, and national traditions is richly demonstrated. Featuring translations and glosses of texts in Irish, Ulster Scots, Scots, Scottish Gaelic, and Welsh, alongside informative headnotes on each poet, this collection makes the work of women poets available like never before. This title is also available as Open Access on Cambridge Core.