Cathy Curtis – författare

The first biography of Elaine de Kooning, A Generous Vision portrays a woman whose intelligence, droll sense of humor, and generosity of spirit endeared her to friends and gave her a starring role in the close-knit world of New York artists. Her zest for adventure and freewheeling spending were as legendary as her ever-present cigarette.Flamboyant and witty in person, she was an incisive art writer who expressed maverick opinions in a deceptively casual style. As a painter, she melded Abstract Expressionism with a lifelong interest in bodily movement to capture subjects as diverse as President John F. Kennedy, basketball players, and bullfights.In her romantic life, she went her own way, always keen for male attention. But she credited her husband, Willem de Kooning, as her greatest influence; rather than being overshadowed by his fame, she worked "in his light." Nearly two decades after their separation, after finally embracing sobriety herself, she returned to his side to rescue him from severe alcoholism.Based on painstaking research and dozens of interviews, A Generous Vision brings to life a leading figure of twentieth-century art who lived a full and fascinating life on her own terms.

The first biography of Elaine de Kooning, A Generous Vision portrays a woman whose intelligence, droll sense of humor, and generosity of spirit endeared her to friends and gave her a starring role in the close-knit world of New York artists. Her zest for adventure and freewheeling spending were as legendary as her ever-present cigarette.Flamboyant and witty in person, she was an incisive art writer who expressed maverick opinions in a deceptively casual style. As a painter, she melded Abstract Expressionism with a lifelong interest in bodily movement to capture subjects as diverse as President John F. Kennedy, basketball players, and bullfights.In her romantic life, she went her own way, always keen for male attention. But she credited her husband, Willem de Kooning, as her greatest influence; rather than being overshadowed by his fame, she worked "in his light." Nearly two decades after their separation, after finally embracing sobriety herself, she returned to his side to rescue him from severe alcoholism.Based on painstaking research and dozens of interviews, A Generous Vision brings to life a leading figure of twentieth-century art who lived a full and fascinating life on her own terms.

The first biography of Elaine de Kooning, A Generous Vision portrays a woman whose intelligence, droll sense of humor, and generosity of spirit endeared her to friends and gave her a starring role in the close-knit world of New York artists. Her zest for adventure and freewheeling spending were as legendary as her ever-present cigarette.Flamboyant and witty in person, she was an incisive art writer who expressed maverick opinions in a deceptively casual style. As a painter, she melded Abstract Expressionism with a lifelong interest in bodily movement to capture subjects as diverse as President John F. Kennedy, basketball players, and bullfights.In her romantic life, she went her own way, always keen for male attention. But she credited her husband, Willem de Kooning, as her greatest influence; rather than being overshadowed by his fame, she worked "in his light." Nearly two decades after their separation, after finally embracing sobriety herself, she returned to his side to rescue him from severe alcoholism.Based on painstaking research and dozens of interviews, A Generous Vision brings to life a leading figure of twentieth-century art who lived a full and fascinating life on her own terms.

Among the women artists who came to prominence in the postwar era in New York, painter Nell Blaine had a uniquely hard-won career. In her mid-thirties, her horizons seemed limitless. Her shows received glowing reviews, ARTnews honored her with a lengthy feature article, and one of her paintings hung in the Whitney Museum. Then, on a trip to Greece, Blaine developed polio, rendering her a paraplegic. Angry at being told she would never paint again, she taught herself to hold a brush with her left hand and regained her skill. In Alive Still, author Cathy Curtis tells the story of Blaine's life and career for the first time by investigating the ways her experience of illness colored her personality and the evolving nature of her work, the importance of her Southern roots, and the influence of her bisexuality (and, in the latter part of her life, long term lesbian relationships) on her understanding of the world. Alive Still draws upon Blaine's unpublished diaries; her published writing; career-spanning interviews and reviews; and correspondence to and from family members, lovers, and the artists, poets, publishers, rescuers in Greece, and neighbors she knew. In addition, Curtis has conducted interviews with surviving artists and other individuals in Blaine's circle, including two of her longtime lovers. Featuring illustrations of Blaine's work and snapshots of family and friends, Alive Still is a compelling narrative of a leading, productive, and passionate woman artist who overcame the setbacks of disability.

Among the women artists who came to prominence in the postwar era in New York, painter Nell Blaine had a uniquely hard-won career. In her mid-thirties, her horizons seemed limitless. Her shows received glowing reviews, ARTnews honored her with a lengthy feature article, and one of her paintings hung in the Whitney Museum. Then, on a trip to Greece, Blaine developed polio, rendering her a paraplegic. Angry at being told she would never paint again, she taught herself to hold a brush with her left hand and regained her skill. In Alive Still, author Cathy Curtis tells the story of Blaine''s life and career for the first time by investigating the ways her experience of illness colored her personality and the evolving nature of her work, the importance of her Southern roots, and the influence of her bisexuality (and, in the latter part of her life, long term lesbian relationships) on her understanding of the world.Alive Still draws upon Blaine''s unpublished diaries; her published writing; career-spanning interviews and reviews; and correspondence to and from family members, lovers, and the artists, poets, publishers, rescuers in Greece, and neighbors she knew. In addition, Curtis has conducted interviews with surviving artists and other individuals in Blaine''s circle, including two of her longtime lovers.Featuring illustrations of Blaine''s work and snapshots of family and friends, Alive Still is a compelling narrative of a leading, productive, and passionate woman artist who overcame the setbacks of disability.

Among the women artists who came to prominence in the postwar era in New York, painter Nell Blaine had a uniquely hard-won career. In her mid-thirties, her horizons seemed limitless. Her shows received glowing reviews, ARTnews honored her with a lengthy feature article, and one of her paintings hung in the Whitney Museum. Then, on a trip to Greece, Blaine developed polio, rendering her a paraplegic. Angry at being told she would never paint again, she taught herself to hold a brush with her left hand and regained her skill. In Alive Still, author Cathy Curtis tells the story of Blaine''s life and career for the first time by investigating the ways her experience of illness colored her personality and the evolving nature of her work, the importance of her Southern roots, and the influence of her bisexuality (and, in the latter part of her life, long term lesbian relationships) on her understanding of the world.Alive Still draws upon Blaine''s unpublished diaries; her published writing; career-spanning interviews and reviews; and correspondence to and from family members, lovers, and the artists, poets, publishers, rescuers in Greece, and neighbors she knew. In addition, Curtis has conducted interviews with surviving artists and other individuals in Blaine''s circle, including two of her longtime lovers.Featuring illustrations of Blaine''s work and snapshots of family and friends, Alive Still is a compelling narrative of a leading, productive, and passionate woman artist who overcame the setbacks of disability.

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men's club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men''s club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA''s groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men''s club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA''s groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

Born in Kentucky, Elizabeth Hardwick boarded a Greyhound bus to New York City in 1939 and quickly made a name for herself as a formidable member of the intellectual elite.Her eventful life included stretches of dire poverty; lasting friendships with literary luminaries (among them, Mary McCarthy); confrontations with authors she eviscerated in The New York Review of Books (of which she was a cofounder); and marriage to the poet Robert Lowell—whom she adored, standing by faithfully through his episodes of bipolar illness. Lowell’s decision to publish excerpts from her private letters in The Dolphin greatly distressed Hardwick and ignited a major literary controversy.Hardwick imbued her essays with a novelistic flair and a wholly original outlook. In A Splendid Intelligence, biographer Cathy Curtis offers an intimate portrait of an exceptional woman who emerged from a long, turbulent marriage with the clarity and wisdom that illuminate her brilliant work.

Born in Kentucky, Elizabeth Hardwick left for New York City on a Greyhound bus in 1939 and quickly made a name for herself as a formidable member of the intellectual elite. Her eventful life included stretches of dire poverty, romantic escapades and dustups with authors she eviscerated in The New York Review of Books, of which she was a cofounder. She formed lasting friendships with literary notables—including Mary McCarthy, Adrienne Rich and Susan Sontag—who appreciated her sharp wit and relish for gossip, progressive politics and great literature.Hardwick’s life and writing were shaped by a turbulent marriage to the poet Robert Lowell, whom she adored, standing by faithfully through his episodes of bipolar illness. Lowell’s decision to publish excerpts from her private letters in The Dolphin greatly distressed Hardwick and ignited a major literary controversy. Hardwick emerged from the scandal with the clarity and wisdom that illuminate her brilliant work—most notably Sleepless Nights, a daring, lyrical and keenly perceptive collage of reflections and glimpses of people encountered as they stumble through lives of deprivation or privilege.A Splendid Intelligence finally gives Hardwick her due as one of the great postwar cultural critics. Ranging over a broad territory—from the depiction of women in classic novels to the civil rights movement, from theatre in New York to life in Brazil, Kentucky and Maine—Hardwick’s essays remain strikingly original, fiercely opinionated and exquisitely wrought. In this lively and illuminating biography, Cathy Curtis offers an intimate portrait of an exceptional woman who vigorously forged her own identity on and off the page.