Cecilia Vicuña – författare

Here is the first anthology to present a full range of multilingual poetries from Latin America, covering over 500 years of a poetic tradition as varied, robust, and vividly imaginative as any in the world.Editors Cecilia Vicuña and Ernesto Livon-Grosman present a fresh and expansive selection of Latin American poetry, from the indigenous responses to the European conquest, through early feminist poetry of the 19th century, the early 20th century "Modernismo" and "Vanguardia" movements, later revolutionary and liberation poetry of the 1960s, right up to the experimental, visual and oral poetries being written and performed today. Here readers will find several types of poetry typically overlooked in major anthologies, such as works written or chanted in their native languages, the vibrant mestizo (mixed) creations derived from the rich matrix of spoken language in Latin America, and even the mysterious verses written in made-up languages. In addition to the giants of Latin American poetry, such as César Vallejo, Vicente Huidobro, Pablo Neruda, Octavio Paz, Haroldo and Augusto de Campos, and Gabriela Mistral, the editors have included a selection of vital but lesser known poets such as Pablo de Rohka, Blanca Varela, and Cecilia Meireles, as well as previously untranslated works by Simó n Rodríguez, Bartolomé Hidalgo, Oliverio Girondo, Rosa Araneda, and many others. In all, the anthology presents more than 120 poets, many in new translations--by Jerome Rothenberg, W.S. Merwin, and Forrest Gander, and others--specially commissioned for this anthology, and each accompanied by a biographical note. The book features both English and original language versions of the poems, a full bibliography, and an introduction by the editors.Sure to stand as the definitive anthology for decades to come, The Oxford Book of Latin American Poetry remaps the territory, offering new ways of looking at a poetry as diverse and complex as Latin America itself.

Sandra Vásquez de la Horra reimagines the world and deconstructs societal and cultural norms through her playful and surrealistic drawings and paper sculptures. Her work delves into shared and untold histories, trauma, desire, fantasies, and taboos. Born in Chile during the repressive Pinochet regime, she has lived and worked in Germany for decades, incorporating Latin American and European traditions into her unique artistic language. Her drawings - along with paintings, photographs, and films - explore mythologies, fantastical hybrid botanicals, diverse geographies, and text, with writing in Spanish, English, Italian, Latin, and German, that expands the possibilities of meaning for each image. She imbues the traditional technique of drawing with tactility by dipping finished drawings in beeswax, and she continues to challenge our preconceptions of what drawing can be by turning paper into three-dimensional sculptures. Sandra Vásquez de la Horra’s work invites us in and exposes the mysteries and intimacies of our shared experiences.