Cedric Van Dijck – författare
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5 produkter
5 produkter
1 826 kr
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Shifts the scholarly conversation on modernism and war from shell shock to material cultureProvides the first book-length study of the material culture of the First World War through the lens of modernist literatureRethinks the relationship between modernism and armed conflict in tangible terms by exploring how the things of war helped shape modernismOffers an alternative to familiar accounts of modernism and shell shockExplores canonical and lesser-known authors from Britain, Europe and the colonial world to cover a wide range of war experiencesTurns to unexpected and newly discovered print artefacts from the modernist archives, including trench newspapers, shop signs, travel guides and other sources at the margins of the canonWhat did modernist writers make of the things of war? Often studied for its fascination with the shell-shocked mind, modernist literature is also packed with more tangible traces of the First World War, from helmets, trench art and tombstones to shop signs, military newspapers and leaflets dropped from airplanes. Modernism, Material Culture and the First World War asks what experimental writers read into these objects and how the conflict prompted a way of thinking of their writings as objects in their own right. Ranging from 1914 to the early 1940s, the chapters in this book weave together prose and poems by Guillaume Apollinaire, E. M. Forster, Virginia Woolf, Hope Mirrlees and Mulk Raj Anand.
431 kr
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What did modernist writers make of the things of war? Often studied for its fascination with the shell-shocked mind, modernist literature is also packed with more tangible traces of the First World War, from helmets, trench art and tombstones to shop signs, military newspapers and leaflets dropped from airplanes. Modernism, Material Culture and the First World War asks what experimental writers read into these objects and how the conflict prompted a way of thinking of their writings as objects in their own right. Ranging from 1914 to the early 1940s, the chapters in this book weave together prose and poems by Guillaume Apollinaire, E. M. Forster, Virginia Woolf, Hope Mirrlees and Mulk Raj Anand.
539 kr
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While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called ‘Greater War’. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children’s magazines and avant-garde journals in various national and cultural contexts.
2 136 kr
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The first reference book on First World War newspapers and magazines from the home front to the front linesWhile literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called 'Greater War'. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children's magazines and avant-garde journals in various national and cultural contexts.
Intellectual Response to the First World War
How the Conflict Impacted on Ideas, Methods and Fields of Enquiry
Inbunden, Engelska, 2017
1 779 kr
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The First World War changed the dynamics of the European intellectual landscape in terms of international collaboration, the development of disciplines and new institutional visions. The conflict not only destroyed much of Europe's material cultural heritage, it also damaged the 19th-century humanist conception of the function of thought and problematised the position of the thinker in society. What is the intellectuals task in a time of destruction and death? This book spotlights the ways in which the war redrew the map of knowledge production and changed traditional paradigms, fundamentally altering the approach to intellectual work. Thinking became more democratic and specialised, with a range of voices tackling specific problems created by the war, but now more conspicuously related to particular causes. The focus on the viewpoints of the 1914-1918 intellectual cadre throws into perspective the ways in which the war changed the contents, methods and organisation of intellectual work. Part One looks at the war as an object of study; Part Two explores the methodological challenges the war entailed; and Part Three sheds light on the ways in which the conflict and its aftermath redrew the map of collaborative intellectual networks. The case-studies come from different disciplines and cover a range of contexts, from German engineering to British wartime periodicals. Revisiting the early 20th-century intellectual situation not only enriches our understanding of the dynamics of the Great War, it also assists in repositioning the role of the intellectual in the 21st century.