Chad Davidson – författare

Writing Poetry combines an accessible introduction to the essential elements of the craft, with a critical awareness of its underpinnings. The authors argue that separating the making of poems from critical thinking about them is a false divide and encourage students to become accomplished critics and active readers of poetic texts.

Twenty-seven years in the making, Terra Cognita chronicles the author's continual travels—and problematic (if still, at times, ecstatic) encounters—in the "bel paese." Across nine richly evocative essays, Chad Davidson investigates the seemingly never-ending fascination that travelers have with Italy.As much a meditation on what home and away mean as it is a travel memoir, Terra Cognita finds literary predecessors such as Dante and Italo Calvino crowding in alongside more accustomed sights from travel shows, Hollywood films, and tourist guides. Though each essay departs from a particular location in Italy and remains rooted in the author's own history there, the book ultimately becomes less about those places and more about the placelessness any such journey can engender, how—even after flying across an ocean and landing in a foreign country—we are still hopelessly and fully ourselves.

Could the shlock-rock '70s band Kiss in any way affect the outcome of a death-dealing twenty-first-century virus? Is Bob Ross—that permed, inimitable painter of Edenic nostalgia on PBS—actually an emissary from the land of personal loss? Might the work of Edward Hopper reflect facets of a global plague? What is the grammar, finally, of grief, of isolation? The essays in Chad Davidson's Bring Out Your Dead: Elegies from the Plague Year mainly concern the loss of the author's father directly before the onset of the COVID-19 pandemic, and the ways in which the pandemic itself provided a strangely ideal backdrop to grieving. Refracted through the kaleidoscopic, yet strangely stagnant, isolation period in the first year of COVID, his father's death—another plague visited on the author—found its way into all his waking hours, coloring whatever he tried to write, particularly when he tried not to let it. Friends both lost and nearly so, the burning of Notre Dame in Paris, even the seemingly inconsequential discovery of a rash of chew toys in the yard: these events assumed an unmistakable gravity, considered in the midst of a pandemic and the ruins of personal grief.Bring Out Your Dead adds Davidson's father to the growing list of loved ones lost in—and, in this case, right before—the pandemic. It's a personal memorial, given over to a father's memory and the grief endured while living through dueling plagues (one viral, the other psychological). In the end, the book becomes more about the ways we eulogize, how we remember those who are gone, why their memories persist, and what summons them back into our thoughts, our language, and our lives.

This title explains how to read, interpret and write about the world around us in a critical and informed way. How well are you able to decode the signs that surround us in our daily lives? All of us, consciously or unconsciously, are constantly engaged in the act of reading and interpreting the signs in the world around us. This book answers the needs of students of composition, rhetoric, creative writing, stylistics or literature: it provides a process orientated guide to analyzing anything. Fraser and Davidson teach the reader how to perform semiotic analysis and formulate in plain language a logical set of instructions on how to write it up. The central idea is that analytical writing can be performed on any kind of text. The authors move from theory to practical analysis, featuring sidebars throughout that expand on relevant points. There is a clear trajectory through research, planning and writing with concrete revision strategies. The book includes links to insightful and witty readings on its expansive Companion Website, together with a Lecturer Handbook, extra material and additional essay tasks. This is the textbook of choice for all students of writing.