Chantal Rodriguez – författare
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3 produkter
3 produkter
1 492 kr
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This anthology has its origins in the Encuentro theater festival, which was produced by the Latino Theater Company in association with the Latinx Theatre Commons in Los Angeles in 2014. Encuentro means “an encounter,” and meetings form a core theme in these six groundbreaking plays, each prefaced by a critical introduction from a leading Latinx theater scholar.Playwrights Ruben C. Gonzalez, José Torres-Tama, Rickerby Hinds, Mariana Carreño King, Javier Antonio González, and Evelina Fernández exhibit a wide range of aesthetic approaches, dramatic structures, and themes, ranging from marriage, gentrification, racial and gendered violence, migration, and the ever-present politics of the U.S.–Mexico border. There is power in the communal experience of creating, witnessing, and participating in theater festivals. This anthology is a testament to that power and seeks to document the historic festival as well as to make these works available to a wider audience.Encuentro: Latinx Performance for the New American Theater addresses interests of general audiences committed to the performing arts; scholars and students of Latinx, gender, and ethnic studies; university, college, and high school theater programs; and regional theaters looking to diversify their programming.
346 kr
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Established in 1992 by Los Angeles's Center Theatre Group, the Latino Theatre Initiative sought to diversify audiences by diversifying theatrical programming. Until 2005, when it was suspended, the program resulted in the production of eleven new main-stage plays at the Mark Taper Forum. It was also key in the development of new and emerging Latino artists, the production of second-stage works, and the incorporation of community-based events into theater programming.Chantal Rodriguez draws on the extensive Latino Theatre Initiative/Center Theatre Group Papers, 1980-2005, housed at the UCLA Chicano Studies Research Center, in this first extended historical account of the program. Rodriguez evaluates the initiative's successes and shortcomings and examines the roles played by its leaders and its significant roster of artists. A finding aid for the collection and a selected bibliography round out the volume.
1 399 kr
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Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-AuthorA curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists?Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Company’s Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making. Alongside plays by Evelina Fernández, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrán this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas.Full playtexts include: Dementia by Evelina FernándezWET: A DACAmented Journey by Alex AlpharoahMiss Julia adapted by J.Ed Araiza10 Million by Carlos Celdrán