Charles H. Cosgrove – författare

The Meanings We Choose is an engagement with responsible bible reading—Hebrew Bible/Old Testament and New Testament texts—for the past as well as for the present and future. Its stated perspectives are multi-denominational Christian but the implications of such readings go far beyond a specific confessional framework. In the present political climate the aware, responsible "personal" is meaningful for any community, confessedly religious as well as otherwise. While the articles collected in this volume, broadly speaking, can and perhaps should be compartmentalized as ideological criticism, their significance for reading ideologies "different" from their own is more than considerable.

Many Bible interpreters assume a biblical text has only one right meaning and that it can be found if the reader uses the right methods. Charles Cosgrove, on the other hand, recognizes that language often admits multiple meanings and that scholars must deal with several sensible readings. As an example, Elusive Israel examines the identity of Israel in Romans 11, arguing for three equally plausible interpretations.

This well-crafted and engaging biography of Augustus Garrett and his wife, Eliza Clark Garrett, tells two equally compelling stories: an ambitious man's struggle to succeed and the remarkable spiritual journey of a woman attempting to overcome tragedy. By contextualising the couple's lives within the rich social, political, business, and religious milieu of Chicago's early urbanisation, author Charles H. Cosgrove fills a gap in the history of the city in the mid-nineteenth century.After the Garretts moved from the Hudson River Valley to Chicago, Augustus made his fortune in the land boom as an auctioneer and speculator. A mayor during the city's formative period, Augustus was at the center of the first mayoral election scandal in Chicago. To save his honor, he resigned dramatically and found vindication in his reelection the following year. His story reveals much about the inner workings of Chicago politics and business in the antebellum era.The couple had lost three young children to disease, and Eliza arrived in Chicago with deep emotional scars. Her journey exemplifies the struggles of sincere, pious women to come to terms with tragedy in an age when most people attributed unhappy events to divine discipline. Following Augustus's premature death, Eliza developed plans to devote her estate to founding a women’s college and a school for ministerial training, and in 1853 she endowed a Methodist theological school, the Garrett Biblical Institute (now the Garrett-Evangelical Theological Seminary), thereby becoming the first woman in North America to found an institution of higher learning.In addition to illuminating our understanding of Chicago from the 1830s to the 1850s, Fortune and Faith in Old Chicago explores American religious history, particularly Presbyterianism and Methodism, and its gendered approach shows how men and women experienced the same era in vastly different ways. The result is a rare, fascinating glimpse into old Chicago through the eyes of two of its important early residents.

Examining the case that inspired a pop culture phenomenonIn 1924 Beulah Annan was arrested and incarcerated for killing her lover, Harry Kalsted. Six weeks later, a jury acquitted her of murder. Inspired by the sordid event, trial, and acquittal, Maurine Watkins, a reporter at the time, wrote the play Chicago, a Broadway hit that was adapted several times. Through a fresh retelling of the story of Annan and of Watkins’s play, Charles H. Cosgrove provides the first critical examination of the criminal case, and an initial exploration of the era’s social assumptions that made the message of the play so plausible in its own time. His careful historical research challenges the received portrait of Annan as a killer who got away with murder, and of Watkins as a savvy cub reporter and precocious playwright.In They Both Reached for the Gun, Charles H. Cosgrove expertly combines inquest and police records, and interviews with Annan’s relatives, to analyze the participants, the trial, and the subsequent play. Although no one will ever know what really happened in the Kenwood apartment on Chicago’s south side one hundred years ago, Cosgrove’s interrogation shows how sensationalized Watkins’s writing was. Her reporting on the Annan case perpetuated falsehoods about Annan’s so-called “confession,” and her play gave an inaccurate portrayal of Chicago’s criminal justice system. Despite Watkins’s insistence that her drama revealed the truth about its subjects without any exaggeration, her play depicted police, prosecutors, and judges as the only “good guys” in the story, ignoring those who lied, misled, and used brutal methods to obtain forced confessions.

This is a captivating story of music-making at social recreations from Homeric times to the age of Augustine. It tells about the music itself and its purposes, as well as the ways in which people talked about it, telling anecdotes, picturing musical scenes, sometimes debating what kind of music was right at a party or a festival. In straightforward and engaging prose, the author covers a remarkably broad history, providing the big picture yet with vivid and nuanced descriptions of concrete practices and events. We hear of music at aristocratic parties, club music, people's music-making at festivals, political uses of music at the court of Alexander the Great and in the public banquets of Roman emperors in the Colosseum, opinions of music-making at social meals from Plato to Clement of Alexandria, and much more, making the book a treasure-trove of information and a fascinating journey through ancient times and places.

This is a captivating story of music-making at social recreations from Homeric times to the age of Augustine. It tells about the music itself and its purposes, as well as the ways in which people talked about it, telling anecdotes, picturing musical scenes, sometimes debating what kind of music was right at a party or a festival. In straightforward and engaging prose, the author covers a remarkably broad history, providing the big picture yet with vivid and nuanced descriptions of concrete practices and events. We hear of music at aristocratic parties, club music, people's music-making at festivals, political uses of music at the court of Alexander the Great and in the public banquets of Roman emperors in the Colosseum, opinions of music-making at social meals from Plato to Clement of Alexandria, and much more, making the book a treasure-trove of information and a fascinating journey through ancient times and places.

Dieses Buch enthält eine umfassende Untersuchung des Papyrus Oxyrhynchus 1786, eines griechisch-christlichen Hymnus, der aus der zweiten Hälfte des dritten Jahrhunderts stammt und das früheste vorhandene Beispiel einer notenschriftlichen christlichen Melodie darstellt. Charles Cosgrove untersucht den Text und die Musik dieses Hymnus und stellt sie in den Kontext der griechischen literarischen (und hymnischen) Überlieferung, der altgriechischen Musik, der antiken christlichen Liturgie und Frömmigkeit und der gesellschaftlichen Umstände von Oxyrhynchus um 300 C.E. Der ausführliche Kommentar berührt die Fachgebiete der klassischen Philologen, der Kirchenhistoriker und der Musikhistoriker mit Interesse an griechischer Musik.