Charles Horton – författare

Anesthesia Crash Course is uniquely positioned to address the needs of new trainees in anesthesia. This book is written in a conversational tone, avoiding unnecessary jargon and distilling the key concepts of anesthesia into easy-to-remember tidbits - an approach in increasing demand by medical students and junior physicians. The audience for this book is chiefly new anesthesia residents, interns, medical students who rotate through anesthesia services, and nurse anesthetists. By demystifying the world of anesthesia, it provides a welcome resource to medical students and RNs who are considering additional training in this popular but poorly understood specialty. Surgical residents who feel they're not up to speed with what's happening on the other side of the "ether screen" would certainly also benefit from reading Anesthesia Crash Course. New anesthesia trainees face an extremely daunting learning curve. As they progress through training, they will read longer and more detailed treatises on every aspect of modern anesthesia. It is not realistic to imagine that someone might finish such a book in the first week of his or her training! Anesthesia Crash Course wil serve as a bridge between a trainee's pre-anesthesia experience and more formal training. It can be read in the last month of internship, or in evenings while completing the first few weeks of anesthesia training. It can also serve as a medical student's accompaniment for a two-week anesthesia elective.

Horton brings together the latest research on the origins of the gospels and their transmission, and provides the only guide to the Chester Beatty Codex P45. Provides an introduction to the gospel genre and examining literacy among early Christians and all that is known about the origins and transmission of the gospels. Also focuses on the significance of P45, its place as the earliest Christian gospel-book, its unique readings, the earliest extant version of the gospel of Mark, and how the manuscript was found piece by piece by an American collector.

Among the thousands of men who shivered and suffered in the trenches during the First World War, some did not even have the protection of a weapon. Members of the Royal Army Medical Corps (the RAMC) were there not to take lives, but to save them. Many chose this difficult and dangerous work because of their principles, including volunteer Charles Horton, who went through the horrors of Passchendaele, Ypres and the Somme, fighting to get the injured away from the guns, to the safety of the field hospitals and beyond. After the war, Horton felt that the RAMC and their sacrifices were forgotten, and so in 1970 he wrote down his memories. In this glorious book, full of first hand detail, he takes us back to the trenches in France and the mountains of Italy. This is a wonderful authentic account into one man's struggle to survive - and to keep others alive. With the approval of Horton's family, author Dale le Vack has edited Horton's journals for clarity, and added more text to provide background. The result is a superb memoir of one of the darkest periods in history.

Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles.This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring:A student workbook with more than 260 assignments for individual work and classroom useAudio links to 315 newly-recorded live performances of model compositions and fully realized settingsAn instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email textbooks@rowman.com for more information.