Charles J. Rzepka – författare

Detective Fiction is a clear and compelling look at some of the best known, yet least-understood, characters and texts of the modern day. Charles J. Rzepka traces the history of the genre from its modern beginnings in the early eighteenth century, with the criminal broadsheets and ‘true’ crime stories of The Newgate Calendar, to its present state of diversity, innovation, and worldwide diffusion, in a manner that students and scholars alike will find readable and provocative. The book focuses particularly on the relationship of detective fiction's emerging ‘puzzle-element’ to the investigative methods of the nascent historical sciences, and to popular cultural attitudes toward history, particularly in Great Britain and the United States. In addition, the author examines the specific impact of urbanization, the rise of the professions, brain science, legal and social reform, war and economic dislocation, class-consciousness, and changing concepts of race and gender. Extended close readings of the classics of Detective Fiction in several ‘Casebook’ essays devoted to seminal works by Poe, Doyle, Sayers, and Chandler show in detail how the genre has responded to these influences over the last century and a half. They also serve to introduce students to a variety of current critical approaches. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading. ‘Cool, savvy, and utterly compelling: every page of Charles J. Rzepka’s magnificent history of detective fiction displays the forensic panache of the true connoisseur of murder. Commanding an unrivalled breadth of reference and depth of insight, the book is a must-read for everyone interested in detective fiction.’ Nicholas Roe, University of St Andrews ‘In this sustained analysis of the emergence and development of detective fiction in England and America, Charles Rzepka has produced both a compelling cultural history and a skilful demonstration of what Poe aptly called “the moral activity which disentangles”. It will become an indispensable guide to serious students of detective literature.’ Ronald R. Thomas, University of Puget Sound

Detective Fiction is a clear and compelling look at some of the best known, yet least-understood, characters and texts of the modern day. Charles J. Rzepka traces the history of the genre from its modern beginnings in the early eighteenth century, with the criminal broadsheets and ‘true’ crime stories of The Newgate Calendar, to its present state of diversity, innovation, and worldwide diffusion, in a manner that students and scholars alike will find readable and provocative. The book focuses particularly on the relationship of detective fiction's emerging ‘puzzle-element’ to the investigative methods of the nascent historical sciences, and to popular cultural attitudes toward history, particularly in Great Britain and the United States. In addition, the author examines the specific impact of urbanization, the rise of the professions, brain science, legal and social reform, war and economic dislocation, class-consciousness, and changing concepts of race and gender. Extended close readings of the classics of Detective Fiction in several ‘Casebook’ essays devoted to seminal works by Poe, Doyle, Sayers, and Chandler show in detail how the genre has responded to these influences over the last century and a half. They also serve to introduce students to a variety of current critical approaches. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading. ‘Cool, savvy, and utterly compelling: every page of Charles J. Rzepka’s magnificent history of detective fiction displays the forensic panache of the true connoisseur of murder. Commanding an unrivalled breadth of reference and depth of insight, the book is a must-read for everyone interested in detective fiction.’ Nicholas Roe, University of St Andrews ‘In this sustained analysis of the emergence and development of detective fiction in England and America, Charles Rzepka has produced both a compelling cultural history and a skilful demonstration of what Poe aptly called “the moral activity which disentangles”. It will become an indispensable guide to serious students of detective literature.’ Ronald R. Thomas, University of Puget Sound

Gathered together for the first time, the essays in this volume were selected to give scholars ready access to important late-twentieth and early twenty-first-century contributions to scholarship on the Romantic period and twentieth-century literature and culture. Included are Charles J. Rzepka's award-winning essays on Keats's 'Chapman's Homer' sonnet and Wordsworth's 'Michael' and his critical intervention into anachronistic new historicist readings of the circumstances surrounding the composition of "Tintern Abbey." Other Romantic period essays provide innovative interpretations of De Quincey's relation to theatre and the anti-slavery movement. Genre is highlighted in Rzepka's exploration of race and region in Charlie Chan, while his interdisciplinary essay on The Wizard of Oz and the New Woman takes the reader on a journey that encompasses the Oz of L. Frank Baum and Victor Fleming as well as the professional lives of Judy Garland and Liza Minnelli. Taken together, the essays provide not only a career retrospective of an influential scholar and teacher but also a map of the innovations and controversies that have influenced literary studies from the early 1980s to the present. As Peter Manning observes in his foreword, "this collection shows that even in diverse essays the force of a curious and disciplined mind makes itself felt."

A scholarly exploration of Elmore Leonard—provides original essays and fresh insights on the author’s works and influenceLabelled as "the closest thing America has to a national novelist," Elmore Leonard's clean and direct writing, engaging bad guys, and deadpan humor resonate with readers around the nation and throughout the world. Popular films based on his books continue to introduce new audiences to Leonard's unique way of engaging with complex themes of American culture and pop-culture history. Yet surprisingly, academic treatments of his writing are almost nonexistent. Critical Essays on Elmore Leonard is an original anthology that covers the topics, themes, literary and narrative style, and enduring influences of one of the finest crime writers in the history of the genre.This unique collection of essays explores the ways in which Leonard’s work reflects America's dynamic, ever-changing culture. Divided into two parts, the book first examines major themes and topics in Leonard's works, followed by detailed case studies of five individual works including Get Shorty and Out of Sight. Essays discuss topics such as Leonard's skill at conveying sense of place, his use of dress and appearance in his crime fiction, the influence of romantic comedies and westerns on his writing, and the concepts of moral luck, determinism, and existentialism found in his novels. Unique and thoroughly original, this book: Covers Leonard's entire career, including his early Western novels and his work in visual mediaIllustrates Leonard's genius at handling free indirect discourseDiscusses the author's influence, legacy, and contemporary relevance in various contextsExplores Leonard's success at making himself "invisible" in his own writingIncludes an insightful introduction from the book's editorCritical Essays on Elmore Leonard is an ideal resource for academics and students in the field of genre studies, especially crime fiction, and general readers with interest in the subject.

A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fictionFollows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularityFeatures  full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the fieldIncludes extensive references to the most up-to-date scholarship, and a comprehensive bibliography

A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fictionFollows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularityFeatures  full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the fieldIncludes extensive references to the most up-to-date scholarship, and a comprehensive bibliography

Widely known as the crime fiction writer whose work led to the movies Get Shorty and Out of Sight, Elmore Leonard had a special knack for creating "cool" characters. In Being Cool, Charles J. Rzepka looks at what makes the dope-dealers, bookies, grifters, financial advisors, talent agents, shady attorneys, hookers, models, and crooked cops of Leonard's world cool. They may be nefarious, but they are also confident, skilled, and composed. And they are good at what they do. Taking being cool as the highway through Leonard's life and works, Rzepka finds plenty of byways to explore along the way. Rzepka delineates the stages and patterns that characterize Leonard's creative evolution. Like jazz greats, he forged an individual writing style immediately recognizable for its voice and rhythm, including his characters' rat-a-tat recitations, curt backhands, and ragged trains of thought. Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades.