Charles Jones – författare

The political theory of Richard Vernon has been a guiding light for students of politics for over five decades. From the situated ethics of shared citizenship to the normative character of individuals’ connections to members of other societies and generations, Vernon has cleared a distinctive course in his contributions to the many complex dimensions of political morality.

Justice, Rights, and Toleration centres on the core ideas that animate Vernon’s approcach to political theory. Contributors to this volume – all former students and colleagues of Vernon – offer critical engagement with the fundamental themes threaded throughout the thinker’s work on the perennial political challenges in liberal democratic societies, including the understanding of citizenship and political membership, justice within and between nations and generations, the rights of children and parents, and the idea of toleration. Vernon articulated a clear vision of the nature of these problems as well as a nuanced approach to addressing them, one rooted in the ideas of democratic dialogue and justice. The essays in this volume are a testament to the breadth of the pressing issues on which Vernon’s work continues to advance critical insights.

Justice, Rights, and Toleration provides a worthy tribute to the wide range of Richard Vernon’s interests and the inspiration still to be found in his deep yet subtle body of work in political theory.

The political theory of Richard Vernon has been a guiding light for students of politics for over five decades. From the situated ethics of shared citizenship to the normative character of individuals’ connections to members of other societies and generations, Vernon has cleared a distinctive course in his contributions to the many complex dimensions of political morality.

Justice, Rights, and Toleration centres on the core ideas that animate Vernon’s approcach to political theory. Contributors to this volume – all former students and colleagues of Vernon – offer critical engagement with the fundamental themes threaded throughout the thinker’s work on the perennial political challenges in liberal democratic societies, including the understanding of citizenship and political membership, justice within and between nations and generations, the rights of children and parents, and the idea of toleration. Vernon articulated a clear vision of the nature of these problems as well as a nuanced approach to addressing them, one rooted in the ideas of democratic dialogue and justice. The essays in this volume are a testament to the breadth of the pressing issues on which Vernon’s work continues to advance critical insights.

Justice, Rights, and Toleration provides a worthy tribute to the wide range of Richard Vernon’s interests and the inspiration still to be found in his deep yet subtle body of work in political theory.

This is an attempt to view historical phonological change as an ongoing, recurrent process. The author sees like events occurring at all periods, a phenomenon which he considers is disguised by too great a reliance upon certain characteristics of the scholarly tradition. Thus he argues that those innovations arrived at by speakers of the English language many years ago are not in principle unlike those that can be seen to be happening today. Phonological mutations are, on the whole, not to be regarded as unique, novel, once only events. Speakers appear to present to speech sound materials, a limited set of evaluative and decoding perceptions, together with what would seem to be a finite number of innovation producing stratagems in response to their interpretation. It is stressed that this interpretation may itself be a direct product of the kinds of data selected for presentation in traditional handbooks and Jones notes the fact that phonological change is often "messy" and responsive to a highly tuned ability to perceive fine phonetic detail of a type which, by definition, rarely has the opportunity to surface in historical data sources.

This book raises questions about the just war tradition through a critical examination of its revival and by juxtaposing it with a literary phenomenology of war. Recent public debate about war has leaned heavily on a just-war tradition dating back many centuries. This book examines the recent revival of that tradition in the United States and Britain, arguing that it is less coherent and comprehensive as an approach to the ethical issues arising from war than is generally supposed, and that it is inconsistent in important ways with the theology on which it was originally based. A second line of criticism is mounted through close readings of modern texts in English - from Britain, Australia and the USA – that together constitute a more subjective, bottom-up understanding of the moral dilemmas of military life. In this second tradition the task of representing war is seen as more problematic, and its rationality more questionable, than in just war discourse. Works by William Shakespeare, Sir Walter Scott, James Fennimore Cooper, Stephen Crane, John Buchan, Robert Louis Stevenson, Joseph Conrad, Tim O’Brien and Kurt Vonnegut are featured.

The book will be of great interest to students and scholars of security studies, military studies, theology and international relations.

This book raises questions about the just war tradition through a critical examination of its revival and by juxtaposing it with a literary phenomenology of war. Recent public debate about war has leaned heavily on a just-war tradition dating back many centuries. This book examines the recent revival of that tradition in the United States and Britain, arguing that it is less coherent and comprehensive as an approach to the ethical issues arising from war than is generally supposed, and that it is inconsistent in important ways with the theology on which it was originally based. A second line of criticism is mounted through close readings of modern texts in English - from Britain, Australia and the USA – that together constitute a more subjective, bottom-up understanding of the moral dilemmas of military life. In this second tradition the task of representing war is seen as more problematic, and its rationality more questionable, than in just war discourse. Works by William Shakespeare, Sir Walter Scott, James Fennimore Cooper, Stephen Crane, John Buchan, Robert Louis Stevenson, Joseph Conrad, Tim O’Brien and Kurt Vonnegut are featured.

The book will be of great interest to students and scholars of security studies, military studies, theology and international relations.