Charles Merewether – författare

The book distinctive is listed in points (i) it focuses on Eastern European art covering the historical avant-garde to the post-war and contemporary periods of; (ii) it looks at some key artists in the countries that have not been given so much attention within this content i.e. Georgia, Dagestan, Chechnya and Central Asia; (iii) it looks beyond Eastern Europe to the influence of Russia/Soviet Union in Asia.   

This book explores the interplay of Western European exploration and trade, with collecting, cabinets of curiosities and museums, and with the role of booty and plunder in the building of empires from ca.1600 until the end of the 19th century. The book focuses principally on the Dutch, English, Spanish, French and Italian at different times of their colonial power over the course of these 300 years. The achievements of exploration and trade provide the basis for these countries and both the state and individuals to build collections and museums. This involved governments to legitimize the pursuit of booty and subsequently looting whether by themselves, members of the ruling class or privateers. Throughout much of this period, there those who stood up and challenged such practices, passing laws to criminalize, curtail or contain these activities. By the late 18th century, these parallel but disparate activities converged. It was era of Napoleon and his imperial ambitions that drew these disparate activities together, with his support of intellectual inquiry alongside military plunder and collecting. This served as a symbol of imperial power of the French empire that, alongside England and Italy, exploited the wealth and riches of Egypt, India, and China.