Charles S. Watson – författare

Winner of the Pulitzer Prize for Drama for The Young Man from Atlanta and Academy Awards for the screen adaptation of To Kill a Mockingbird and the original screenplay Tender Mercies, as well as the recipient of an Academy Award nomination for the screenplay of The Trip to Bountiful and the William Inge Lifetime Achievement Award, Horton Foote is one of America's most respected writers for stage and screen. The deep compassion he shows for his characters, the moral vision that infuses his social commentary, and the kindness and humanity that Foote himself radiates have also made him one of our most revered artists-the father-figure who understands our longings for home, for human connections, and for certainty in a world largely bereft of these.This literary biography thoroughly investigates how Horton Foote's life and worldview have shaped his works for stage, television, and film. Tracing the whole trajectory of Foote's career from his small-town Texas upbringing to the present day, Charles Watson demonstrates that Foote has created a fully imagined mythical world from the materials supplied by his own and his family's and friends' lives in Wharton, Texas, in the early twentieth century. Devoting attention to each of Foote's major works in turn, he shows how this world took shape in Foote's writing for the New York stage, Golden Age television, Hollywood films, and in his nine-play masterpiece, The Orphan's Home Cycle. Throughout, Watson's focus on Foote as a master playwright and his extensive use of the dramatist's unpublished correspondence make this literary biography required reading for all who admire the work of Horton Foote.

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "e;Stella!"e; or laments for "e;gentleman callers."e; Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias.Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the Southfrom sensitive analysis to outraged indictmentin response to the Civil Rights Movement.Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces.With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias.Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South -- from sensitive analysis to outraged indictment -- in response to the Civil Rights Movement.Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces.With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.

Originally published in 1987, this book is the result of a workshop on the processing of complex sounds held in 1986. All of the important contributions that are being made to understanding auditory processing of complex sounds could not be included in a single volume. However, the chapters do touch base with many of the lines of research and theory on complex sound and its perception at the time, and was felt that they should provide both food for thought and a broad introduction to the literature on a topic that the editors were sure would be studied intensely in the following couple of decades.

Originally published in 1987, this book is the result of a workshop on the processing of complex sounds held in 1986. All of the important contributions that are being made to understanding auditory processing of complex sounds could not be included in a single volume. However, the chapters do touch base with many of the lines of research and theory on complex sound and its perception at the time, and was felt that they should provide both food for thought and a broad introduction to the literature on a topic that the editors were sure would be studied intensely in the following couple of decades.