Charlie Kaufman – författare

The classic guide to cryptography and network security – now fully updated!

“Alice and Bob are back!”

Widely regarded as the most comprehensive yet comprehensible guide to network security and cryptography, the previous editions of Network Security received critical acclaim for lucid and witty explanations of the inner workings of cryptography and network security protocols. In this edition, the authors have significantly updated and revised the previous content, and added new topics that have become important.

This book explains sophisticated concepts in a friendly and intuitive manner. For protocol standards, it explains the various constraints and committee decisions that led to the current designs. For cryptographic algorithms, it explains the intuition behind the designs, as well as the types of attacks the algorithms are designed to avoid. It explains implementation techniques that can cause vulnerabilities even if the cryptography itself is sound. Homework problems deepen your understanding of concepts and technologies, and an updated glossary demystifies the field's jargon. Network Security, Third Edition will appeal to a wide range of professionals, from those who design and evaluate security systems to system administrators and programmers who want a better understanding of this important field. It can also be used as a textbook at the graduate or advanced undergraduate level.

Coverage includes

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.