Charlie Williams – författare

The town of Mangel has always been a rough place, but rough turns to nightmarish when headless corpses begin piling up. The police are desperate for a suspect, and Royston Blake, the former pub doorman-turned-recluse is prime for the taking. He’s hauled in for questioning, but to no avail: this is one crime Blake didn’t commit. Yet the interrogation is enough to shake up his paranoid world. He realizes that, instead of hiding from the ills of the world, he should be fighting them. So begins Blake’s quest to score the unlikeliest of jobs for a guy like him: becoming a copper in Mangel. Considering his violent past, everyone—cops, criminals, even his ex-girlfriend—tries to dissuade him. But Blake’s a tenacious bloke, and what better way to convince the naysayers of his crime-fighting skills than to catch the butcher plaguing his town? As per usual, nothing goes according to plan in Blake’s attempt to turn over a new leaf, leaving him to slog through plenty of blood and muck in the deliciously suspenseful fourth installment of Charlie Williams’s darkly comic series.

In this darkly comedic follow-up to Charlie Williams’ breakthrough novel Deadfolk, Hoppers head doorman Royston Blake is once again up to his eyeballs in trouble of the worst kind. Since his face-off with the Munton brothers, Blake has been enjoying life as a “pillar” of the Mangel community. Sure, it’s a bleak and rather dodgy town, but it’s his town all the same. At least, until enigmatic outsider Nick Nopoly waltzes in and starts collecting friends faster than can possibly be legal. Blake doesn’t think much of him until he notices a change in the behavior of Hoppers’ younger clientele: less beery violence, more nonsensical blathering. But when Doug the shopkeeper comes to Blake for help “sorting out” the newcomer (who just happens to be dating Doug’s teenage daughter), the bruiser figures helping out Doug will be good for business…never mind the 400 cigarettes and 400 cans of lager the shopkeeper has offered as payment. Of course, Mangel is Mangel, and it wouldn’t be a normal day if Blake didn’t soon find himself in an unholy mess. Raunchy, violent, and hysterical, Booze and Burn is an addictive trip into the dark underbelly of small-town England.

Royston Blake is head doorman at Hoppers Wine Bar & Bistro in the backwater English town of Mangel. He drives a Ford Capri 2.8i and can walk the streets of his town knowing he’s respected by one and all—until a rumour begins to circulate that Blake’s “lost his bottle.” Even his sharp-tongued girl, Sal, has overheard the talk that the formerly fearsome bloke has gone soft, lost his edge, and become a pushover in a town where he can ill afford it. To make matters worse, the violent Munton brothers are after him, and the thought of ending up in the back of their bloody Meat Wagon is almost too much to bear. Something’s gotta give, but it sure as hell won’t be Blake. Following advice from his best mate, Legsy, Blake embarks on a plan to re-establish his reputation as a hard man, ensure his appeal to the women of Mangel, and seal his future with the new owner of Hoppers. The logic of the plan is sound: knock around Baz Munton a bit and regain the respect of Mangel’s populace. But sound logic never really took off in Mangel, and Blake finds he’s got his work cut out for him. This brutal black comedy introduces a wholly original voice to the ranks of contemporary literature’s most memorable protagonists.

Three years have passed since Royston Blake left Mangel for Parpham Mental Hospital, his unstable mind finally entrusted to professionals. He served his stretch, and now he’s out, pronounced “cured” by the Doc. But a lot can change in three years, even in Mangel. Blake’s gal, Sal, has gone off and had a kid for one. His kid…whom Blake’s never even met. Not to mention that most of his old haunts, including Hoppers, are gone, replaced by a gleaming new shopping mall. But like the Doc says, change isn’t always for the better. A mysterious opposition group calling itself the “Old Guard” has expressed its displeasure with the development in the local newspaper. Now words are no longer enough, and they want Blake to enforce their message the old-fashioned way. But Blake just wants to do right by his son, a simple dream made all the more complicated once he realizes Mangel won’t let him go without a fight. Charlie Williams has upped the stakes with King of the Road, a new twist on his violent, darkly comedic chronicles of Mangel.