Charlotte Brooks – författare

RHS Botanical Illustration: The Gold Medal Winners collects outstanding examples of botanical illustration from around the world, all of which have been awarded prestigious gold medals by the famous Royal Horticultural Society. This new updated and extended edition includes all new gold medal winners from 2019 to 2024, with an additional 29 stunning works from 14 new and accomplished artists. The RHS only award their gold medal to the most outstanding artists, encouraging the international artistic community to perform to the highest standard for the RHS annual exhibition, now held at the Saatchi Gallery in London, which runs for six weeks every summer. This gold medal is a highly coveted testament to an artist’s abilities, and the illustrations gathered in these pages demonstrate great attention to detail, masterful colour work and outstanding technical skill.Insightful commentary on the artists’ creative process accompanies each picture. The perfect book for the lover of horticulture, as well as an excellent reference both for botanists and aspiring artists, this collection also includes an updated introductory essay that delves into the history of the RHS.

Between the early 1900s and the late 1950s, the attitudes of white Californians toward their Asian American neighbors evolved from outright hostility to relative acceptance. Charlotte Brooks examines this transformation through the lens of California's urban housing markets, arguing that the perceived foreignness of Asian Americans, which initially stranded them in segregated areas, eventually facilitated their integration into neighborhoods that rejected other minorities. Against the backdrop of Cold War efforts to win Asian hearts and minds, whites who saw little difference between Asians and Asian Americans increasingly advocated the latter group's access to middle-class life and the residential areas that went with it. But as they transformed Asian Americans into a "model minority," whites purposefully ignored the long backstory of Chinese and Japanese Americans' early and largely failed attempts to participate in public and private housing programs.As Brooks tells this multifaceted story, she draws on a broad range of sources in multiple languages, giving voice to an array of community leaders, journalists, activists, and homeowners - and insightfully conveying the complexity of racialized housing in a multiracial society.

Between the early 1900s and the late 1950s, the attitudes of white Californians toward their Asian American neighbors evolved from outright hostility to relative acceptance. Charlotte Brooks examines this transformation through the lens of California's urban housing markets, arguing that the perceived foreignness of Asian Americans, which initially stranded them in segregated areas, eventually facilitated their integration into neighborhoods that rejected other minorities. Against the backdrop of cold war efforts to win Asian hearts and minds, whites who saw little difference between Asians and Asian Americans increasingly advocated the latter group's access to middle-class life and the residential areas that went with it. But as they transformed Asian Americans into a 'model minority', whites purposefully ignored the long backstory of Chinese and Japanese Americans' early and largely failed attempts to participate in public and private housing programs.As Brooks tells this multifaceted story, she draws on a broad range of sources in multiple languages, giving voice to an array of community leaders, journalists, activists, and homeowners - and insightfully conveying the complexity of racialized housing in a multiracial society.

During the Cold War, Chinese Americans struggled to gain political influence in the United States. Considered potentially sympathetic to communism, their communities attracted substantial public and government scrutiny, particularly in San Francisco and New York. Between Mao and McCarthy looks at the divergent ways that Chinese Americans in these two cities balanced domestic and international pressures during the tense Cold War era. On both coasts, Chinese Americans sought to gain political power and defend their civil rights, yet only the San Franciscans succeeded. Forging multiracial coalitions and encouraging voting and moderate activism, they avoided the deep divisions and factionalism that consumed their counterparts in New York. Drawing on extensive research in both Chinese- and English-language sources, Charlotte Brooks uncovers the complex, diverse, and surprisingly vibrant politics of an ethnic group trying to find its voice and flex its political muscle in Cold War America.

In the first decades of the 20th century, almost half of the Chinese Americans born in the United States moved to China—a relocation they assumed would be permanent. At a time when people from around the world flocked to the United States, this little-noticed emigration belied America’s image as a magnet for immigrants and a land of upward mobility for all. Fleeing racism, Chinese Americans who sought greater opportunities saw China, a tottering empire and then a struggling republic, as their promised land.  American Exodus is the first book to explore this extraordinary migration of Chinese Americans. Their exodus shaped Sino-American relations, the development of key economic sectors in China, the character of social life in its coastal cities, debates about the meaning of culture and “modernity” there, and the U.S. government’s approach to citizenship and expatriation in the interwar years. Spanning multiple fields, exploring numerous cities, and crisscrossing the Pacific Ocean, this book will appeal to anyone interested in Chinese history, international relations, immigration history, and Asian American studies.

In the first decades of the 20th century, almost half of the Chinese Americans born in the United States moved to China—a relocation they assumed would be permanent. At a time when people from around the world flocked to the United States, this little-noticed emigration belied America’s image as a magnet for immigrants and a land of upward mobility for all. Fleeing racism, Chinese Americans who sought greater opportunities saw China, a tottering empire and then a struggling republic, as their promised land.  American Exodus is the first book to explore this extraordinary migration of Chinese Americans. Their exodus shaped Sino-American relations, the development of key economic sectors in China, the character of social life in its coastal cities, debates about the meaning of culture and “modernity” there, and the U.S. government’s approach to citizenship and expatriation in the interwar years. Spanning multiple fields, exploring numerous cities, and crisscrossing the Pacific Ocean, this book will appeal to anyone interested in Chinese history, international relations, immigration history, and Asian American studies.

The most extraordinary family you’ve never heard of.Born to Chinese immigrant parents, the Moy siblings grew up in an America that questioned their citizenship and denied their equality. Sophisticated and self-consciously modern, they challenged limitations and stereotypes in the United States and sought new opportunities in China’s tumultuous republic. Sometimes the risks they took paid off, but their occasional recklessness also led to infidelity, divorce, bankruptcy, and worse. Those in China faced pressure to collaborate with Japanese occupiers, making choices that had serious consequences for their siblings in the United States.  Charlotte Brooks’s gripping tale follows the family back and forth across the Pacific and through two world wars, China’s Nationalist and Communist revolutions, and the Cold War—events that the siblings and their spouses helped shape. The Moys’ incredible story offers a kaleidoscopic view of an entire generation’s struggle for acceptance and belonging.

"HIGHLY RECOMMENDED: For all botanical artists aspiring to enter the RHS Botanical Art Exhibition and win a Gold Medal - and for all botanical art lovers everywhere. This book makes a major contribution to both the recording of contemporary botanical art and learning about how to produce top quality botanical art" - botanicalartandartists.com "An attractively varied compendium of top prize-winning botanical paintings, together with an informative introductory essay." - Gardens Illustrated Botanical Illustration: a genre of art that endeavours faithfully to depict and represent the form, colour and detail of a plant. Abiding by this definition, the RHS Lindley Library has secured approximately 30,000 splendid illustrations of buds, fruit, flowers and leaves since they first started commissioning artists in 1806. RHS Botanical Illustration: The Gold Medal Winners represents a cross-section of recent gold medallists from around the world. The RHS only award their gold medal to the most outstanding exhibitions, encouraging the international artistic community to perform to the highest standard. This gold medal is a highly-coveted testament to an artist's abilities, and the illustrations gathered in these pages demonstrate great attention to detail, masterful colour work and outstanding technical skill. Insightful commentary on the artists' creative process accompanies each picture. The perfect book for the lover of horticulture, as well as an excellent reference both for botanists and aspiring artists, this collection also includes an introductory essay that delves into the history of the RHS.