Charlotte Chandler – författare

In his films, Alfred Hitchcock found the perfect expression for his fantasies, and he shared those fantasies with the world in such classics as The 39 Steps, The Lady Vanishes, Rebecca, Shadow of a Doubt, Notorious, Strangers on a Train, Rear Window, The Man Who Knew Too Much, To Catch a Thief, North by Northwest, Vertigo, Psycho, and The Birds. In It''s Only a Movie, Charlotte Chandler draws from her extensive conversations with Hitchcock, frequently revealing unknown facts and unexpected insights into the man, the director, and his films. Author of acclaimed biographies of Groucho Marx, Federico Fellini, and Billy Wilder, Charlotte Chandler spent several years with Hitchcock discussing his life and his amazing career. She also talked with his wife, Alma, and daughter, Pat, as well as many of the screen legends who appeared in his films, including Cary Grant, Ingrid Bergman, James Stewart, Grace Kelly, Joan Fontaine, Laurence Olivier, Michael Redgrave, John Gielgud, Gregory Peck, Henry Fonda, Tippi Hedren, James Mason, Eva Marie Saint, Kim Novak, Anthony Perkins, Janet Leigh, and others. The result is an intimate yet expansive portrait of a unique artist who, from the 1920s through the 1970s, created many of history''s most memorable films. A quarter-century after his death, Hitchcock''s distinctive profile remains an instantly recognizable icon to millions, while his films continue to grow in popular appeal and critical esteem. Chandler introduces us to the real Hitchcock: a devoted family man, practical joker, and Englishman of Edwardian sensibilities who was one of the great masters of cinematic art.

Even a short list of Bette Davis''s most famous films -- Of Human Bondage; Jezebel; Dark Victory; The Private Lives of Elizabeth and Essex; Now, Voyager; All About Eve; What Ever Happened to Baby Jane? -- reveals instantly what a major force she was in Hollywood. Her distinctive voice, her remarkable eyes, her astonishing range and depth of characterization -- all these qualities combined to make Bette Davis one of the finest performers in film history. Drawing on extensive conversations with Bette Davis during the last decade of her life, Charlotte Chandler gives us a biography in which the great actress speaks for herself. (It was she who suggested that Chandler write this book.) Chandler also spoke with directors, actors, and others who knew and worked with Davis. As a result Davis comes to life in these pages -- a dynamic, forceful presence once again, just as she was on the screen. Though she owed everything to her mother, Ruthie, Bette Davis remained fascinated all her life by her hard-to-please father, who walked out on his family. She remembered the disappointment -- which never left -- over her father''s lack of interest in her, and she believed that her resentment of him was probably a major factor in her four failed marriages: she kept putting her men in a position where they would eventually disappoint her. She spoke happily of her love affairs with Howard Hughes and William Wyler; she recalled her leading men, favorite co-stars, and unloved rivals; and she took great care to refute the persistent Hollywood legend that she was difficult to work with. Alone and ill, she faced her last days with bravery and dignity. The Girl Who Walked Home Alone is a brilliant portrait of an enduring icon from Hollywood''s golden age and an unforgettable biography of the real woman behind the star.

The Applied Sport and Exercise Practitioner is designed to help all developing sport and exercise practitioners navigate the world of applied work. This book explores conceptual issues surrounding applied practice such as the identity and role of the applied practitioner, professional ethics and how to be part of a multi-disciplinary team. Using a cross disciplinary approach, it brings together the challenges and experiences of sport and exercise practitioners. This book links theoretical ideas with actual practice and compares issues across disciplines and domains. Each chapter includes case studies of contemporary issues from practitioners working in different environments and with diverse populations. Important topics such as insurance, data protection, ethic and soft skills are also discussed.The Applied Sport and Exercise Practitioner is key reading for graduate students and practitioners interested in improving their practice and careers.

The Applied Sport and Exercise Practitioner is designed to help all developing sport and exercise practitioners navigate the world of applied work. This book explores conceptual issues surrounding applied practice such as the identity and role of the applied practitioner, professional ethics and how to be part of a multi-disciplinary team. Using a cross disciplinary approach, it brings together the challenges and experiences of sport and exercise practitioners. This book links theoretical ideas with actual practice and compares issues across disciplines and domains. Each chapter includes case studies of contemporary issues from practitioners working in different environments and with diverse populations. Important topics such as insurance, data protection, ethic and soft skills are also discussed.The Applied Sport and Exercise Practitioner is key reading for graduate students and practitioners interested in improving their practice and careers.

The Routledge Handbook of Teaching Practice in Sport and Exercise Science captures contemporary pedagogic practice within sport and exercise science (SES), applicable to both Higher Education (HE) and Further Education (FE). This cutting-edge new reference work covers teaching and learning concepts, curriculum design, assessment and feedback, graduate skill development, student engagement endeavours, and professional development by presenting a series of chapters that share broader teaching concepts and approaches, specific tools and mechanisms to support student learning, and subject-specific examples.The chapters provide important information regarding real world examples of how to engage students to become better learners through the lens of sport and exercise pedagogy. It challenges the traditional ways of delivering content to a changing student body to help instructors develop strong curriculum design.The Routledge Handbook of Teaching Practice in Sport and Exercise Science advances pedagogic practice in SES through practical examples and reflection at both a discipline and individual level. It is a critical resource to support HE and FE academics in their delivery and reflections on their pedagogic practice as well as a useful guide for students in reflecting on their development and learning experiences.

Drawing on her many conversations with Ingrid Bergman and her family, author Charlotte Chandler presents a compellingly intimate biography of one of the most iconic and beloved classic Hollywood stars.During a career spanning five decades, Ingrid Bergman was one of the most acclaimed and glamorous movie stars—until she became one of the most controversial. Now, her full story, from her climb to stardom to the international scandal that nearly destroyed her career and finally to her redemptive return to Hollywood, is explored as never before. Based on extensive conversations with Bergman herself, her one-time husband, Roberto Rossellini, her children, and her many colleagues—such as Alfred Hitchcock, Cary Grant, Greta Garbo, and more—Ingrid reveals a complex and fascinating woman who lived life intensely.

In this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford''s daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood''s most acclaimed stars.Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M''s Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele''s death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford''s death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler''s finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.

When Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren''t you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho''s everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.

In She Always Knew How, her wonderful new biography of legendary actress Mae West, acclaimed biographer Charlotte Chandler draws on a series of interviews she conducted with the star just months before her death in 1980. From their first meeting, where West held out a diamond-covered hand in greeting and lamented her interviewer''s lack of jewels, to their farewell, where the star was still gamely offering advice on how to attract men, Mae West and Charlotte Chandler developed a warm rapport that glows on every page of this biography. Actress, playwright, screenwriter, and iconic sex symbol Mae West was born in New York in 1893. She created a scandal -- and a sensation -- on Broadway with her play Sex in 1926. Convicted of obscenity, she was sentenced to ten days in prison. She went to jail a convict and emerged a star. Her next play, Diamond Lil, was a smash, and she would play the role of Diamond Lil in different variations for virtually her entire film career. In Hollywood she played opposite George Raft, Cary Grant (in one of his first starring roles), and W. C. Fields, among others. She was the number one box-office attraction during the 1930s and saved Paramount Studios from bankruptcy. Her films included some notorious one-liners -- which she wrote herself -- that have become part of Hollywood lore: from "too much of a good thing can be wonderful" to "When I''m good, I''m very good. When I''m bad, I''m better." Her risqué remarks got her banned from radio for a dozen years, but behind the clever quips was Mae''s deep desire, decades before the word "feminism" was in the news, to see women treated equally with men. She saw through the double standard of the time that permitted men to do things that women would be ruined for doing. Her cause was sexual equality, and she was shrewd enough to know that it was perhaps the ultimate battleground, the most difficult cause of all. In addition to her extensive interviews of Mae West, Chandler also spoke with actors and directors who worked with and knew the star, the man with whom she lived for the last twenty-seven years of her life, as well as her closest assistant at the end of her life. Their comments and insights enrich this fascinating book. She Always Knew How captures the voice and spirit of this unique actress as no other biography ever has.

Actress, playwright, screenwriter, and iconic sex symbol Mae West (1893-1980) created a scandal and a sensation on Broadway with her play Sex in 1926. Convicted of obscenity, she was sentenced to ten days in prison. She went to jail a convict but emerged a star. Later, in Hollywood, she was the number one box-office attraction during the 1930s and saved Paramount Studios from bankruptcy. Her films included some notorious one-liners – which she wrote herself – that have become part of Hollywood lore. But behind the clever quips was Mae's deep desire, decades before the word “feminism” was in the news, to see women treated equally with men. She saw through the double standard of the time that permitted men to do things that women would be ruined for doing. Her cause was sexual equality, and she was shrewd enough to know that it was perhaps the ultimate battleground.In She Always Knew How, Charlotte Chandler draws on a series of extensive interviews that she conducted with Mae West just months before the star's death. Chandler also spoke with actors and directors who knew and worked with Mae, the man with whom she lived for the last twenty-seven years of her life, and her close assistant. Their insights enrich this fascinating book.

• The private Hepburn in her own words: Katharine Hepburn draws on a series of interviews Chandler conducted with the actress during the 1970s and 1980s. Chandler also interviewed director George Cukor; Hepburn co-stars Cary Grant and James Stewart; and Laurence Olivier, Ginger Rogers, and other screen luminaries. .• A Hollywood icon unveiled: Notoriously guarded, Katharine Hepburn talks candidly with Chandler about her marriage, her long affair with Spencer Tracy, co-stars and movies, and the seminal event in her life—the suicide of her brother, whom she adored, when they were both in their teens. With her unprecedented access to Hepburn, Chandler has written a biography completely different from all others, including Hepburn’s own guarded book about herself. .

In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich’s Paris apartment. The star’s career was all but over, but she agreed to meet because Chandler hadn’t known Dietrich earlier, “when I was young and very beautiful.” Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich’s life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with the international success The Blue Angel. Then, under the watchful eye of the director of that film, her mentor Josef von Sternberg, she came to America and became one of the brightest stars in Hollywood. She made a series of acclaimed pictures—Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others—that propelled her to international stardom. With the outbreak of World War II, the fiercely anti-Nazi Dietrich became an American citizen and entertained Allied troops on the front lines. After the war she embarked on a new career as a stage performer, and with her young music director, the gifted Burt Bacharach—whom Chandler interviewed for the book—Dietrich had an outstanding second career. Dietrich spoke candidly with Chandler about her unconventional private life: although she never divorced her husband, Rudi Sieber, she had numerous well-publicized affairs with his knowledge (and he had a longtime mistress with her approval). By the late 1970s, plagued by accidents, Dietrich had become a virtual recluse in her Paris apartment, communicating with the outside world almost entirely by telephone Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star’s own words to reveal how intriguing and fascinating that life really was.

“It''s Only a Movie is the best book ever written about my father. It really is amazing.” –Patricia HitchcockNorth by Northwest. Psycho. Rear Window. The Birds. Vertigo. When it comes to murder and mayhem, shock and suspense, the films of Alfred Hitchcock can not be surpassed. For this book, Charlotte Chandler interviewed Hitchcock, his wife, daughter, film crew members, and many of the stars who appeared in his films, including Kim Novak, Janet Leigh, Cary Grant, Tippi Hedren and James Stewart.Throughout the book, Chandler shares Hitchcock''s wit and wisdom. When actors took themselves too seriously, he would remind them, “it''s only a movie.” Chandler introduces us to the real Hitchcock, a devoted family man and notorious practical joker, who made suspenseful thrillers mixed with subtle humor and tacit eroticism.

Noted film biographer Charlotte Chandler interviewed Bette Davis extensively in the last decade of her life, resulting in a biography in which the great actress speaks for herself. Chandler also spoke with directors, actors, and others who knew and worked with Davis, and includes brief synopses of all of her theatrical films.Here are some more examples of Bette's wit to be found within these pages:“I'm the one who didn't get the man, which is the more interesting character on the screen, but in real life sometimes I wish I could just have been the girl who got the man, and kept him. I got four husbands and several lovers, but I didn't keep any of them. I was invited to the White House, but no man stayed to share my white cottage.”“My favorite actor with whom I never played, professionally or personally, was Laurence Olivier. I admired everything about him. He was a great actor, and he was my dream man. Literally and figuratively. Larry was my fantasy lover, the perfect man, or at least I thought he would be. He was not only beautiful, but intelligent.”

Ingrid Bergman (1915-1982) was perhaps best known for her roles in Casablanca and Notorious, but she won three Oscars for Gaslight, Anastasia, and Murder on the Orient Express, and was a seven-time nominee. She also won two Emmy Awards and a Tony. In 1949, though married and a mother, she fell in love with director Roberto Rossellini and conceived a child with him. Her fans were shocked and she was denounced on the floor of the U.S. Senate. Chandler interviewed Bergman, Roberto Rossellini, Alfred Hitchcock, Martin Scorsese, Cary Grant, Michelangelo Antonioni, Federico Fellini, and Gregory Peck for the book, which contains synopses of all her films, including the Swedish ones.