Cher Krause Knight – författare

From the four corners of the world, parents gather their children, pack their suitcases, and make the journey to Disney World in central Florida. Honeymooners choose the destination over countless others. Its symbols whether the three overlapping circles that create a mouse’s head or Cinderella’s Castle with a shooting star over the turrets are recognised around the globe. It has had nearly one billion visitors since opening in 1971.In this fascinating analysis, Cher Krause Knight peels back the actual and contextual layers of Walt Disney’s inspiration and vision for the resort to explore the reasons why Disney World has emerged as such a prominent sociocultural force. Every detail, from the scale and design of the buildings to the sidewalk infrastructure to what items could and could not be sold in the shops, was carefully calculated to shape the experience of each visitor. Expertly weaving themes of pilgrimage, paradise, fantasy, and urbanism, Knight delves into the unexpected nuances and contradictions of this elaborately conceived play land of the imagination.

In this fascinating analysis, Cher Krause Knight peels back the actual and contextual layers of Walt Disney's inspiration and vision for Disney World in central Florida, exploring the reasons why the resort has emerged as such a prominent sociocultural force.Knight investigates every detail, from the scale and design of the buildings to the sidewalk infrastructure to which items could and could not be sold in the shops, discussing how each was carefully configured to shape the experience of every visitor. Expertly weaving themes of pilgrimage, paradise, fantasy, and urbanism, she delves into the unexpected nuances and contradictions of this elaborately conceived playland of the imagination.

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselvesIncludes 19 essays in four sections: tradition, site, audience, and critical frameworksCovers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass mediaContains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselvesIncludes 19 essays in four sections: tradition, site, audience, and critical frameworksCovers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass mediaContains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.

A comprehensive guide to addressing the present-day challenges of commemorating the past As debates over historical monuments and their meanings unfold, Memorials Now offers a critical exploration of how communities can navigate the complex terrain of commemorative practices. From controversial statues to emerging forms of public memory, the topics covered in this timely volume provide insights into historical challenges while also encouraging a more inclusive and just memorial landscape for the future. Authors Cher Krause Knight and Harriet F. Senie explore evolving narratives of heroes and victims, ethical challenges of memorial design, strategies for promoting inclusivity, and possibilities for alternative forms of commemoration. Memorials Now analyzes case studies from around the world in which communities are rethinking their memorials and creating innovative memorialization projects that reflect shifting cultural values. Memorials Now is ideal for students and educators in art history, architecture, urban planning, and cultural studies, as well as professionals in fields such as public art, city planning, museum curation, and civic engagement.

This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts. Expands the definition of public art to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney WorldOffers a refreshing alternative to the traditional rhetoric and criticism surrounding public artIncludes insightful analysis of the museum and its role in relation to public art