Cherise Smith – författare
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5 produkter
5 produkter
Häftad, Engelska, 2011
637 kr
Skickas inom 3-6 vardagar
The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity through close readings of a significant performance, or series of performances, by each artist. She examines Piper’s public embodiment of the Mythic Being, a working-class black man, during the early 1970s; Antin’s full-time existence as the fictitious black ballerina Eleanora Antinova for several weeks in 1981; and Smith’s shifting among more than twenty characters of different ages and racial, ethnic, gender, and class backgrounds in Twilight: Los Angeles. She also considers Lee’s performances of membership in cultural groups-including swing dancers, hip-hop devotees, skateboarders, drag queens, and yuppies-in her Projects series (1997–2001). The author historicizes the politics of identity by exploring each performance in relation to the discourses prevalent in the United States at the time of its development. She is attentive to how the artists manipulated clothing, mannerisms, voice, and other signs to negotiate their assumed identities. Cherise Smith argues that by drawing on conventions such as passing, blackface, minstrelsy, cross-dressing, and drag, they highlighted the constructedness and fluidity of identity and identifications. Enacting Others provides a provocative account of how race informs contemporary art and feminist performance practices.
E-bok
PDF, Engelska, 2011652 kr
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The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity through close readings of a significant performance, or series of performances, by each artist. She examines Piper’s public embodiment of the Mythic Being, a working-class black man, during the early 1970s; Antin’s full-time existence as the fictitious black ballerina Eleanora Antinova for several weeks in 1981; and Smith’s shifting among more than twenty characters of different ages and racial, ethnic, gender, and class backgrounds in Twilight: Los Angeles. She also considers Lee’s performances of membership in cultural groups—including swing dancers, hip-hop devotees, skateboarders, drag queens, and yuppies—in her Projects series (1997–2001). The author historicizes the politics of identity by exploring each performance in relation to the discourses prevalent in the United States at the time of its development. She is attentive to how the artists manipulated clothing, mannerisms, voice, and other signs to negotiate their assumed identities. Cherise Smith argues that by drawing on conventions such as passing, blackface, minstrelsy, cross-dressing, and drag, they highlighted the constructedness and fluidity of identity and identifications. Enacting Others provides a provocative account of how race informs contemporary art and feminist performance practices.
Inbunden, Engelska, 2020
686 kr
Skickas inom 5-8 vardagar
Smithsonian American Art Museum's 2021 Charles C. Eldredge Prize for Distinguished Scholarship in American ArtMichael Ray Charles is the most comprehensive presentation yet of the work of an artist who rose to prominence in the 1990s for works that engaged American stereotypes of African Americans. With a background in advertising and an archivist’s inquisitiveness, Charles developed an artistic practice that made startling use of found images and offered critiques of the narratives they fostered. Immersing readers in the imagination of this daring painter, Michael Ray Charles celebrates and contextualizes a singular, major figure in the art world.Art historian Cherise Smith collaborated with the artist to curate nearly one hundred color plates documenting nearly thirty years of visual art. These plates are framed by an interview with the artist and by Smith’s own deep interpretive essay on Charles’s work. Smith explores topics ranging from the controversy resulting from Charles’s provocative appropriations of stereotypical racial material to his techniques of sampling from popular culture, and from his commentaries on African American men and sports to his work with director Spike Lee on Bamboozled. Both clear-eyed and complex, this retrospective demonstrates the significant role that Michael Ray Charles’s work has played in defining what art is today.
Inbunden, Engelska, 2020
573 kr
Skickas inom 5-8 vardagar
What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon.Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings-including costumes, jewelry, paintings, sculptures, works on paper, and photography-and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts-artists with deep relationships to Texas-contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.
- Nyhet
Inbunden, Engelska, 2026
557 kr
Skickas inom 7-10 vardagar
In keeping with the artist's eclectic style, this lavishly illustrated catalogue features a mix of poetic, narrative, and scholarly perspectives on Nick Cave's Mammoth. Accompanying a landmark exhibition, this publication is a creative excavation of shared and personal memory. Contributions from Sarah Newman, Cherise Smith, Gwendolyn DuBois Shaw, and J. Drew Lanham engage themes of identity, environmental crisis, and institutional critique. The catalogue also features a sketchbook-style exploration of Cave's studio and mind, including in-process photography, artist sketches, and handwritten notes. This wide-ranging book represents a significant contribution to scholarship on the artist, and will be a lasting resource for artists, art historians, and general readers. Accompanies the exhibition Nick Cave: Mammoth at the Smithsonian American Art Museum, February 13, 2026 January 3, 2027. AUTHORS: Sarah Newman is James Dicke Curator of Contemporary Art at the Smithsonian American Art Museum. Cherise Smith is professor of African and African Diaspora Studies and Art History at the University of Texas, Austin. Gwendolyn DuBois Shaw is associate professor of History of Art at the University of Pennsylvania. J. Drew Lanham is professor of Wildlife Ecology at Clemson University, and 2022 MacArthur Fellow. SELLING POINTS: . Nick Cave-born 1959 in Fulton, Missouri, and now active in Chicago, Illinois-is an artist who defies categorization. Working between sculpture, installation, performance, video and fashion, and best known for his exuberant Soundsuits, Cave has long been interested in the intersections of history and identity. . Cave's bronze sculptures, beaded wall hangings, video and found-object assemblages, tell stories of identity, environmental crisis, societal inequality, and institutional history. . Cave's art can be found nationally. Some examples are MOMA, NYC; Brooklyn Museum, NY; Times Square-42nd Street and 42nd Street-Bryant Park stations, New York City; Hirshhorn Museum and Sculpture Garden, Washington, D.C; Smithsonian American Art Museum, Washington, D.C; MFA, Boston; Philadelphia Museum of Art; Museum of Contemporary Art, Chicago; Detroit Institute of Arts; Crystal Bridges Museum of American Art, AR; Museum of Fine Arts, Houston; Weatherspoon Art Museum, Greensboro, NC; Nelson-Atkins Museum of Art, MO; High Museum of Art, Atlanta; Birmingham Museum of Art, AL; San Francisco Museum of Modern Art. 250 colour illustrations