Chia Youyee Vang – författare

During the Vietnam War, the US Air Force secretly trained pilots from Laos, skirting Lao neutrality in order to bolster the Royal Lao Air Force and their own war efforts. Beginning in 1964, this covert project, "Water Pump," operated out of Udorn Airbase in Thailand with the support of the CIA. This Secret War required recruits from Vietnam-border region willing to take great risks--a demand that was met by the marginalized Hmong ethnic minority. Soon, dozens of Hmong men were training at Water Pump and providing air support to the US-sponsored clandestine army in Laos. Short and problematic training that resulted in varied skill levels, ground fire, dangerous topography, bad weather conditions, and poor aircraft quality, however, led to a nearly 50 percent casualty rate, and those pilots who survived mostly sought refuge in the United States after the war. Drawing from numerous oral history interviews, Fly Until You Die brings their stories to light for the first time--in the words of those who lived it.

The first scholarly work to come from inside the Hmong community, Hmong America documents Chia Youyee Vang's own migration from Laos to Minnesota at age nine and the transformations she has witnessed in Hmong communities throughout the migration and settlement processes. Vang depicts Hmong experiences in Asia and examines aspects of community building in America to reveal how new Hmong identities have been formed and how they have challenged popular assumptions about race and ethnicity in multicultural America. Combining participant observation and archival research with personal experience, Vang constructs a nuanced and complex portrait of the more than 130,000 Hmong people who came to the United States as political refugees beginning in the mid-1970s. Her critique of previous representations of the Hmong community provides the sociological underpinnings for a bold reassessment of Hmong history in the greater context of globalization. This new understanding redefines concepts of Hmong homogeneity and characterizes ordinary Hmong migrants not as passive victims but as dynamic actors who have exercised much power over their political and social destinies.

The first scholarly work to come from inside the Hmong community, Hmong America documents Chia Youyee Vang's own migration from Laos to Minnesota at age nine and the transformations she has witnessed in Hmong communities throughout the migration and settlement processes. Vang depicts Hmong experiences in Asia and examines aspects of community building in America to reveal how new Hmong identities have been formed and how they have challenged popular assumptions about race and ethnicity in multicultural America. Combining participant observation and archival research with personal experience, Vang constructs a nuanced and complex portrait of the more than 130,000 Hmong people who came to the United States as political refugees beginning in the mid-1970s. Her critique of previous representations of the Hmong community provides the sociological underpinnings for a bold reassessment of Hmong history in the greater context of globalization. This new understanding redefines concepts of Hmong homogeneity and characterizes ordinary Hmong migrants not as passive victims but as dynamic actors who have exercised much power over their political and social destinies.

Countering the idea of Hmong women as victims, the contributors to this pathbreaking volume demonstrate how the prevailing scholarly emphasis on Hmong culture and men as the primary culprits of women’s subjugation perpetuates the perception of a Hmong premodern status and renders unintelligible women’s nuanced responses to patriarchal strategies of domination both in the United States and in Southeast Asia.Claiming Place expands knowledge about the Hmong lived reality while contributing to broader conversations on sexuality, diaspora, and agency. While these essays center on Hmong experiences, activism, and popular representations, they also underscore the complex gender dynamics between women and men and address the wider concerns of gendered status of the Hmong in historical and contemporary contexts, including deeply embedded notions around issues of masculinity.Organized to highlight themes of history, memory, war, migration, sexuality, selfhood, and belonging, this book moves beyond a critique of Hmong patriarchy to argue that Hmong women have been and continue to be active agents not only in challenging oppressive societal practices within hierarchies of power but also in creating alternative forms of belonging.Contributors: Geraldine Craig, Kansas State U; Leena N. Her, Santa Rosa Junior College; Julie Keown-Bomar, U of Wisconsin–Extension; Mai Na M. Lee, U of Minnesota; Prasit Leepreecha, Chiang Mai U; Aline Lo, Allegheny College; Kong Pha; Louisa Schein, Rutgers U; Cathy J. Schlund-Vials, U of Connecticut; Bruce Thao; Ka Vang, U of Wisconsin–Eau Claire.

Retired Captain Pao Yang was a Hmong airman trained by the U.S. Air Force and CIA to fly T-28D aircraft for the U.S. Secret War in Laos. However, his plane was shot down during a mission in June 1972. Yang survived, but enemy forces captured him and sent him to a POW camp in northeastern Laos. He remained imprisoned for four years after the United States withdrew from Vietnam because he fought on the American side of the war. Prisoner of Wars shows the impact the U.S Secret War in Laos had on Hmong combatants and their families. Chia Vang uses oral histories thatpoignantly recount Yang’s story and the deeply personal struggles his loved ones-who feared he had died-experienced in both Southeast Asia and the United States. As Yang eventually rebuilt his life in America, he grappled with issues of freedom and trauma.Yang’s life provides a unique lens through which to better understand the lasting impact of the wars in Southeast Asia and the diverse journeys that migrants from Asia made over the last two centuries. Prisoner of Wars makes visible an aspect of the collateral damage that has been left out of dominant Vietnam War narratives.