Cho Nam-Joo – författare

THE MULTI-MILLION-COPY SELLING SOUTH KOREAN SENSATION THAT HAS GOT THE WHOLE WORLD TALKING'A ground-breaking work of feminist fiction.' Stylist Who is Kim Jiyoung? Kim Jiyoung is a girl born to a mother whose in-laws wanted a boy. Kim Jiyoung is a sister made to share a room while her brother gets one of his own.Kim Jiyoung is a female preyed upon by male teachers at school. Kim Jiyoung is a daughter whose father blames her when she is harassed late at night.  Kim Jiyoung is a good student who doesn’t get put forward for internships. Kim Jiyoung is a model employee but gets overlooked for promotion. Kim Jiyoung is a wife who gives up her career and independence for a life of domesticity.Kim Jiyoung has started acting strangely.Kim Jiyoung is depressed.Kim Jiyoung is mad.Kim Jiyoung is her own woman.Kim Jiyoung is every woman.Kim Jiyoung, Born 1982 is the life story of one young woman born at the end of the twentieth century and raises questions about endemic misogyny and institutional oppression that are relevant to us all. Riveting, original and uncompromising, this is the most important book to have emerged from South Korea since Han Kang’s The Vegetarian.       Praise for Kim Jiyoung, Born 1982 'It describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch.’ The Sunday Times  ‘A ground-breaking work of feminist fiction’ Stylist  ‘Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.’ TheGuardian  'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent  'Enthralling and enraging.' Sunday Express  ‘Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody.’ Daily Telegraph

From the author of international bestseller Kim Jiyoung, Born 1982''Cho’s complex, humane, and by its end utterly transfixing novel shows that it is in community that we find resilience.' i newspaper'Like Bong Joon-ho's Academy Award-winning film Parasite and the popular Netflix series Squid Games, Saha points to the increasing inequality and lack of social mobility in South Korea. ... With global inequality on the rise, Saha’s theme of human dignity quashed by the interests of mega-corporations resonates widely.' Guardian'[A]n affecting portrait of people doing their best to survive in a world that would rather pretend they didn’t exist.' New York TimesIn a country called ‘Town’, Su is found dead in an abandoned car. The suspected killer is presumed to come from the Saha Estates.  Town is a privatised country, controlled by a secretive organisation known as the Seven Premiers. It is a society clearly divided into the haves and have-nots and those who have the very least live on the Saha Estates. Among their number is Jin-Kyung, a young woman whose brother, Dok-yung, was in a relationship with Su and quickly becomes the police’s prime suspect. When Dok-yung disappears, Jin Ky-ung is determined to get to the bottom of things. On her quest to find the truth, though, she will uncover a reality far darker and crimes far greater than she could ever have imagined.  At once a dystopian mystery and devastating critique of how we live now, Saha lifts the lid on corruption, exploitation and government oppression, while, with deep humanity and compassion, showing us the lives of those who, through no fault of their own, suffer at the hand of brutal forces far beyond their control.Praise for Kim Jiyoung, Born 1982 'It describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch.’ The Sunday Times  ‘A ground-breaking work of feminist fiction’ Stylist  ‘Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.’ The Guardian  'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent  'Enthralling and enraging.' Sunday Express  ‘Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody.’ Daily Telegraph

From the author of international bestseller Kim Jiyoung, Born 1982''Cho’s complex, humane, and by its end utterly transfixing novel shows that it is in community that we find resilience.' i newspaper'Like Bong Joon-ho's Academy Award-winning film Parasite and the popular Netflix series Squid Games, Saha points to the increasing inequality and lack of social mobility in South Korea. ... With global inequality on the rise, Saha’s theme of human dignity quashed by the interests of mega-corporations resonates widely.' Daily Telegraph'[A]n affecting portrait of people doing their best to survive in a world that would rather pretend they didn’t exist.' New York TimesIn a country called ‘Town’, Su is found dead in an abandoned car. The suspected killer is presumed to come from the Saha Estates.  Town is a privatised country, controlled by a secretive organisation known as the Seven Premiers. It is a society clearly divided into the haves and have-nots and those who have the very least live on the Saha Estates. Among their number is Jin-Kyung, a young woman whose brother, Dok-yung, was in a relationship with Su and quickly becomes the police’s prime suspect. When Dok-yung disappears, Jin Ky-ung is determined to get to the bottom of things. On her quest to find the truth, though, she will uncover a reality far darker and crimes far greater than she could ever have imagined.  At once a dystopian mystery and devastating critique of how we live now, Saha lifts the lid on corruption, exploitation and government oppression, while, with deep humanity and compassion, showing us the lives of those who, through no fault of their own, suffer at the hand of brutal forces far beyond their control.Praise for Kim Jiyoung, Born 1982 'It describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch.’ The Sunday Times  ‘A ground-breaking work of feminist fiction’ Stylist  ‘Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.’ The Guardian  'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent  'Enthralling and enraging.' Sunday Express  ‘Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody.’ Daily Telegraph

From the author of international bestseller Kim Jiyoung, Born 1982 '[A]n affecting portrait of people doing their best to survive in a world that would rather pretend they didn’t exist.' New York Times In a country called ‘Town’, Su is found dead in an abandoned car. The suspected killer is presumed to come from the Saha Estates.   Town is a privatised country, controlled by a secretive organisation known as the Seven Premiers. It is a society clearly divided into the haves and have-nots and those who have the very least live on the Saha Estates. Among their number is Jin-Kyung, a young woman whose brother, Dok-yung, was in a relationship with Su and quickly becomes the police’s prime suspect. When Dok-yung disappears, Jin Ky-ung is determined to get to the bottom of things. On her quest to find the truth, though, she will uncover a reality far darker and crimes far greater than she could ever have imagined.   At once a dystopian mystery and devastating critique of how we live now, Saha lifts the lid on corruption, exploitation and government oppression, while, with deep humanity and compassion, showing us the lives of those who, through no fault of their own, suffer at the hand of brutal forces far beyond their control.Praise for Kim Jiyoung, Born 1982  'It describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch.’ The Sunday Times   ‘A ground-breaking work of feminist fiction’ Stylist   ‘Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.’ The Guardian   'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent   'Enthralling and enraging.' Sunday Express   ‘Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody.’ Daily Telegraph

There are two classes of people in the Town: L and L2. The ones with citizenship are referred to as Ls, or Citizens. They are above a certain level of financial status with knowledge or skills that the Town requires. The L2s are people without citizenship but have a clean criminal record. After interview and physical examination, they can stay and work for two years in this safest and richest corporate nation on earth.Then there are those below even the L2s, illegal aliens called thesaha. They are the immigrants, the disabled, the misfits, victims of violence and poverty who dwell in the decrepit Saha Mansion and are named accordingly.So what happens when a respected young pediatrician is found dead in a parking lot, with evidence of drug overdose and sexual assault, and the prime suspect is hersahaboyfriend?A major police crackdown ensues, with the boyfriend quickly arrested and executed, but is he really behind the murder? His sister, Jinkyung, vows to find out the truth, only to discover the disappearance of asahagirl who has been the test subject of the Town Medical Lab. What lies behind the impenetrable walls of the Town, and who are the mysterious seven Premiers who rule it?Eight years in the making, SAHA MANSION is a powerful tale of dystopia and a battle cry for the dispossessed. Cho gives voice to the marginalized and often unseen minority: They are all Kim Jiyoung, every single one of them.

FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982'There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.' The Observer ‘A thought-provoking, nuanced read’ Sarah Manning, Red 'Dazzling prose' Elle  Eight women. Eight stories. One reality.  A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.  Written in Cho Nam-Joo’s masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80. Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.

FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982 'There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.' The Observer ‘A thought-provoking, nuanced read’ Sarah Manning, Red 'Dazzling prose' Elle  Eight women. Eight stories. One reality.   A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.   Written in Cho Nam-Joo’s masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80. Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.

FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982'There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.' The Observer ‘A thought-provoking, nuanced read’ Sarah Manning, Red 'Dazzling prose' Elle  Eight women. Eight stories. One reality.  A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again.  Written in Cho Nam-Joo’s masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80. Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.

FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982 There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.The Observer'';A thought-provoking, nuanced read'' Sarah Manning, RedDazzling proseElle Eight women. Eight stories. One reality. A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again. Written in Cho Nam-Joo''s masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80. Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo''s precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.

The new novel from the author of Kim Jiyoung, Born 1982Once Ko Mani dreamt of becoming a professional gymnast. Life, however, had other plans for her. Today she has an office job and lives with her parents in the same house and poor part of Seoul in which she grew up.When she unexpectedly finds herself out of work, however, her old ambitions resurface. At the same time property developers start to show an interest in the local area and her mother sniffs an opportunity for her family to finally slip the chains of poverty.   Exploring the fine line we all tread between dreams and reality, in On the Balance Beam Cho Nam-Joo tells the story of an ordinary Korean family, capturing their moments of pain, frustration, resilience and love.

A GUARDIAN 'ONE TO LOOK OUT FOR 2020' A RED MAGAZINE 'CAN'T WAIT TO READ' BOOK OF 2020  THE MULTI-MILLION-COPY SELLING SOUTH KOREAN SENSATION THAT HAS GOT THE WHOLE WORLD TALKING Kim Jiyoung is a girl born to a mother whose in-laws wanted a boy. Kim Jiyoung is a sister made to share a room while her brother gets one of his own. Kim Jiyoung is a female preyed upon by male teachers at school. Kim Jiyoung is a daughter whose father blames her when she is harassed late at night.   Kim Jiyoung is a good student who doesn’t get put forward for internships. Kim Jiyoung is a model employee but gets overlooked for promotion. Kim Jiyoung is a wife who gives up her career and independence for a life of domesticity. Kim Jiyoung has started acting strangely. Kim Jiyoung is depressed. Kim Jiyoung is mad. Kim Jiyoung is her own woman. Kim Jiyoung is every woman.Kim Jiyoung, Born 1982 is the life story of one young woman born at the end of the twentieth century and raises questions about endemic misogyny and institutional oppression that are relevant to us all. Riveting, original and uncompromising, this is the most important book to have emerged from South Korea since Han Kang’s The Vegetarian.       Praise for Kim Jiyoung, Born 1982  'It describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch.’ The Sunday Times   ‘A ground-breaking work of feminist fiction’ Stylist   ‘Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.’ TheGuardian   'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent   'Enthralling and enraging.' Sunday Express   ‘Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody.’ Daily Telegraph

THE SOUTH KOREAN SENSATION THAT HAS GOT THE WHOLE WORLD TALKING '';Aground-breakingwork of feminist fiction'' Stylist Kim Jiyoung is a girl born to a mother whose in-laws wanted a boy. A female preyed upon by male teachers at school. A daughter whose father blames her when she is harassed late at night. Kim Jiyoung is a model employee but gets overlooked for promotion. A wife who gives up her career and independence for a life of domesticity. Kim Jiyoung has started acting strangely. Kim Jiyoung is depressed. Kim Jiyoung is mad. Kim Jiyoung is her own woman. Kim Jiyoung is every woman. The life story of one young woman born at the end of the twentieth century raises questions about endemic misogyny and institutional oppression that are relevant to us all. Riveting, original and uncompromising, this is the most important book to have emerged from South Korea since Han Kang''sThe Vegetarian.

Nach ihrem feministischen Weltbestseller »Kim Jiyoung, geboren 1982« widmet sich die koreanische Autorin Cho Nam-Joo weiterhin dem Schicksal von Frauen in ihrem Land, die unter den patrichalen Strukturen leiden. Acht Frauenleben werden beleuchtet und wieder gelingt es der Autorin, dass sich Frauen weltweit angesprochen fühlen. »Miss Kim weiß Bescheid« versammelt die Leben von acht koreanischen Frauen zwischen 10 und 80 Jahren. Jede einzelne dieser stellvertretenden Frauenbiographien wird vor einem aktuellen gesellschaftlichen Thema in Korea verhandelt: das heimliche Filmen von Frauen in der Öffentlichkeit, hate speach und Cybermobbing auf Social-Media-Plattformen, häusliche Gewalt, Gaslighting, weibliche Identität im Alter und die Ungleichbehandlung am Arbeitsplatz. Auch sich selbst, die plötzlich weltbekannte Autorin, nimmt sie ins Visier. Ihr Erfolg ermöglicht ihr einerseits, ihr Leben als Schriftstellerin komfortabel zu führen, andererseits lässt sie der Hass, der ihr vor allem im Netz begegnet, nicht kalt. Cho Nam-Joos Meisterschaft besteht in der glasklaren Sprache, in der sie ihre Prosa verfasst und gleichzeitig in dem genauen Blick auf die Ungerechtigkeiten Koreas, den sie mit nichts verschleiert, sondern im Gegenteil messerscharf zu Papier bringt. Wie schon bei »Kim Jiyoung, geboren 1982« sind auch die Schicksale dieser acht Frauen nicht annähern so weit von uns weg, wie wir meinen und hoffen.

Die koreanische Bestsellerautorin Cho Nam-Joo widmet sich in diesem Entwicklungsroman einem Frauenleben, das geprägt ist von Armut und der immensen Scham, mit Mitte 30 noch unverheiratet zu sein.Manis Familie lebt in einem der ärmsten Stadtteile von Seoul. Ihr Vater arbeitet in einem Imbiss und ihre Mutter ist erwerbslos. Als kleines Mädchen träumte Mani davon, rhythmische Sportgymnastin zu werden, inspiriert durch Fernsehbilder der Olympischen Spiele 1988 in Seoul. Als Kind fängt sie mit dem Turnen an, muss aber schnell einsehen, dass sie im Vergleich zu anderen kein Talent hat. Sie wird ein einfaches, unerfülltes Leben führen, auch geprägt von der Demütigung, mit Mitte dreißig noch keine eigene Familie zu haben.Die Nachricht von der Stadtteilsanierung lässt die Immobilienpreise in die Höhe schießen, gleichzeitig erfährt Manis Familie zufällig, dass die Sanierung abgeblasen werden solle. Als ein Fremder ihr Haus kaufen will, ist die Familie uneins darüber, ob sie diesem gutmütigen Mann die Wahrheit sagen oder ihn täuschen soll. Ihr ganzes Leben lang haben sie sich an das Prinzip der Ehrlichkeit gehalten. Welche Entscheidung werden sie treffen, wenn sie vor dem größten Dilemma ihres Lebens stehen?

Der Weltbestseller aus Korea – über 2 Millionen verkaufte Exemplare weltweit.Cho Nam-Joo hat mit ihrem Roman einen internationalen Bestseller geschrieben. Ihre minimalistische und doch messerscharfe Prosa hat nicht nur viele Leserinnen weltweit begeistert, sondern auch Massenproteste in Korea ausgelöst. In einer kleinen Wohnung am Rande der Metropole Seoul lebt Kim Jiyoung. Die Mittdreißigerin hat erst kürzlich ihren Job aufgegeben, um sich um ihr Baby zu kümmern – wie es von koreanischen Frauen erwartet wird. Doch schon bald zeigt sie seltsame Symptome: Jiyoungs Persönlichkeit scheint sich aufzuspalten, denn die schlüpft in die Rollen ihr bekannter Frauen. Als die Psychose sich verschlimmert, schickt sie ihr unglücklicher Ehemann zu einem Psychiater. Nüchtern erzählt eben dieser Psychiater Jiyoungs Leben nach, ein Leben bestimmt von Frustration und Unterwerfung. Ihr Verhalten wird stets von den männlichen Figuren um sie herum überwacht – von Grundschullehrern, die strenge Uniformen für Mädchen durchsetzen; von Arbeitskollegen, die eine versteckte Kamera in der Damentoilette installieren und die Fotos ins Internet stellen. In den Augen ihres Vaters ist es Jiyoung''s Schuld, dass Männer sie spät in der Nacht belästigen; in den Augen ihres Mannes ist es Jiyoung''s Pflicht, ihre Karriere aufzugeben, um sich um ihn und ihr Kind zu kümmern. »Kim Jiyoung, geboren 1982« zeigt das schmerzhaft gewöhnliche Leben einer Frau in Korea und gleichzeitig deckt es eine Alltagsmisogynie auf, die jeder Frau – egal, wo auf der Welt – nur allzu bekannt vorkommt.