Choman Hardi – författare

Between February and September 1988, the Iraqi government destroyed over 2000 Kurdish villages, killing somewhere between 50,000 and 100,000 civilians and displacing many more. The operation was codenamed Anfal which literally means 'the spoils of war'. For the survivors of this campaign, Anfal did not end in September 1988: the aftermath of this catastrophe is as much a part of the Anfal story as the gas attacks, disappearances and life in the camps. This book examines Kurdish women's experience of violence, destruction, the disappearance of loved ones, and incarceration during the Anfal campaign. It explores the survival strategies of these women in the aftermath of genocide. By bringing together and highlighting women's own testimonies, Choman Hardi reconstructs the Anfal narrative in contrast to the current prevailng one which is highly politicised, simplified, and nationalistic. It also addresses women's silences about sexual abuse and rape in a patriarchal society which holds them responsible for having been a victim of sexual violence.

Between February and September 1988, the Iraqi government destroyed over 2000 Kurdish villages, killing somewhere between 50,000 and 100,000 civilians and displacing many more. The operation was codenamed Anfal which literally means 'the spoils of war'. For the survivors of this campaign, Anfal did not end in September 1988: the aftermath of this catastrophe is as much a part of the Anfal story as the gas attacks, disappearances and life in the camps. This book examines Kurdish women's experience of violence, destruction, the disappearance of loved ones, and incarceration during the Anfal campaign. It explores the survival strategies of these women in the aftermath of genocide. By bringing together and highlighting women's own testimonies, Choman Hardi reconstructs the Anfal narrative in contrast to the current prevailng one which is highly politicised, simplified, and nationalistic. It also addresses women's silences about sexual abuse and rape in a patriarchal society which holds them responsible for having been a victim of sexual violence.

Between February and September 1988, the Iraqi government destroyed over 2000 Kurdish villages, killing somewhere between 50,000 and 100,000 civilians and displacing many more. The operation was codenamed Anfal which literally means ''the spoils of war''. For the survivors of this campaign, Anfal did not end in September 1988: the aftermath of this catastrophe is as much a part of the Anfal story as the gas attacks, disappearances and life in the camps. This book examines Kurdish women''s experience of violence, destruction, the disappearance of loved ones, and incarceration during the Anfal campaign. It explores the survival strategies of these women in the aftermath of genocide. By bringing together and highlighting women''s own testimonies, Choman Hardi reconstructs the Anfal narrative in contrast to the current prevailng one which is highly politicised, simplified, and nationalistic. It also addresses women''s silences about sexual abuse and rape in a patriarchal society which holds them responsible for having been a victim of sexual violence.

Between February and September 1988, the Iraqi government destroyed over 2000 Kurdish villages, killing somewhere between 50,000 and 100,000 civilians and displacing many more. The operation was codenamed Anfal which literally means ''the spoils of war''. For the survivors of this campaign, Anfal did not end in September 1988: the aftermath of this catastrophe is as much a part of the Anfal story as the gas attacks, disappearances and life in the camps. This book examines Kurdish women''s experience of violence, destruction, the disappearance of loved ones, and incarceration during the Anfal campaign. It explores the survival strategies of these women in the aftermath of genocide. By bringing together and highlighting women''s own testimonies, Choman Hardi reconstructs the Anfal narrative in contrast to the current prevailng one which is highly politicised, simplified, and nationalistic. It also addresses women''s silences about sexual abuse and rape in a patriarchal society which holds them responsible for having been a victim of sexual violence.

Torn between two countries and various life stories, the siblings find themselves dealing with complex life choices, and the mystery of their sister's suicide twenty-two years ago.Whispering Walls is a story of love, relationships, affection, and hope, with a cautious view of the future.

Choman Hardi's Considering the Women explores the equivocal relationship between immigrants and their homeland - the constant push and pull - as well as the breakdown of an intermarriage, and the plight of women in an aggressive patriarchal society and as survivors of political violence. The book's central sequence, Anfal, draws on Choman Hardi's post-doctoral research on women survivors of genocide in Kurdistan. The stories of eleven survivors (nine women, an elderly man and a boy child) are framed by the radically shifting voice of the researcher: naive and matter-of-fact at the start; grieved, abstracted and confused by the end. Knowledge has a noxious effect in this book, destroying the poet's earlier optimistic sense of self and replacing it with a darker identity where she is ready for 'all the good people in the world to disappoint her'. Choman Hardi's second collection in English ends with a new beginning found in new love and in taking time off from the journey of traumatic discovery to enjoy the small, ordinary things of life. Poetry Book Society Recommendation.

Choman Hardi’s Considering the Women explores the equivocal relationship between immigrants and their homeland - the constant push and pull - as well as the breakdown of an intermarriage, and the plight of women in an aggressive patriarchal society and as survivors of political violence. The book’s central sequence, Anfal, draws on Choman Hardi’s post-doctoral research on women survivors of genocide in Kurdistan. The stories of eleven survivors (nine women, an elderly man and a boy child) are framed by the radically shifting voice of the researcher: naïve and matter-of-fact at the start; grieved, abstracted and confused by the end. Knowledge has a noxious effect in this book, destroying the poet’s earlier optimistic sense of self and replacing it with a darker identity where she is ready for ‘all the good people in the world to disappoint her’. Hardi’s second collection in English ends with a new beginning found in new love and in taking time off from the journey of traumatic discovery to enjoy the small, ordinary things of life. Poetry Book Society Recommendation.