Chonglan Fu – författare

This book explores China’s urban development, examining the history and culture of Chinese cities and providing a cultural background to the rapid urban development of contemporary China. It offers a new perspective on Chinese urban history, showcasing the traditional culture which underpins the emergence of the modern city and highlighting how traditional Chinese philosophical thought is reflected in the culture of urban planning and architecture in China, notably examining such issues as ‘the integration of man and nature’, yin and yang, bagua, and the Wu Xing.

This book explores China’s urban development, examining the history and culture of Chinese cities and providing a cultural background to the rapid urban development of contemporary China. It offers a new perspective on Chinese urban history, showcasing the traditional culture which underpins the emergence of the modern city and highlighting how traditional Chinese philosophical thought is reflected in the culture of urban planning and architecture in China, notably examining such issues as ‘the integration of man and nature’, yin and yang, bagua, and the Wu Xing.

This book considers urban development in China, highlighting links between China’s history and civilization and the rapid evolution of its urban forms. It explores the early days of urban dwelling in China, progressing to an analysis of residential environments in the industrial age. It also examines China’s modern and postmodern architecture, considered as derivative or lacking spiritual meaning or personality, and showcases how China's traditional culture underpins the emergence of China’s modern cities. Focusing on the notion of “courtyard spirit” in China, it offers a study of the urban public squares central to Chinese society, and examines the disruption of the traditional Square model and the rise and growth of new architectural models.

This book considers urban development in China, highlighting links between China’s history and civilization and the rapid evolution of its urban forms. It explores the early days of urban dwelling in China, progressing to an analysis of residential environments in the industrial age. It also examines China’s modern and postmodern architecture, considered as derivative or lacking spiritual meaning or personality, and showcases how China''s traditional culture underpins the emergence of China’s modern cities. Focusing on the notion of “courtyard spirit” in China, it offers a study of the urban public squares central to Chinese society, and examines the disruption of the traditional Square model and the rise and growth of new architectural models.