Chrétien de Troyes – författare

Taking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner, Chrétien de Troyes fashioned a new form of medieval Romance. The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.

Taking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner, Chrétien de Troyes fashioned a new form of medieval Romance. The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems.Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.

Erec and Enide, the first of five surviving Arthurian romantic poems by twelfth-century French poet Chrétien de Troyes, narrates a vivid chapter from the legend of King Arthur. Chrétien's romances became the source for Arthurian tradition and influenced countless other poets in England and on the Continent. Yet his swift-moving style is difficult to capture in translation, and today's English-speaking audiences remain largely unfamiliar with the pleasures of reading his poems. Now an experienced translator of medieval verse who is himself a poet has translated Eric and Enide in an original three-stress metric verse form that fully captures the movement, the sense, and the spirit of the Old French original. Burton Raffel's rendition preserves the subtlety and charm of a poem that is in turn serious, dramatic, bawdy, merry, and satiric. Erec and Enide tells the story of Erec, a knight at King Arthur's court, whose retirement to domestic bliss with his beautiful new wife Enide takes him away from his chivalric duties. To regain his knightly honor, Erec sets out with Enide on a series of amazing adventures. Eric dispatches thieves and giants with prodigious strength and valor but treats his wife rather harshly for doubting his abilities. When Enide is kidnapped by a robber baron, Erec revives from near-death to perform a courageous rescue, and at length the two are reconciled.

In this extraordinarily fine translation of Cligès, the second of five surviving Arthurian poems by twelfth-century French poet Chrétien de Troyes, Burton Raffel captures the liveliness, innovative spirit, and subtle intentions of the original work. In this poem, Chrétien creates his most artful plot and paints the most starkly medieval portraits of any of his romances. The world he describes has few of the safeguards and protections of civilization: battles are brutal and merciless, love is anguished and desperate. Cligès tells the story of the unhappy Fenice, trapped in a marriage of constraint to the emperor of Constantinople. Fenice feigns death, then awakens to a new, happy life with her lover.Enormously popular in their own time, each of Chrétien's great verse romances is a fast-paced psychologically oriented narrative. In a rational and realistic manner, Chrétien probes the inner workings of his characters and the world they live in, evoking the people, their customs, and their values in clear, emotionally charged verse. Cligès is filled with Chrétien's barbs and bawdiness, his humor and his pleasure, his affection and his contempt. It is the unmistakable work of a brilliantly individualistic poet, brought to modern English readers by Raffel's poetic translation in a metric form invented specifically to reflect Chrétien's narrative speed and tone.

In this outstanding new translation of Lancelot, Burton Raffel brings to English language readers the fourth of Chrétien’s five surviving romantic Arthurian poems. This poem was the first to introduce Lancelot as an important figure in the King Arthur legend.

Published in 1987: Erec and Enide, the first of five surviving Arthurian romantic poems by a twelfth-century French poet, narrates a vivid chapter from the legend of King Arthur.

Published in 1987: Erec and Enide, the first of five surviving Arthurian romantic poems by a twelfth-century French poet, narrates a vivid chapter from the legend of King Arthur.

In this new verse translation of one of the great works of French literature, Dorothy Gilbert captures the vivacity, wit, and grace of the first known Arthurian romance. "Erec and Enide" is the story of the quest and coming of age of a young knight, an illustrious member of Arthur's court, who must learn to balance the demands of a masculine public life - tests of courage, skill, adaptability, and mature judgment - with the equally urgent demands of the private world of love and marriage. We see his wife, Enide, develop as an exemplar of chivalry in the female, not as an Amazon, but as a brave, resolute, and wise woman. Composed ca. 1170, "Erec and Enide" masterfully combines elements of Celtic legend, classical and ecclesiastical learning, and French medieval culture and ideals. In choosing to write in rhymed octosyllabic couplets - Chretien's prosodic pattern - Dorothy Gilbert has tried to reproduce what so often gets lost in prose or free verse translations: the precise and delicate meter; the rhyme, with its rich possibilities for emphasis, nuance, puns and jokes; and the 'mantic power' implicit in proper names.The result will enable the scholar who cannot read Old French, the student of literature, and the general reader to gain a more sensitive and immediate understanding of the form and spirit of Chretien's poetry, and to appreciate the more Chretien's great contribution to European literature.

In this new verse translation of one of the great works of French literature, Dorothy Gilbert captures the vivacity, wit, and grace of the first known Arthurian romance. Erec and Enide is the story of the quest and coming of age of a young knight, an illustrious member of Arthur''s court, who must learn to balance the demands of a masculine public life—tests of courage, skill, adaptability, and mature judgment—with the equally urgent demands of the private world of love and marriage. We see his wife, Enide, develop as an exemplar of chivalry in the female, not as an Amazon, but as a brave, resolute, and wise woman. Composed ca. 1170, Erec and Enide masterfully combines elements of Celtic legend, classical and ecclesiastical learning, and French medieval culture and ideals.In choosing to write in rhymed octosyllabic couplets–Chrétien''s prosodic pattern–Dorothy Gilbert has tried to reproduce what so often gets lost in prose or free verse translations: the precise and delicate meter; the rhyme, with its rich possibilities for emphasis, nuance, puns and jokes; and the "mantic power" implicit in proper names. The result will enable the scholar who cannot read Old French, the student of literature, and the general reader to gain a more sensitive and immediate understanding of the form and spirit of Chrétien''s poetry, and to appreciate the more Chrétien''s great contribution to European literature.

This verse translation of Yvain; or, The Knight with the Lion brings to life a fast-paced yet remarkably subtle work often considered to be the masterpiece of the twelfth-century French writer Chrétien de Troyes. The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

In this verse translation of Perceval; or, The Story of the Grail, Ruth Harwood Cline restores to life the thematically crucial Arthurian tale of the education of a knight in his search for the Holy Grail.Cline's translation, faithful to the highly synthetic, deliberately ornate nature of medieval French, follows Perceval from his home in Wales, through his rich and raucous adventures as a member of the fraternity of knights, to his climactic meeting with the Fisher King. Paralyzed by his first glimpse of the Grail, Perceval fails to save the ailing king. Distraught, the knight begins a new quest for the Grail, a journey on the road of penitence and faith. Perceval's venture, the true test of his knighthood, ends without conclusion; the death of author Chrétien de Troyes left unsaid and undetermined the success of Perceval's quest.

In this verse translation of Chrétien de Troyes's Lancelot, Ruth Harwood Cline revives the original story of the immortal love affair between Sir Lancelot and Queen Guinevere, a tale that has spawned interpretations ranging from Malory's Le Morte d'Arthur to Lerner and Lowe's Camelot.By remaining faithful to Chrétien's highly structured form, Cline preserves the pace, the pungency of proverbial expressions, and the work's poetical devices and word play in translating this archetypal tale of courtly love from Old French into modern English. Cline's introduction—containing a description of Arthur in history and literature, a discussion of courtly love, and an account of the continuations of the story of Lancelot and Guinevere—makes Lancelot an ideal classroom text.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

In this verse translation of Cligès, written by Chrétien de Troyes circa 1176, Ruth Harwood Cline not only preserves the artistry of the original work but also captures the wit, irony, and striking emotional power of Chrétien's stylistic genius and highly structured form.The romance begins with the marriage of Cligès's parents and continues with the clandestine, mutual love of their son and his uncle's bride, Fenice. Cligès and Fenice are finally united after executing a false-death plot aided by black magic.With a thoroughness and clarity that will appeal to students and scholars of medieval literature, Cline's accessible translation effectively conveys the sparkle, pace, and intricate wordplay of Chrétien's love monologues, classic themes, and complex poetic devices. In addition, her introduction sheds new light on the transmission of British history and legend to the French court of Champagne. With themes that echo from the Tristan legend to Romeo and Juliet, Cligès is an exciting romance about young lovers who escape from an arranged match and find true love in marriage.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

Fully annotated edition, in French, of late 12c Arthurian romance.Cligés is generally thought to be the second of Chrétien's Arthurian romances, probably written between 1185-87. This critical edition of Cligésis the first since Wendelin Foerster's in (1884) to take account of allthe manuscripts. Based on the Guiot manuscript, it contains many emendations, producing a text closer to that of Chrétien's original. Variant apparatus, notes, glossary, and editorial comment on the manuscripts accompany the text.STEWART GREGORY is in the Department of French, Leicester University; the late CLAUDE LUTTRELL was formerly in the Department of English at the same university, and is known for his books and articles on 12c French Arthurian romance.

The King Arthur Super Pack is the most complete collection of Arthurian literature ever assembled. There are more than two thousand pages of amazing literature here. There are more than a dozen major works included in this collection, as well as a number of works of interest to Arthurian fans. Journey back in time to the days of King Arthur and the Knights of the Round Table, when magic and chivalry ruled the land. Included in this omnibus edition are: ‘Le Morte D''Arthur’ by Sir Thomas Malory; ‘Idylls of the King’ by Lord Alfred Tennyson; ‘A Connecticut Yankee In King Arthur''s Court’ by Mark Twain; ‘Erec et Enide’ by Chrétien de Troyes; ‘The Legends of King Arthur and His Knights’ by Sir James Knowles; ‘Stories of King Arthur''s Knights: Told to the Children’ by Mary MacGregor; ‘Stories of King Arthur and His Knights’ by U. Waldo Cutler; ‘King Arthur''s Knights: The Tales Re-Told for Boys & Girls’ by Henry Gilbert; ‘Stories from Le Morte D''Arthur and the Mabinogion’ by Beatrice Clay; ‘King Arthur and the Knights of the Round Table’ by Rupert S. Holland; ‘The Marvellous History of King Arthur in Avalon’ by Geoffrey of Monmouth; ‘Gawayne and the Green Knight: A Fairy Tale’ by Charlton Miner Lewis; ‘Merlin’s Youth’ by George Parker Bidder; ‘Sir Gawain and the Lady of Lys’ translated by Jessie L. Weston; ‘Merlin the Enchanter’ by Thomas Wentworth Higginson; ‘King Arthur at Avalon’ by Thomas Wentworth Higginson; ‘Sir Lancelot of the Lake’ by Thomas Wentworth Higginson; ‘Sir Gawain and the Green Knight’ translated by Jessie Weston; ‘The Story of King Arthur and His Knights’ by Howard Pyle; ‘The Story of the Champions of the Round Table’ by Howard Pyle; ‘The Story of Sir Launcelot and His Companions’ by Howard Pyle; ‘The Story of the Grail and the Passing of Arthur’ by Howard Pyle; ‘A Knyght Ther Was’ by Robert F. Young; ‘The Egyptian Maid or The Romance of the Water-Lily’ by William Wordsworth; ‘Merlin and Vivien’ by Lord Alfred Tennyson; ‘Merlin’s Song’ by Ralph Waldo Emerson; ‘Gawain and the Lady of Avalon’ by George Augustus Simcox; and ‘The Marriage of Sir Gawaine’ by Bishop Thomas Percy.