Chris Greer – författare

This book provides a thorough account of victimisation across the social spectrum of class, race, age and gender. The second edition has been fully revised and expanded, with two parts now spanning the key perspectives and issues in victimology.

Covering theoretical, social and political contexts, the book:

Victims, Crime and Society is the essential text for your studies in victimology across criminology, criminal justice, community safety, youth justice and related areas.

This engaging and timely collection gathers together for the first time key and classic readings in the ever-expanding area of crime and media. Comprizing a carefully distilled selection of the most important contributions to the field, Crime and Media: A Reader tackles a wide range of issues including: understanding media; researching media; crime, newsworthiness and news; crime, entertainment and creativity; effects, influence and moral panic; and cybercrime, surveillance and risk. Specially devized introductory and linking sections contextualize each reading and evaluate its contribution to the field, both individually and in relation to competing approaches and debates.

This book provides a single source around which criminology, media and cultural studies modules can be structured, an invaluable revision and consultation guide for students, and an extremely useful resource for scholars writing and researching across a wide range of relevant fields.

Accessible yet challenging, and packed with additional pedagogical devices, Crime and Media: A Reader will be an invaluable resource for students and academics studying crime, media, culture, surveillance and control.

This engaging and timely collection gathers together for the first time key and classic readings in the ever-expanding area of crime and media. Comprizing a carefully distilled selection of the most important contributions to the field, Crime and Media: A Reader tackles a wide range of issues including: understanding media; researching media; crime, newsworthiness and news; crime, entertainment and creativity; effects, influence and moral panic; and cybercrime, surveillance and risk. Specially devized introductory and linking sections contextualize each reading and evaluate its contribution to the field, both individually and in relation to competing approaches and debates.

This book provides a single source around which criminology, media and cultural studies modules can be structured, an invaluable revision and consultation guide for students, and an extremely useful resource for scholars writing and researching across a wide range of relevant fields.

Accessible yet challenging, and packed with additional pedagogical devices, Crime and Media: A Reader will be an invaluable resource for students and academics studying crime, media, culture, surveillance and control.

This book provides a thorough account of victimisation across the social spectrum of class, race, age and gender. The second edition has been fully revised and expanded, with two parts now spanning the key perspectives and issues in victimology.

Covering theoretical, social and political contexts, the book:

Victims, Crime and Society is the essential text for your studies in victimology across criminology, criminal justice, community safety, youth justice and related areas.

This book provides a thorough account of victimisation across the social spectrum of class, race, age and gender. The second edition has been fully revised and expanded, with two parts now spanning the key perspectives and issues in victimology.

Covering theoretical, social and political contexts, the book:

Victims, Crime and Society is the essential text for your studies in victimology across criminology, criminal justice, community safety, youth justice and related areas.

Georgia is a state of great geographical diversity, and as you make your way from the Atlantic Ocean up to the temperate rainforest of the southern Appalachians, you’ll find a lot to see. Thousands of meandering creeks twist and turn their way through the coastal marsh, filling and emptying its 400,000 acres twice a day with tides that can average seven feet or even higher. The largest blackwater swamp in North America is just inland, and from there you can trek north through the ever-changing scenery as the landscape transitions from the Coastal Plain to the Piedmont and finally to the Appalachian Mountains. There is plenty of beauty, including rolling farmland, intriguing barns, and stately old trees that have witnessed incredible change since Georgia’s inception in 1788.

It is a place of remarkable beauty that sets a perfect scene for a landscape photographer. The Mountains, the Heartland, the South, and the Coast are gorgeous backdrops where Chris Greer captures the essence of the state in this a showcase of the splendor that is Naturally Georgia.