Chris Hall – författare

This book is a specially published section of the larger work ICE Manual of Construction Materials, an invaluable resource for practising civil and structural engineers in consulting firms, government agencies, research institutes, universities and colleges. Its highly practical approach will guide and train readers towards achieving expertise in the use of major and emerging construction materials.The Polymers and Polymer Fibre Composite section of the two-volume manual is edited by Christopher Hall, Jian-Fei Chen and Len Hollaway.

Ninety years ago, a Civil War broke out in a then little-known country. For thousands of British, Irish and Commonwealth people, the Spanish Civil War was their main focus for three years.Over 2,500 “British” (including Irish and Commonwealth) men and women fought in the International Brigades or served in the medical services of the Spanish Republic. Over 500 volunteers were to die in Spain.Other “British” volunteers served as mercenary pilots and in the revolutionary militias (including George Orwell); some even served on the side of the rebel forces.At home, thousands participated in ‘Spanish Aid’ activities, raising funds for food ships and medical supplies for Republican Spain. During the Civil War, 4000 Basque refugee children were supported by public donations. Picasso’s Guernica painting toured England to raise funds.This is the story of ordinary men and women, told in their own words and reflecting the whole gamut of emotions from ecstasy to despair.Many volunteers would go on to fight in the Second World War and some became leading figures in post-War Britain. But for many volunteers, the Spanish Civil War was the “Passionate Cause” and the outstanding episode of their lives. This is their story.

It was the watch that went to the moon; the official timekeeper of the Olympics and America's Cup; and the watch adopted by British and US troops in World War One. Omega is the oldest continuous maker of watches in the world, being founded in 1848. They have broken new ground in watch design throughout the decades, releasing the earliest minute-repeating wristwatch in 1892, and the first mass-produced watch with a coaxial escapement in 1999 - a major breakthrough in horology.Omega Watch by Watch is the only complete overview of Omega's output, collecting together over 100 seminal pieces from all around the world, including from Omega themselves. Featured are historic editions of the Speedmaster (the Apollo mission watch), the Seamaster series, watches that collaborated with the James Bond franchise, special moon watch editions and the stunning constellation series.Fascinating commentary from industry expert Chris Hall accompanies specially shot images that include detail of some of the intricate backs and workings of the timepieces, all presented in a luxury design and slipcase. This is the perfect book for lovers of wristwatches and precision design.

This innovative book explores social work, therapy and counselling as a series of encounters - between clients and human services professionals, social workers, their colleagues and other professionals, and more widely between citizens and the state. Providing a variety of social constructionist perspectives on the idea of the 'client', it presents in-depth discussion of the roles, language and contexts of meetings between social workers and their clients.International contributors present discussion on categorization, analysing identities and reflexive practice. Drawing data from a variety of sources, including meetings, client files and transcribed dialogues with clients, the book employs methods such as conversation and discourse analysis to propose new insights into what it means to be a client of the human services agency.Bringing together a rich variety of data, this volume forms an important contribution to major debates on the nature of social work and counselling. As well as innovative approaches to theory and research, the implications for practice in social work and counselling are discussed. Challenging previously-held notions about clienthood, this book is a useful and thought-provoking resource for social workers, counsellors, policy makers, academics, researchers and students and trainers in social work and counselling.

This collection, arriving in the wake of the 25th anniversary of 1998’s Metal Gear Solid, provides scholars and fans alike with a wide-ranging selection of critical essays on the franchise from diverse disciplinary and thematic perspectives.With the conclusion of Hideo Kojima’s Metal Gear Solid video game series only recently behind us, it is now both possible and essential to study this critically, commercially, and culturally resonant series as a whole. The essays contained in this volume, which are all new contributions from both established and emerging scholars, take up this crucial opportunity to consider and reconsider the cultural, historical, political, philosophical, and aesthetic impact of the Metal Gear Solid games in analyses spanning the series’ canonical entries, adding to the understanding of both well-studied installments and under- examined ones. These contributions connect themes that emerge from the games—such as sexuality and queerness, rhetoric and ethics, and subjectivity and embodiment—while also demonstrating how the series opens up broader questions about ecology, race, gender, militarization, pedagogy, and game design, that demand continued analysis and application. Each essay develops new avenues for theoretical, rhetorical, and political exploration of the Metal Gear Solid series, for Game Studies, and for the study of Popular Culture writ large. As the first collection of critical inquiries into the Metal Gear Solid series, this volume serves as crucial exegesis of and critical companion to any future study of the series by celebrating, critiquing, and critically interrogating its entries’ rich cultural and disciplinary import.

This collection, arriving in the wake of the 25th anniversary of 1998’s Metal Gear Solid, provides scholars and fans alike with a wide-ranging selection of critical essays on the franchise from diverse disciplinary and thematic perspectives.With the conclusion of Hideo Kojima’s Metal Gear Solid video game series only recently behind us, it is now both possible and essential to study this critically, commercially, and culturally resonant series as a whole. The essays contained in this volume, which are all new contributions from both established and emerging scholars, take up this crucial opportunity to consider and reconsider the cultural, historical, political, philosophical, and aesthetic impact of the Metal Gear Solid games in analyses spanning the series’ canonical entries, adding to the understanding of both well-studied installments and under- examined ones. These contributions connect themes that emerge from the games—such as sexuality and queerness, rhetoric and ethics, and subjectivity and embodiment—while also demonstrating how the series opens up broader questions about ecology, race, gender, militarization, pedagogy, and game design, that demand continued analysis and application. Each essay develops new avenues for theoretical, rhetorical, and political exploration of the Metal Gear Solid series, for Game Studies, and for the study of Popular Culture writ large. As the first collection of critical inquiries into the Metal Gear Solid series, this volume serves as crucial exegesis of and critical companion to any future study of the series by celebrating, critiquing, and critically interrogating its entries’ rich cultural and disciplinary import.