Storied Selves focuses on feminist Witches and their constructions of identities through the use of opposition and speculation as technologies of identity, particularly (post)colonial, maternal, and holistic identities. Through these identity formations, feminist Witches are invested in changing consciousness to create a just and sustainable world—an act which is fundamental to their practices of magic. Looking at three novels—Barbara Walker's Amazon, Cynthia Lamb's Brigid's Charge, and Starhawk's The Fifth Sacred Thing—Klassen asks three questions: how are technologies of identity deployed; where are feminist Witches most successful in promoting and/or creating models for a just and sustainable world; where and how can feminist Witches push these technologies of identity even further to create continuing oppositional and speculative identities which could lead to a just and sustainable world?

Many of the available resources for teaching courses on feminist spirituality either come from the 1980s to 1990s or are written by the same authors as those earlier texts, thus showing us a progression of spiritual beliefs and practices of 'second-wave' feminists. This is useful, but when addressing this topic with university students it is also important to show the ways in which spirituality has been rethought by 'third-wave' feminists. This rethinking can be found in various small circulation 'zines, but these are not always accessible to a wide audience. This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It examines the experiences of young feminists and others who have been influenced by second-wave feminist spirituality and engaged in developing and critiquing themes of Goddess religion, queer theory, protest movements, and popular culture.

Storied Selves focuses on feminist Witches and their constructions of identities through the use of opposition and speculation as technologies of identity, particularly (post)colonial, maternal, and holistic identities. Through these identity formations, feminist Witches are invested in changing consciousness to create a just and sustainable world—an act which is fundamental to their practices of magic. Looking at three novels—Barbara Walker's Amazon, Cynthia Lamb's Brigid's Charge, and Starhawk's The Fifth Sacred Thing—Klassen asks three questions: how are technologies of identity deployed; where are feminist Witches most successful in promoting and/or creating models for a just and sustainable world; where and how can feminist Witches push these technologies of identity even further to create continuing oppositional and speculative identities which could lead to a just and sustainable world?

Many of the available resources for teaching courses on feminist spirituality either come from the 1980s to 1990s or are written by the same authors as those earlier texts, thus showing us a progression of spiritual beliefs and practices of 'second-wave' feminists. This is useful, but when addressing this topic with university students it is also important to show the ways in which spirituality has been rethought by 'third-wave' feminists. This rethinking can be found in various small circulation 'zines, but these are not always accessible to a wide audience. This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It examines the experiences of young feminists and others who have been influenced by second-wave feminist spirituality and engaged in developing and critiquing themes of Goddess religion, queer theory, protest movements, and popular culture.