Chrissy Williams - Böcker

Older women have been deemed useless to society andabandoned on a remote island, where they must fight to the death, whilst makingfriends and dessert. Welcome to GOLDEN RAGE: a not-too distant dystopia whereBATTLE ROYALE meets THE GOLDEN GIRLS.COLLECTS GOLDEN RAGE#1-5“Battle Royale meets The Golden Girls withdashes of Agatha Christie and Logan’s Run. I’m all the wayin!” — Kelly Sue DeConnick"Golden Rage's not-so-farfetched dystopianisland of castaway old ladies will question your attitude toward the aging womenof this world. A very important subject of self-reflection indeed." — ElsaCharretier

In a world where old and infertile women are deemed useless to society and abandoned on an island, GOLDEN RAGE documents their golden years of making friends, baking dessert, and fighting to the death. MOTHER KNOWS BEST builds on the first GOLDEN RAGE volume for a glorious new adventure. Created by writer CHRISSY WILLIAMS (editor of DIE, THE WICKED + THE DIVINE), artist LAUREN KNIGHT (Buffy the Vampire Slayer), and colorist SOFIE DODGSON (BITTER ROOT, Tank Girl), this is the FIRST ISSUE of a brand-new five-issue miniseries where Battle Royale meets The Golden Girls. Collects Golden Rage: Mother Knows Best #1-5.

The lively 'bears' in this playful and poignant collection will surprise you on every page. They are poems of love and death, life, loss and grief. The ephemera of popular culture is used to confront mortality, and you'll be transported from the British Library to the Alps to the International Space Station, along with a vibrant cast of Vikings, videogames and Angela Lansbury. From the ludicrous to the domestic, these profound, wry and very real bears affirm that hope may be found even in our darkest moments. Chrissy Williams has published several pamphlets, one of which was shortlisted for a Michael Marks Award. Bear is her first book-length collection.

This new collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. These poems try to understand the many different means we use to come closer to articulating, and avoiding, experience. Drawing on the language of comedy, improvisation, drag and clown, Low interrogates humour’s role in enacting the possibility of change. A thought-provoking, irreverent and challenging book, Low exemplifies Chrissy Williams' ability to find 'seriousness in the apparently trivial and ephemeral' (Poetry Review).Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017. She has also published several pamphlets, one of which was shortlisted for the Michael Marks Award. Low is her second full-length collection).